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	<title>Comments on: Rockwell in the 1960s &#8211; Part I of II</title>
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		<title>By: Charles Neumann</title>
		<link>http://www.saturdayeveningpost.com/2012/01/06/art-entertainment/rockwell-1960s-part-ii.html/comment-page-1#comment-207682</link>
		<dc:creator>Charles Neumann</dc:creator>
		<pubDate>Sun, 15 Jan 2012 00:13:28 +0000</pubDate>
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		<description><![CDATA[Love the cover &quot;The Connoisseur&quot;, one of my all time favorites. Mr. Rockwell&#039;s work only improved with age.  It is nice to say the Saturday Evening Post was started bt Ben Franklin, even if it really wasn&#039;t.]]></description>
		<content:encoded><![CDATA[<p>Love the cover &#8220;The Connoisseur&#8221;, one of my all time favorites. Mr. Rockwell&#8217;s work only improved with age.  It is nice to say the Saturday Evening Post was started bt Ben Franklin, even if it really wasn&#8217;t.</p>
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		<title>By: Bob McGowan</title>
		<link>http://www.saturdayeveningpost.com/2012/01/06/art-entertainment/rockwell-1960s-part-ii.html/comment-page-1#comment-204911</link>
		<dc:creator>Bob McGowan</dc:creator>
		<pubDate>Sun, 08 Jan 2012 02:00:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=46483#comment-204911</guid>
		<description><![CDATA[Diana, I really learned a lot about Norman Rockwell and some of the behind-the-scenes stories that accompanied certain covers. I find it fascinating &#039;The Connoisseur&#039; involved a worker who climbed to the top of a ladder to dump a can of white paint on the canvas for Rockwell. One can&#039;t help but wonder if Jackson Pollock didn&#039;t utilize such techniques himself in his &#039;paintings&#039;! The irony of Rockwell and Pollock&#039;s style together on the same cover was not lost on me either.

The Nasser story is almost jaw-dropping. Rockwell may have looked like the unassuming, all-American gentleman, but obviously was a force to be reckoned with when he needed to be. The fact he stood up to a leader of Nasser&#039;s magnitude, and got HIM to give in to the profile painting, shows what a shrewd &#039;salesman&#039; Rockwell was! This painting is among his finest, and I love the beautiful Egyptian background. No doubt Nasser loved it too; how could he not?!

Love the Nehru cover and &#039;Modernizing the Post&#039;. I also agree with the Post&#039;s stand on Ben Franklin being the Post&#039;s founder. He lit the match of the candle that led to his paper becoming The Saturday Evening Post, even if it had a different NAME in the late 18th and early 19th centuries. That&#039;s really just a technicality.]]></description>
		<content:encoded><![CDATA[<p>Diana, I really learned a lot about Norman Rockwell and some of the behind-the-scenes stories that accompanied certain covers. I find it fascinating &#8216;The Connoisseur&#8217; involved a worker who climbed to the top of a ladder to dump a can of white paint on the canvas for Rockwell. One can&#8217;t help but wonder if Jackson Pollock didn&#8217;t utilize such techniques himself in his &#8216;paintings&#8217;! The irony of Rockwell and Pollock&#8217;s style together on the same cover was not lost on me either.</p>
<p>The Nasser story is almost jaw-dropping. Rockwell may have looked like the unassuming, all-American gentleman, but obviously was a force to be reckoned with when he needed to be. The fact he stood up to a leader of Nasser&#8217;s magnitude, and got HIM to give in to the profile painting, shows what a shrewd &#8216;salesman&#8217; Rockwell was! This painting is among his finest, and I love the beautiful Egyptian background. No doubt Nasser loved it too; how could he not?!</p>
<p>Love the Nehru cover and &#8216;Modernizing the Post&#8217;. I also agree with the Post&#8217;s stand on Ben Franklin being the Post&#8217;s founder. He lit the match of the candle that led to his paper becoming The Saturday Evening Post, even if it had a different NAME in the late 18th and early 19th centuries. That&#8217;s really just a technicality.</p>
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