Post: What prompted your interests and efforts on behalf of AIDS?

Taylor: First, I became aware of the fact that there was a new and very serious disease that was destroying many young people in the arts community at the very prime of their lives. Second, I had a strong sense of compassion for these people for whom literally nothing could be done. And finally, I was outraged that nothing was happening, that no one seemed to care—and then I realized that if I didn’t  become involved, I had no one to blame but myself.

In addition to becoming personally involved, she engaged President Reagan in the battle against AIDS, and made sure that, in the final years of his presidency, HIV remained on his agenda. In doing so, she brought the formerly shunned disease into America’s mainstream political discussion.

Post: If you could bring one message to the American people about AIDS, what would it be?

Taylor: We are in this together! As President Reagan has said, “AIDS affects all of us”—as he said, “AIDS calls for urgency, not panic—compassion, not blame—understanding, not ignorance.”

Post: How have you gone about your fund-raising efforts?

Taylor: By talking about the importance of this issue, by reaching out to encourage the involvement of friends, by challenging our leaders and others to be involved, by setting up the American Foundation for AIDS Research, and by personal appeals and appearances on behalf of this issue.

Over the course of her 70-year career, Taylor entertained us, dazzled us, and, in the end, did her best to take care of us.

See also: Elizabeth Taylor, Leading Lady of the Sixties

Donate to AmfAR today at www.amfar.org.

Elizabeth Taylor: AIDS Activist The Saturday Evening Post

American Storytellers: Norman Rockwell & Mark Twain is on view through September 6 at the Mark Twain House & Museum in Hartford, CT. Organized with the help of the Norman Rockwell Museum in Stockbridge, Mass., the show looks into both artists’ idealized depictions of childhood, and offers a chance to get an up-close peek at a number of rarely seen Rockwells. In addition to paintings on loan from the Rockwell Museum and the New Britain Museum of American Art, the exhibit features limited-edition lithographs of Rockwell’s pencil drawings, originally commissioned by the Massachusetts Mutual Life Insurance Company in the 1950s and ’60s.

Also on view, naturally, are Rockwell’s illustrations for Twain’s Tom Sawyer and Huckleberry Finn. Walking through the exhibit, it’s easy to forget, for a moment, that the writer and the artist never crossed paths in real life. In fact, the two were born nearly 60 years apart, and by the time Rockwell’s first Saturday Evening Post cover was published (in 1916, when he was 22-years-old), Twain had been dead for six years. That fact makes this in-gallery meeting of their works, and the resulting synchronicity, especially captivating.

Intrigued? Tickets to the exhibit cost $6, but are free for members of the Norman Rockwell Museum and the Mark Twain House & Museum. For directions and hours, visit the Twain Museum website.

Norman Rockwell & Mark Twain: American Storytellers The Saturday Evening Post