FOR IMMEDIATE RELEASE
Contact: Allie Curry
Los Angeles (October 28, 2013)— Just as actress Lisa Kudrow heats up the small screen again with an extended guest spot on ABC’s Scandal, legendary master of the interview Lawrence Grobel sits down with the Friends alum for the November/December The Saturday Evening Post cover story.
Included are excerpts from the article, also available here.
On being a junior high school outcast: “It was not, like, the nice people who were popular; it wasn’t the most entertaining people—it was the meanest people.”
On getting a nose job in high school: “That was life altering. I went from, in my mind, hideous, to not hideous. I did it the summer before going to a new high school. So there were plenty of people who wouldn’t know how hideous I looked before. That was a good, good, good change.”
On experiencing anti-Semitism: “In college there was more anti-Semitism than before college, because there were people who never met a Jew before. A friend of mine, when she found out I was Jewish, said, ‘Really? Oh, I don’t like Jews.’”
On trying mind-altering drugs: “I never tried that stuff. Because [my father] would tell me stories of people who had smoked pot one time and they had a psychotic break and never recovered. And I thought, well, who wants to roll those dice? I don’t care what the odds are. [Laughs] I don’t like being altered.”
On being a mother: “It’s so unfair that kids aren’t allowed to go through a little something. Kids are overly scrutinized and that’s really too bad for them. One week I heard, ‘Oh, your kid’s not able to focus. And I’ve been noticing it for a while now.’ ‘A while?’ ‘Yeah, like two weeks. You ought to look into medication.’ Fortunately there were other mothers to talk to about it.”
On encouraging Conan to get into the late night talk show game: “I was very encouraging. I remember saying, ‘If Letterman’s leaving his late-night show, he’s irreplaceable. So better it be someone we don’t know at all.’ So I thought he should look into it.”
On getting called Phoebe, her character from Friends: “I don’t turn around. I never turn around. If someone’s in front of me, I’ll smile and try to be nice. But I don’t like taking pictures. Autographs are fine.”
On fame: “I had always thought that fame would give you permission to lighten up on yourself. If everybody else likes you, you could finally have permission to love yourself. It’s not true.”
On roles for women in Hollywood: “It’s gotten better, for sure, because you have so many strong women in comedy who write, like Tina Fey and Kristen Wiig and Mindy Kaling. It’s not going to be the same because our society is not the same.”
On the character she plays in her new web series: “She doesn’t know much about therapy, and she’s not even accredited. […] I’ve been in therapy, but I’m not a trained therapist, so that’s perfect.”
On failure: “Every audition you didn’t do well in, the job you didn’t get, you get into trouble when you start looking at it as failure. I try to be happy for everything that happens, the good and the bad. Otherwise I wouldn’t be right here.”
About The Saturday Evening Post: For nearly 300 years, The Saturday Evening Post has chronicled American history in the making—reflecting the distinctive characteristics and values that define the American way. Today’s Post continues the grand tradition of providing art, entertainment and information in a stimulating mix of idea-driven features, cutting-edge health and medical trends—plus fiction, humor, and laugh-out-loud cartoons. A key feature is the Post Perspective, which brings historical context to current issues and hot topics such as health care, religious freedom, education, and more.
Tracing its roots to Benjamin Franklin, The Saturday Evening Post mirrors cherished American ideals and values, most memorably illustrated by its iconic cover artist Norman Rockwell. The Post is also known for publishing such literary greats as Ray Bradbury, Agatha Christie, William Faulkner, F. Scott Fitzgerald, Edgar Allan Poe, and Kurt Vonnegut, and continues to seek out and discover emerging writers of the 21st century.
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