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	<title>The Saturday Evening Post &#187; 1950s</title>
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		<title>Classic Covers: Childhood in the 1950s</title>
		<link>http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=childhood-1950s</link>
		<comments>http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html#comments</comments>
		<pubDate>Fri, 16 Nov 2012 13:00:55 +0000</pubDate>
		<dc:creator>Diana Denny</dc:creator>
				<category><![CDATA[Art & Artists]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[George Hughes]]></category>
		<category><![CDATA[john falter]]></category>
		<category><![CDATA[Norman Rockwell]]></category>
		<category><![CDATA[post covers]]></category>
		<category><![CDATA[Stevan Dohanos]]></category>
		<category><![CDATA[thornton utz]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=76040</guid>
		<description><![CDATA[<p>Remember black-and-white Westerns and sandlot baseball? Our classic covers show what being a youngster was like in postwar America.</p><p><a href="http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html">Classic Covers: Childhood in the 1950s</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>If you were born around 1950, you probably remember watching TV in black and white, swinging on a jungle gym, and playing house. Below, some of our finest cover artists illustrated what being a youngster was like in postwar America.</p>
<p><div class="recipe"><br />
<h2><em>More Clothes to Clean</em></h2></p>
<p><div id="attachment_76051" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html/attachment/1948_04_17" rel="attachment wp-att-76051"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1948_04_17.jpg" alt="More Clothes to Clean by George Hughes from April 17, 1948" title="1948_04_17" width="368" height="475" class="size-full wp-image-76051" /></a><p class="wp-caption-text"><br />
<h5><em>More Clothes to Clean</em><br />George Hughes<br /> April 17, 1948</h5>
<p></p></div></p>
<p>Although he was already a prominent illustrator by the late 1940s, George Hughes took his first crack at <em>The Saturday Evening Post</em>’s cover in 1948 (left)—and it was a smash hit right out of the ballpark! Reader response secured his position as one of the <em>Post</em>’s main illustrators alongside the likes of Norman Rockwell, John Falter, Stevan Dohanos, and Richard Sargent. “That copy arrived just as I have completed a washing much the same as pictured,” wrote one woman. “Only a blue-jeaned tomboy sister alongside junior is needed to get a complete story from my angle.”</p>
<p>Determined to be accurate, Hughes spent an entire day studying clothespins for the illustration. He knew if he didn’t get every detail right, there would be a barrage of letters to the editor telling him so. Employing a neighbor boy as the model, Hughes completed the painting. It was returned for a correction: “The editors asked me to ‘clean up the boy a bit, since he isn’t old enough to get that dirty.’ Actually, he was fully that dirty. But I pleased both the editors and his real mother by cleaning him up a little.” It was a fine line artists walked between pleasing, or at least not displeasing, <em>Post</em> readers and editors.<br />
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<p><div class="recipe"><br />
<h2><em>Good Guys Wear White Hats</em></h2></p>
<p><div id="attachment_76054" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html/attachment/1957_11_09" rel="attachment wp-att-76054"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1957_11_09.jpg" alt="Good Guys Wear White Hats by John Falter November 9, 1957" title="1957_11_09" width="368" height="479" class="size-full wp-image-76054" /></a><p class="wp-caption-text"><br />
<h5><em>Good Guys Wear White Hats</em><br />John Falter <br />November 9, 1957</h5>
<p></p></div></p>
<p>“Young Sammy Sixgun, using the classic hat-over-the-rock routine, will now restore law and order to the old TV-West,” wrote <em>Post</em> editors of this 1957 cover (left). Blissfully unaware of the drama unfolding around him is artist John Falter’s own dog, Ralph, snoozing on the couch.</p>
<p>John Falter (1910-1982) was born in Plattsmouth, Nebraska, and began sketching at the ripe old age of two—on a chalkboard his mother gave him. “His first commission came from a local soda shop that paid the budding artist in chocolate milk shakes for a well executed mural,” according to a 1991 article in the <em>Post</em>. He continued “to draw, sketch, and paint at an inspired pace for the rest of his life, completing, by his own estimate, more than 5,000 paintings.”<br />
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<p><div class="recipe"><br />
<h2><em>Playing House</em></h2></p>
<p><div id="attachment_76055" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html/attachment/1953_01_31" rel="attachment wp-att-76055"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1953_01_31.jpg" alt="Playing House by Stevan Dohanos January 31, 1953" title="1953_01_31" width="368" height="473" class="size-full wp-image-76055" /></a><p class="wp-caption-text"><br />
<h5><em>Playing House</em><br />Stevan Dohanos<br /> January 31, 1953</h5>
<p></p></div></p>
<p>This January 1953 cover (left) shows that Santa’s recent visit left some perfect items for playing house. Though contemporary <em>Post</em> editors saw them as lessons in “learning how to boil water without forgetting it and melting the pot down into the stove, and other complex principles of homemaking.” The editors noted, “The only uneducational toys in sight are the dolls, for they are not sniveling or hollering.”</p>
<p>Stevan Dohanos (1907-1994) was born in Lorain, Ohio, the son of Hungarian immigrants. His artistic career began, uniquely enough, in a steel mill. Employed as an office boy, Dohanos would copy the artwork he found on calendars and sell them to co-workers for 50 cents. Encouraged by family and friends, he took a two-year home study course and then went on to Cleveland Art School. His style is classified as American Realist, depicting the design and form of everyday objects like fire hydrants and milk bottles. He illustrated 123 <em>Post</em> covers between 1942 and 1958.<br />
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<p><div class="recipe"><br />
<h2><em>Hat Bridge</em></h2><br />
<div id="attachment_76056" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html/attachment/1958_01_25" rel="attachment wp-att-76056"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1958_01_25.jpg" alt="Hat Bridge by Thornton Utz January 25, 1958" title="1958_01_25" width="368" height="446" class="size-full wp-image-76056" /></a><p class="wp-caption-text"><br />
<h5><em>Hat Bridge</em> <br />Thornton Utz<br /> January 25, 1958</h5>
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<p>It’s difficult to say whether this young man at left will grow up to be a fireman or an engineer, for the precocious one structured what <em>Post</em> editors termed “an overpass” through which “he is lickety-tooting down a through way to a conflagration,” adding, “Heaven help that poor fedora in his path.” While giving the lad points for ingenuity, they couldn’t help but speculate what would come to pass when the guests come to sort out their property. “Those without a rollicking sense of humor,” they concluded, “may become a bit indignant—mad hatters, let’s call ’em.”</p>
<p>Like many artists, Thronton Utz (1914-2000) began his <em>Post</em> career illustrating short stories. His first cover came seven years later in 1949, and soon his art was known for its humorous twist on everyday life.<br />
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<p><div class="recipe"><br />
<h2><em>A Day in the Life of a Boy</em></h2></p>
<p><div id="attachment_76057" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html/attachment/1952_05_24" rel="attachment wp-att-76057"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1952_05_24.jpg" alt="A Day in the Life of a Boy by Norman Rockwell May 24, 1952" title="1952_05_24" width="368" height="464" class="size-full wp-image-76057" /></a><p class="wp-caption-text"><br />
<h5><em>A Day in the Life of a Boy</em><br />Norman Rockwell<br /> May 24, 1952</h5>
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<p>It’s a busy day for Charles Marsh Jr., the model for this cover: Get up; brush teeth; then, of course, there’s that bothersome school to deal with. Baseball and a charming lass provide diversions until it’s time to go home, do homework, and turn in.</p>
<p>Marsh modeled for Rockwell from the time he was a baby until he was 12 when Rockwell moved from Arlington, Vermont, to Stockbridge, Massachusetts. (Hear what it was like to work with America&#8217;s best-loved artist in <a href="http://www.saturdayeveningpost.com/?p=76463">&#8220;A Day in the Life of Norman Rockwell Model Chuck Marsh.&#8221;</a>) </p>
<p>A good friend to him, Marsh considered the artist outgoing and community-minded. But no one knew just how community-minded until Rockwell donated the original painting <em>A Day in the Life of a Boy</em> to the Community Club for their annual raffle. Today, Rockwell&#8217;s <a href="http://www.saturdayeveningpost.com/2011/05/28/art-entertainment/allamerican-soldier-willie-gillis.html"><em>Willie Gillis’ Package from Home</em></a>, up for auction in Chicago, <a href="http://www.prnewswire.com/news-releases/norman-rockwell-masterpiece-resurfaces-after-decades-to-be-sold-at-auction-in-chicago-on-december-1-178817191.html" target="_blank">may fetch $3 to 5 million</a>. But in the early 1950s, this particular painting went for a grand total of 50 cents.</p>
<p>A few months after the cover was published, there was a follow-up called <em>A Day in the Life of a Girl</em>, which featured Marsh in what he called “the toughest time I had posing”—because he was supposed to kiss the girl. For that story and other Rockwell kids of the ’50s, see <a href="http://www.saturdayeveningpost.com/2012/01/27/art-entertainment/rockwell-fifties-part-iii.html">“Rockwell in the 1950s–Part I of III.”</a><br />
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<p><div class="recipe"><br />
<h2><em>Jungle Gym</em></h2></p>
<p><div id="attachment_76058" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html/attachment/1959_11_07" rel="attachment wp-att-76058"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1959_11_07.jpg" alt="Jungle Gym by George Hughes  November 7, 1959" title="1959_11_07" width="368" height="475" class="size-full wp-image-76058" /></a><p class="wp-caption-text"><br />
<h5><em>Jungle Gym</em><br />George Hughes<br /> November 7, 1959</h5>
<p></p></div></p>
<p>At left, the upside-down boy on top may look foolish to adult eyes, but he is King of the Jungle (gym) to the little blonde he is trying to impress. Once George Hughes became an established artist, he was able to move to Arlington, Vermont, and away from his native city, New York. He liked the idea of raising his children in a small community; he and his wife had five girls. There was the added bonus of being in an artists’ community, where he befriended Norman Rockwell and other <em>Post</em> artists.<br />
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<p><a href="http://www.saturdayeveningpost.com/2012/11/16/art-entertainment/art-and-artists/childhood-1950s.html">Classic Covers: Childhood in the 1950s</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<item>
		<title>Classic Covers: At Home in the &#8217;50s</title>
		<link>http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=covers-home-50s</link>
		<comments>http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html#comments</comments>
		<pubDate>Tue, 16 Oct 2012 12:00:15 +0000</pubDate>
		<dc:creator>Diana Denny</dc:creator>
				<category><![CDATA[Art & Artists]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[Amos Sewell]]></category>
		<category><![CDATA[covers]]></category>
		<category><![CDATA[George Hughes]]></category>
		<category><![CDATA[john falter]]></category>
		<category><![CDATA[Stevan Dohanos]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=71893</guid>
		<description><![CDATA[<p>Remember clotheslines, black and white television, and only one bathroom? We do!

</p><p><a href="http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html">Classic Covers: At Home in the &#8217;50s</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><div class="recipe"><h2><em>Spring Storm Blowing In</em></h2><br />
<div id="attachment_73831" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html/attachment/spring-storm-blowing-in-1952_04_26" rel="attachment wp-att-73831"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Spring-Storm-Blowing-In-1952_04_26-368x476.jpg" alt="Spring Storm Blowing In by John Falter From April 26, 1952" title="Spring-Storm-Blowing-In-1952_04_26" width="368" height="476" class="size-title image 368 max width wp-image-73831" /></a><p class="wp-caption-text"><br />
<h5><em>Spring Storm Blowing In</em><br /> by John Falter<br /> April 26, 1952</h5>
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<p>In a contemporary description of this cover, <em>Post</em> editors wrote that artist John Falter remembered well the spring storms from his Midwestern childhood in Nebraska and the way trees turned up the undersides of their leaves and looked like phantoms. </p>
<p>His more than 125 <em>Post</em> covers depicted everyday life, and often its foibles. (See <a href="http://www.saturdayeveningpost.com/?p=65418"> &#8220;John Falter&#8217;s August.&#8221;</a>)</p>
<p>Falter was known for his masterful use of outdoor light, reflected here with quickly disappearing patches of light and just as rapidly darkening skies.</p>
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<p><div class="recipe"><h2><em>Brushing Their Teeth</em></h2><br />
<div id="attachment_73838" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html/attachment/brushing-teeth-1955_01_29" rel="attachment wp-att-73838"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/brushing-teeth-1955_01_29-368x476.jpg" alt="Brushing Their Teeth by Amos Sewell From January 29, 1955" title="brushing-teeth-1955_01_29" width="368" height="476" class="size-title image 368 max width wp-image-73838" /></a><p class="wp-caption-text"><br />
<h5><em>Brushing Their Teeth</em><br /> by Amos Sewell<br /> January 29, 1955</h5>
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<p>According to a 1938 article in the <em>Post</em>, San Francisco-born artist Amos Sewell worked at a bank for several years, studying art in the evenings and spending vacations sketching up and down the Pacific coast. Then &#8220;in 1931, right in the middle of the depression, (Sewell) decided he was tired of the banking business and shipped out as a work-a-way on a lumber boat bound for New York, via the Panama Canal.&#8221; </p>
<p>In spite of his earlier vagabond lifestyle, many of Sewell&#8217;s 45 covers are notable for their homespun quality. Prime examples include this 1955 suburban toothbrushing scene, a father assembling a swing set (see <a href="http://www.saturdayeveningpost.com/?p=33755">&#8220;Thanks, Dad!&#8221;</a>), and a little boy playing cowboy (see <a href="http://www.saturdayeveningpost.com/?p=53677">&#8220;Romance of the Cowboy&#8221;</a>).</p>
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<p><div class="recipe"><h2><em>Date with the Television</em></h2> </p>
<p><div id="attachment_73843" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html/attachment/date-with-television-1956_04_21" rel="attachment wp-att-73843"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/date-with-television-1956_04_21-368x476.jpg" alt="Date with the Television by John Falter From April 21, 1956" title="date-with-television-1956_04_21" width="368" height="476" class="size-title image 368 max width wp-image-73843" /></a><p class="wp-caption-text"><br />
<h5><em>Date with the Television</em><br /> by John Falter<br /> April 21, 1956</h5>
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<p>It all says mid-1950s: the TV, the dress, the lamp, the ashtrays … we have everything but tailfins here in this portrait of teenage angst. </p>
<p>The urbane setting (note the glittering city lights in the window) seems far removed from John Falter’s corn-fed Nebraskan boyhood. But let us be reminded of the artist&#8217;s meticulously rendered cityscapes as featured in <a href="http://www.saturdayeveningpost.com/?p=29361">&#8220;Can You Guess the City?&#8221;</a><br />
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<p><div class="recipe"><h2><em>First Cake</em></h2> </p>
<p><div id="attachment_73851" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html/attachment/first-cake-1955_05_21" rel="attachment wp-att-73851"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/first-cake-1955_05_21-368x476.jpg" alt="First Cake by Stevan Dohanos From May 21, 1955" title="first-cake-1955_05_21" width="368" height="476" class="size-title image 368 max width wp-image-73851" /></a><p class="wp-caption-text"><br />
<h5><em>First Cake</em><br /> by Stevan Dohanos<br /> May 21, 1955</h5>
<p></p></div></p>
<p>Adept at drawing humor from everyday life, Stevan Dohanos&#8217; covers include a toddler in a bedroom happily emptying purses as grown-ups gather in the next room and a woman &#8220;on vacation&#8221; at a beach cabin. (See <a href="http://www.saturdayeveningpost.com/2011/09/23/art-entertainment/great-covers-stevan-dohanos.html">&#8220;The Great Covers of Stevan Dohanos.&#8221;</a>) </p>
<p>About this 1955 kitchen scene (left), <em>Post</em> editors wrote: &#8220;These newfangled kitchens certainly have helpful equipment, such as wall ovens with windows so one can watch a cake fall.&#8221;<br />
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<p><div class="recipe"><h2><em>Model Home</em></h2> </p>
<p><div id="attachment_73854" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html/attachment/model-home-1957_09_28" rel="attachment wp-att-73854"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/model-home-1957_09_28-368x476.jpg" alt="Model Home by George Hughes From September 28, 1957" title="model-home-1957_09_28" width="368" height="476" class="size-title image 368 max width wp-image-73854" /></a><p class="wp-caption-text"><br />
<h5><em>Model Home</em><br /> by George Hughes<br /> September 28, 1957</h5>
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<p>Artist George Hughes favored vibrant colors and upper-middle class settings. Because the family is fashionably attired, we might assume some level of affluence. Even so, the average home was around $18,000 in 1950, and the sign in this model home states: &#8220;This modern spacious split level: $29,995.00.&#8221; No question that the family breadwinner is feeling a degree of sticker shock.</p>
<p>On the inside cover of this issue, <em>Post</em> editors quipped that Hughes himself had just purchased a new, one-level home in Vermont &#8220;because he is too old a man to climb steps.&#8221; Hughes would have been in his 50s at this time, but this sort of teasing banter was typical of the artist/editor relationship.<br />
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<p><div class="recipe"><h2><em>Den Into Nursery</em></h2> </p>
<p><div id="attachment_73857" class="wp-caption alignleft" style="width: 378px"><a href="http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html/attachment/den-into-nursery-1958_11_22" rel="attachment wp-att-73857"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/den-into-nursery-1958_11_22-368x476.jpg" alt="Den Into Nursery by George Hughes From November 22, 1958" title="den-into-nursery-1958_11_22" width="368" height="476" class="size-title image 368 max width wp-image-73857" /></a><p class="wp-caption-text"><br />
<h5><em>Den Into Nursery</em><br /> by George Hughes<br /> November 22, 1958</h5>
<p></p></div></p>
<p><em>Post</em> editors wrote that the wallpaper with whitewater fishing scenes in Dad’s den is going, and he would soon be a &#8220;displaced person.&#8221; As the father of two young girls, illustrator George Hughes could certainly identify with turning man caves into kid&#8217;s rooms. </p>
<p>Renovation may have also been on his mind because the artist had recently moved from New York City to Arlington, Vermont, in part, to be near other <em>Post</em> artists like Norman Rockwell and Mead Schaeffer. </p>
<p>The country air must have suited Hughes, as the &#8217;50s saw 80 George Hughes covers, making him the most prolific <em>Post</em> artist of the decade. By comparison, other prominent cover illustrators like Richard Sargent and John Falter did 35 and 60 covers, respectively (Rockwell did 45).<br />
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<p>Reprints are available at <a href="http://www.art.com/asp/landing/saturdayeveningpost?RFID=042036&#038;TKID=15069490" target="_blank">Art.com.</a></p>
<p><a href="http://www.saturdayeveningpost.com/2012/10/16/art-entertainment/art-and-artists/covers-home-50s.html">Classic Covers: At Home in the &#8217;50s</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Hollywood and Gangsters</title>
		<link>http://www.saturdayeveningpost.com/2012/08/20/archives/gangsters.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gangsters</link>
		<comments>http://www.saturdayeveningpost.com/2012/08/20/archives/gangsters.html#comments</comments>
		<pubDate>Mon, 20 Aug 2012 12:30:09 +0000</pubDate>
		<dc:creator>Post Editors</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[1940s]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[gangsters]]></category>
		<category><![CDATA[Hollywood]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=68971</guid>
		<description><![CDATA[<p>In our Sep/Oct 2012 issue, Lewis Beale reveals why we love our movie gangsters. Read more about famous Hollywood stars portraying the real-life mobsters, then put your knowledge to the test and see where you rank in the trivia underworld with our Gangster Quiz! Mob Love (Lewis Beale, Sep/Oct 2012) The classic toughs of the [...]</p><p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/gangsters.html">Hollywood and Gangsters</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>In our Sep/Oct 2012 issue, Lewis Beale reveals why we love our movie gangsters. Read more about famous Hollywood stars portraying the real-life mobsters, then put your knowledge to the test and see where you rank in the trivia underworld with our <a href="http://www.saturdayeveningpost.com/gangster-quiz">Gangster Quiz</a>! </p>
<hr />
<div id="attachment_67827" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=67795"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/GangsterSquad-Slideshow-150x150.jpg" alt="" title="GangsterSquad" width="150" height="150" class="size-thumbnail wp-image-67827" /></a><p class="wp-caption-text">Sean Penn stars as real-life gangster Mickey Cohen.</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=67795">Mob Love</a></h2>
<ul>(Lewis Beale, Sep/Oct 2012)</ul>
<p></p>
<ul>The classic toughs of the silver screen are the ultimate individualists. These are guys who know no boundaries when it comes to fulfilling their ambitions. For Americans, it’s a formula impossible to resist. </ul>
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<hr />
<p><div id="attachment_68744" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=68752"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1957-09-21_george-raft-150x150.jpg" alt="George Raft in the movie Capone" title="George Raft in Capone" width="150" height="150" class="size-thumbnail wp-image-68744" /></a><p class="wp-caption-text">George Raft (right) became a star after his performance in the movie <em>Capone</em>.</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=68752">Out of My Past</a></h2>
<ul>(George Raft, September 21, 1957)</ul>
<p></p>
<ul>Hollywood&#8217;s mysterious tough guy reveals he was once a gun-toting consort of underworld big shots. Here, finally, Raft tells the truth about his life as a young gangster.</ul>
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<hr />
<p><div id="attachment_68742" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=68772"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1957_09_21-al-capone-sl-150x150.jpg" alt="Al Capone" title="Al Capone" width="150" height="150" class="size-thumbnail wp-image-68742" /></a><p class="wp-caption-text">Al Capone smiled on his way to prison in 1932.</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=68772">Big Shots or Pop Guns?</a></h2>
<ul>(<em>Post</em> editors, August 15, 1931)</ul>
<p></p>
<ul><em>Post</em> editors wonder if the arrest of Al Capone would lead to the end of the gangster era in books and film.</ul>
<p><div style="clear:both;"><!--this is a clear div--></div></p>
<hr />
<div id="attachment_67818" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=68935"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/PublicEnemy_1rb-150x150.jpg" alt="James Cagney in The Public Enemy (Photo courtesy www.doctormacro.com)" title="James Cagney in The Public Enemy" width="150" height="150" class="size-thumbnail wp-image-67818" /></a><p class="wp-caption-text">Mae Clarke and James Cagney in <em>Public Enemy</em>.</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=68935">How I Got This Way</a></h2>
<ul>(James Cagney, January 14, 1956)</ul>
<p></p>
<ul>James Cagney knew what it was to flop on Broadway, but won overnight movie fame as a gangster who mashed his moll in the face with a grapefruit.</ul>
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<hr />
<div id="attachment_67818" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=68957"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1959_12_26-giesler-and-siegel-150x150.jpg" alt="Jerry Giesler with Bugsy Siegel" title="Jerry Giesler with Bugsy Siegel" width="150" height="150" class="alignleft size-thumbnail wp-image-68746" /></a><p class="wp-caption-text">Giesler (left) with his client Bugsy Siegel.</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=68957">I Defend a Mobster</a></h2>
<p>(Jerry Giesler, December 12, 1959)</p>
<ul>Jerry Giesler, a celebrated Hollywood lawyer, discloses how he sprang Bugsy Siegel from a murder charge in 1959.</ul>
<p><div style="clear:both;"><!--this is a clear div--></div></p>
<p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/gangsters.html">Hollywood and Gangsters</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Post Perspective on Healthcare</title>
		<link>http://www.saturdayeveningpost.com/2012/08/20/archives/healthcare.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=healthcare</link>
		<comments>http://www.saturdayeveningpost.com/2012/08/20/archives/healthcare.html#comments</comments>
		<pubDate>Mon, 20 Aug 2012 12:30:08 +0000</pubDate>
		<dc:creator>Post Editors</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Health]]></category>
		<category><![CDATA[1940s]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[Barack Obama]]></category>
		<category><![CDATA[healthcare]]></category>
		<category><![CDATA[insurance]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=68442</guid>
		<description><![CDATA[<p>&#8220;Just about every American can cite a personal example of the staggering benefits—and equally staggering costs—of today’s medicine. Here&#8217;s mine &#8230;&#8221; writes Frederick Allen in our September/October 2012 issue. But were the staggering costs always there? Is today&#8217;s medicine better than it was 50 or even 60 years ago? After reading our archival pieces below, [...]</p><p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/healthcare.html">Post Perspective on Healthcare</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>&#8220;Just about every American can cite a personal example of the staggering benefits—and equally staggering costs—of today’s medicine. Here&#8217;s mine &#8230;&#8221; writes Frederick Allen in our September/October 2012 issue. </p>
<p>But were the staggering costs always there? Is today&#8217;s medicine better than it was 50 or even 60 years ago? After reading our archival pieces below, we think you&#8217;ll be surprised by the similarities in past U.S. healthcare debates and our present-day healthcare concerns.</p>
<hr />
<p><div id="attachment_67743" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=67726"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Healthcare-Slideshow-150x150.jpg" alt="Illustration by Brian Stauffer" title="Healthcare" width="150" height="150" class="size-thumbnail wp-image-67743" /></a><p class="wp-caption-text">Illustration by Brian Stauffer</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=67726">Fixing Our Healthcare System</a></h2>
<ul>(Frederick Allen, September/October 2012)</ul>
<p></p>
<ul>We spend more money per patient than any other country, yet we are less healthy by far. How did our healthcare system become such a wreck? And what is to be done?</ul>
<p><div style="clear:both;"><!--this is a clear div--></div></p>
<hr />
<p><div id="attachment_67244" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=67237"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19490528-spencer-3-150x150.jpg" alt="1949 Presbyterian Hospital of New York." title="1949 Presbyterian Hospital of New York" width="150" height="150" class="size-thumbnail wp-image-67244" /></a><p class="wp-caption-text">The out-patient Department of New York&#039;s Presbyterian Hospital in 1949.</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=67237">Do You Really Want Socialized Medicine?</a></h2>
<ul>(Steven Spencer, May 28, 1949)</ul>
<p></p>
<ul>This article examines the proposed Wagner-Murray-Dingell bill, which sparked the first big debates that captured headlines for almost a decade … sound familiar?</ul>
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<hr />
<p><!--photograph of Frederic Nelson--></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=67295">The Doctor Glares at State Medicine </a></h2>
<ul>(Frederic Nelson, December 9, 1944)</ul>
<p></p>
<ul>A witty reflection of doctors&#8217; views on socialized medicine and healthcare reform in the postwar era.</ul>
<p><div style="clear:both;"><!--this is a clear div--></div></p>
<hr />
<p><div id="attachment_67372" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=67306"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580607-silverman-1-150x150.jpg" alt="1958 Los Angeles Queen of Angels Hospital." title="1958 Los Angeles Queen of Angels Hospital" width="150" height="150" class="size-thumbnail wp-image-67372" /></a><p class="wp-caption-text">Queen of Angels Hospital, Los Angeles, 1958.</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=67306">Part I: Health Insurance in 1958 </a></h2>
<ul>(Milton Silverman, June 7, 1958)</ul>
<p></p>
<ul>Health insurance&#8217;s original aim was to protect the public against the financial shock of illness, but it also intended to halt state medicine.</ul>
<p><div style="clear:both;"><!--this is a clear div--></div></p>
<hr />
<p><div id="attachment_67570" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=67562"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580614-silverman-1-150x150.jpg" alt="1953 Murder of Thomas Lewis" title="1953 Murder of Thomas Lewis" width="150" height="150" class="size-thumbnail wp-image-67570" /></a><p class="wp-caption-text">The 1953 murder investigation of Thomas Lewis led the police on a trail of embezzlement.</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=67562">Part II: Health Insurance in 1958 </a></h2>
<ul>(Milton Silverman, June 14, 1958)</ul>
<p></p>
<ul>The 1953 murder of Thomas Lewis, president of a New York janitors&#8217; union, led to the discovery that he was embezzling health-insurance funds from his union members. What happens to good people when the system gets hoodwinked?</ul>
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<hr />
<p><div id="attachment_67631" class="wp-caption alignleft" style="width: 160px"><a href="http://www.saturdayeveningpost.com/?p=67630"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580621-silverman-1-150x150.jpg" alt="1958 Hospital care" title="1958 Hospital care" width="150" height="150" class="size-thumbnail wp-image-67631" /></a><p class="wp-caption-text">In 1958, G.E. introduced the first comprehensive healthcare plan.</p></div></p>
<h2><a href="http://www.saturdayeveningpost.com/?p=67630">Part III: Health Insurance in 1958 </a></h2>
<ul>(Milton Silverman, June 21, 1958)</ul>
<p></p>
<ul>When it was first proposed to the health insurance industry, comprehensive health insurance was greeted with predictions of doom.</ul>
<p><div style="clear:both;"><!--this is a clear div--></div></p>
<p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/healthcare.html">Post Perspective on Healthcare</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>How I Got This Way</title>
		<link>http://www.saturdayeveningpost.com/2012/08/20/archives/got-way.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=got-way</link>
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		<pubDate>Mon, 20 Aug 2012 12:28:43 +0000</pubDate>
		<dc:creator>Post Editors</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[1950s]]></category>
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		<category><![CDATA[James Cagney]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=68935</guid>
		<description><![CDATA[<p>An exclusive look into the acting method behind James Cagney's legendary bad-guy roles, as told by the actor in 1956.</p><p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/got-way.html">How I Got This Way</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>In the article below, Hollywood actor James Cagney reveals his acting methodology to <em>Post</em> writer Pete Martin, and how his performance in the gangster film <em>The Public Enemy</em> opened the door for new possibilities in Hollywood. </p>
<p><!--See also a href=http://www.saturdayeveningpost.com/?p=67795 Mob Love from our Sep/Oct 2012 issue.--></p>
<p><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1956-01-14-cagney.pdf" target="_blank">Click here</a> to download &#8220;How I Got This Way,&#8221; or read below.<br />
<div style="clear:both;"><!--this is a clear div--></div><br />
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<p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/got-way.html">How I Got This Way</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>I Defend a Mobster</title>
		<link>http://www.saturdayeveningpost.com/2012/08/20/archives/defend-mobster.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=defend-mobster</link>
		<comments>http://www.saturdayeveningpost.com/2012/08/20/archives/defend-mobster.html#comments</comments>
		<pubDate>Mon, 20 Aug 2012 12:28:19 +0000</pubDate>
		<dc:creator>Post Editors</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[Bugsy Siegel]]></category>
		<category><![CDATA[gangsters]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Jerry Giesler]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=68957</guid>
		<description><![CDATA[<p>A celebrated Hollywood lawyer discloses how he sprang Bugsy Siegel from a murder charge in 1959.</p><p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/defend-mobster.html">I Defend a Mobster</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>Before Alan Dershowitz met Claus von Bülow and Gerald Shargel held a spot on Irv Gotti&#8217;s speed dial, there was Jerry Giesler, attorney to the rich and famous—defending such celebrity clients as Errol Flynn, Charlie Chaplin, and Marilyn Monroe.</p>
<p>The article below is a small peek into Giesler&#8217;s famous career and covers the tale of his relationship with the man once known as one of the &#8220;six most dangerous gangsters in the United States.&#8221; Notorious mobster: Bugsy Siegel.</p>
<p><!--See also a href=http://www.saturdayeveningpost.com/?p=67795 Mob Love from our Sep/Oct 2012 issue.--></p>
<p><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1959-12-26-giesler.pdf" target="_blank">Click here</a> to download &#8220;I Defend a Mobster,&#8221; or read below.</p>
<p><center><iframe src="http://docs.google.com/viewer?url=http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1959-12-26-giesler.pdf&embedded=true" style="width:400px; height:514px;" frameborder="0" id="embedpdfviewer" name="embedpdfviewer">Your browser should support iFrame to view this PDF document</iframe></center></p>
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<p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/defend-mobster.html">I Defend a Mobster</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Out of My Past</title>
		<link>http://www.saturdayeveningpost.com/2012/08/20/archives/past.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=past</link>
		<comments>http://www.saturdayeveningpost.com/2012/08/20/archives/past.html#comments</comments>
		<pubDate>Mon, 20 Aug 2012 12:28:01 +0000</pubDate>
		<dc:creator>Post Editors</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[gangster]]></category>
		<category><![CDATA[George Raft]]></category>
		<category><![CDATA[Hollywood]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=68752</guid>
		<description><![CDATA[<p>In 1957, Hollywood's mysterious tough guy, George Raft, reveals the truth to the <em>Post</em> about his life as a young gangster.</p><p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/past.html">Out of My Past</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>Hollywood actor George Raft is probably most well known for portraying gangsters and tough guys on the silver screen. Though with the company he kept—Owney &#8216;The Killer&#8217; Madden, Joe Adonis, Lucky Luciano, and Bugsy Siegel—Raft could have easily become a real-life gangster. Raft tells all in the article below.</p>
<p><!--See also a href=http://www.saturdayeveningpost.com/?p=67795 Mob Love from our Sep/Oct 2012 issue.--></p>
<p><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/out-of-my-past.pdf" target="_blank">Click here</a> to download &#8220;Out of my Past&#8221; by George Raft, or read below.<br />
<center><iframe src="http://docs.google.com/viewer?url=http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/out-of-my-past.pdf&embedded=true" style="width:400px; height:514px;" frameborder="0" id="embedpdfviewer" name="embedpdfviewer">Your browser should support iFrame to view this PDF document</iframe></center></p>
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<p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/past.html">Out of My Past</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Part I: Health Insurance in 1958</title>
		<link>http://www.saturdayeveningpost.com/2012/08/20/archives/part-one-health-insurance.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=part-one-health-insurance</link>
		<comments>http://www.saturdayeveningpost.com/2012/08/20/archives/part-one-health-insurance.html#comments</comments>
		<pubDate>Mon, 20 Aug 2012 12:10:33 +0000</pubDate>
		<dc:creator>Milton Silverman</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[healthcare]]></category>
		<category><![CDATA[insurance]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=67306</guid>
		<description><![CDATA[<p>Health insurance's original aim was to protect the public against the financial shock of illness, but also intended to halt state medicine.</p><p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-one-health-insurance.html">Part I: Health Insurance in 1958</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><em>Today we are still arguing over who&#8217;s responsible for the high cost of healthcare. Get the facts on health insurance in this investigative three-part series from 1958.</p>
<p>[See also: <a href="http://www.saturdayeveningpost.com/?p=67726">"Fixing Our Healthcare System"</a> from our Sep/Oct 2012 issue.]<br />
</em> </p>
<p><div class="recipe"><br />
<h2>The <em>Post</em> Reports on Health insurance</h2> </p>
<h3><a href= "http://www.saturdayeveningpost.com/?p=67562">Part II: The High Cost of Chiseling</a><br />
<a href= "http://www.saturdayeveningpost.com/?p=67630">Part III: Is This The Pattern of the Future?</a></h3>
<p><em>June 7, 1958</em>—Hospitals overcharge insured patients; doctors pad fees; patients demand unnecessary treatment. These are the whispered accusations. <br />
Here are the facts.<br />
<div id="attachment_67372" class="wp-caption alignright" style="width: 360px"><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-one-health-insurance.html/attachment/healthcare-19580607-silverman-1" rel="attachment wp-att-67372"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580607-silverman-1.jpg" alt="1958 Los Angeles Queen of Angels Hospital." title="1958 Los Angeles Queen of Angels Hospital" width="350" class="size-full wp-image-67372" /></a><p class="wp-caption-text">Queen of Angels Hospital, Los Angeles. Three out of every four patients in this big (502-bed), busy institution are covered by health insurance of some kind. </p></div></p>
<p>In insurance circles, particular honor has long been accorded a group of statisticians known as the crystal-ball boys. With startling accuracy, these experts can predict almost everything from how many appendicitis victims will perish next August to how many children will be born with blue eyes or cleft palates.</p>
<p>“We can usually present such prediction with great confidence,” says one of these men. “But occasionally we have made mistakes, and some of these have been lulus.”</p>
<p>Perhaps the most embarrassing of all these erroneous predictions in recent years was one, which involved the insurance business itself. This was the general failure to foresee the future of health insurance. Originally, health insurance was aimed at protecting the public against the financial shock of sudden severe illness. Also, and by no means incidentally, it was intended to halt state medicine. It was of barely modest size in the 1930s and early 1940s, and most experts predicted it would remain that way or grow only slowly. This turned out to be about as unsound as predicting that Jayne Mansfield would always be flat-chested.</p>
<p><div id="attachment_67373" class="wp-caption alignright" style="width: 360px"><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-one-health-insurance.html/attachment/healthcare-19580607-silverman-2" rel="attachment wp-att-67373"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580607-silverman-2.jpg" alt="1941-1958 Health Insurance Growth Chart" title="1941-1958 Health Insurance Growth Chart" width="350" class="size-full wp-image-67373" /></a><p class="wp-caption-text">The rise in coverage since the beginning of World War II.</p></div></p>
<p>During the last ten years, health insurance not merely grew but practically exploded into a multi-billion-dollar giant ranking with the major businesses of the country. This year, according to the best available estimates, health insurance may finally surpass life insurance in the number of people covered. By the start of 1958, there were roughly 123 million Americans—more than 70 percent of the population—with some form of hospital insurance; 109 million with some form of surgical insurance; and 74 million with some form of nonsurgical medical insurance. Last year, health insurance covered a whopping $4.2 billion, or about one-fourth of our personal-sickness bill for the year.</p>
<p>With the exception of television, or of bootlegging during prohibition days, probably no other peacetime industry has grown so big so fast. On this there is wide agreement among authorities of Blue Cross, Blue Shield, commercial health-insurance companies, medical societies, hospital associations, labor unions, and employer groups. </p>
<p>Among these same authorities, however, there is no complete agreement on what the public wants and is willing to pay for, nor on even such basic points as how many people may practically be covered, what kind of policies they should have, how their health-insurance protection should be delivered, and who should pay how much to whom for what.</p>
<p>Equally important, serious and dangerous internal disputes, which were mainly kept hidden from the public, have recently broken out in a nationwide rash of noisy attacks, disclosures, and denunciations. During the past few months, for instance, patients in some areas were being accused of putting pressure on doctors with demands for luxury treatments, needless diagnostic surveys or “dragnets,” or a few extra days in the hospital, merely on the grounds that they could be covered by their insurance policies.</p>
<p>“We simply can&#8217;t turn these people down,” one physician confessed at a Chicago meeting. “Sure, I know this is boosting the cost of medical care. But if I don&#8217;t give them what they want, even though I know it&#8217;s not justified, they&#8217;ll just go to another doctor and he&#8217;ll collect the fee.”</p>
<p>At the same time, a few doctors themselves were being attacked by patients, by insurance organizations, and even by their brother doctors for soaking insured patients with big bills, primarily because these patients had insurance. Medical societies, headed by the American Medical Association, were being berated by labor and Government officials for steadfastly opposing what these officials termed “any improvements” in existing health-insurance plans. Insurance companies were being charged with refusing to pay legitimate bills, capriciously canceling individual policies without adequate cause, and terminating protection on most patients when they became old or ill and desperately needed protection. Some of these companies were assailed by the Federal Trade Commission for misrepresentation in their advertising, and a few were under fire for marketing the low-cost “bargain” insurance known in some quarters as a Fourth of July policy.</p>
<p>“This,” explains an insurance expert, “is a policy which sounds good, but is so limited that it will provide coverage for only the most rare events-like being trampled by a bull elephant on Main Street at high noon on the Fourth of July.”</p>
<p>Probably the most heated battles were raging over the deeds or misdeeds of hospitals and their allied hospital insurance system, Blue Cross. Some months ago, for example, investigators set off one sizzling row when they found a Tennessee hospital that was serving as a virtual baby sitter for parents with health insurance.</p>
<p>“It&#8217;s really wonderful, and so easy,” one Tennessee woman naïvely admitted. “When my husband and I want to go up to Washington for the weekend, we don&#8217;t have to hire us a sitter. We just take the baby to the hospital and say we think it&#8217;s got measles or something. They keep the baby for us until we get home. We sign the insurance forms, and it really doesn&#8217;t cost anybody anything.”</p>
<p>In one Midwestern state, a medical society survey revealed that more than 30 percent of the patients in typical hospitals were spending a staggering number of needless days in a hospital bed. The cost of that abuse was estimated to be nearly $5 million a year in one state alone. </p>
<p>“Every insured patient who occupies a bed while he has a wart or mole removed, or while he has some simple laboratory or X-ray tests performed,” the investigating doctors claimed, “contributes to the rising cost of hospital operation and the increasing cost of health insurance.”</p>
<p>Similar accusations have been brought in Massachusetts, Ohio, Illinois, Minnesota, Colorado, and California. In New York, it was claimed, hospitals were discriminating against insurance companies or uninsured patients in favor of Blue Cross by giving the latter a 15 percent discount in what was described as an undercover kickback. In Philadelphia, where one of the most vigorous disputes was raging, Dr. Samuel Hadden, president of the local county medical society, blasted hospitals for striving to keep all there beds occupied and letting Blue Cross pay the bill. </p>
<p><div id="attachment_67404" class="wp-caption alignright" style="width: 360px"><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-one-health-insurance.html/attachment/healthcare-19580607-silverman-10" rel="attachment wp-att-67404"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580607-silverman-10.jpg" alt="Health Insurance Coverage in 1958." title="Health Insurance Coverage Chart in 1958" width="350" class="size-full wp-image-67404" /></a><p class="wp-caption-text">Blue Cross and Blue Shield plans provide almost half of the nation&#039;s health insurance.</p></div></p>
<p>“When Blue Cross assumes the obligation to hospitals to keep their beds filled,” he said, &#8220;it is running up the costs of illness unnecessarily and is betraying the public.&#8221; </p>
<p>Even labor and management, through their mishandling of jointly administered health and welfare funds, have been denounced for costly abuses. Several East Coast probes have revealed that money provided by workers and employers to pay health-insurance premiums was being used to finance strikes, bribe officials, and supply welfare-funded officials with high-priced cars, country-club memberships, and luxurious vacations in Miami, Las Vegas, and Palm Springs.</p>
<p>Partly as a result of all these abuses and shenanigans, as well as because of increases in salaries, drug costs, and the like, the price of health insurance is now rising sharply in some areas. Blue Cross, for example, has recently requested rate increases of 23 percent in Michigan, 40 percent in New York, and 42 to 71 percent in Philadelphia, and has already instituted generally similar increases in Southern California. </p>
<p><div id="attachment_67374" class="wp-caption alignright" style="width: 360px"><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-one-health-insurance.html/attachment/healthcare-19580607-silverman-3" rel="attachment wp-att-67374"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580607-silverman-3.jpg" alt="1946-1958 Chart of Rate Increases in Hospital Charges and Insurance" title="1946-1958 Chart of Rate Increases in Hospital Charges and Insurance" width="350" class="size-full wp-image-67374" /></a><p class="wp-caption-text">The outlook for hospital insurance rates reflects the upward soaring pattern of hospital charges since 1946.</p></div></p>
<p>These increases, it has been asserted, are threatening to price health insurance out of the market, making it too expensive to be purchased by those Americans who need it most urgently. To thoughtful leaders in almost every field involved, this prospect is frightening.</p>
<p>“This could become a strange and dangerous situation,” says Dr. William Shepard, a vice president of Metropolitan Life, former president of the American Public Health Association, and one of the most highly respected authorities on the economics of medical care.</p>
<p>“Voluntary health insurance,” he notes, “was created in large part to prevent compulsory, Government-controlled health insurance. We all co-operated to make it grow. It has grown rapidly—perhaps too rapidly. Now it is in great peril. If it collapses, it will inevitably bring the one thing it was supposed to prevent&mdash;Government control of the practice of medicine.”<br />
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<p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-one-health-insurance.html">Part I: Health Insurance in 1958</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Part II: Health Insurance in 1958</title>
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		<pubDate>Mon, 20 Aug 2012 12:05:59 +0000</pubDate>
		<dc:creator>Milton Silverman</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[healthcare]]></category>
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		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=67562</guid>
		<description><![CDATA[<p>A 1953 murder investigation led to a questionable insurance broker. What happens to good people when the system gets hoodwinked?</p><p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-two-health-insurance.html">Part II: Health Insurance in 1958</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><em>Today we are still arguing over who&#8217;s responsible for the high cost of healthcare. Get the facts on health insurance in this investigative three-part series from 1958.</p>
<p>[See also: <a href="http://www.saturdayeveningpost.com/?p=67726">"Fixing Our Healthcare System"</a> from our Sep/Oct 2012 issue.]</em> </p>
<p><div class="recipe"><br />
<h2>The High Cost of Chiseling </h2> </p>
<h3><a href= “http://www.saturdayeveningpost.com/?p=67306”>Part I: The History of Health Insurance in the United States</a><br />
<a href= "http://www.saturdayeveningpost.com/?p=67630">Part III: Is This The Pattern of the Future?</a></h3>
<p><em>June 14, 1958</em>—Crooks rob union welfare funds, &#8216;ghost surgeons&#8217; operate, and needless hospital stays cost millions a year. Here&#8217;s what such abuses mean for all of us.<br />
<div id="attachment_67570" class="wp-caption alignright" style="width: 360px"><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-two-health-insurance.html/attachment/healthcare-19580614-silverman-1" rel="attachment wp-att-67570"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580614-silverman-1.jpg" alt="1953 Murder of Thomas Lewis" title="1953 Murder of Thomas Lewis" width="350" class="size-full wp-image-67570" /></a><p class="wp-caption-text">The murder of Thomas Lewis, president of a New York janitors&#039; union, led to the discovery that he was embezzling health-insurance funds from his union members.</p></div></p>
<p>On an August afternoon in 1953, a Bronx labor leader named Tommy Lewis was ambushed and shot to death in the corridor of his apartment house. A few moments later, the man who shot him—a convict on parole from Sing Sing—was killed by a policeman. </p>
<p>“That seemed to wind up everything,” a New York police official said afterward. “We had the killer. No mystery, no loose ends. But the shooting didn&#8217;t make sense. We decided to investigate a little further.”</p>
<p>Lewis, then 35, had been president of a local janitors’ union for the past 12 years. Union spokesmen could offer no reason for the murder. His widow claimed he had no enemies. </p>
<p>The police investigation never did provide a completely satisfactory explanation for the crime. What it did reveal, however, was something destined to be far more significant—a trail that led from Lewis to a questionable insurance broker, and finally to the union&#8217;s million dollar health-insurance fund.</p>
<p>Lewis and his cohorts had been robbing that fund of hundreds of thousands of dollars. They had paid themselves enormous salaries, commissions and “service fees,” put their relatives on the payroll, borrowed huge sums for personal use, altered checks, and falsified records. In addition, and perhaps more important to the 5,000 members of the union, the fraud meant that their supposed health-insurance protection had been wrecked. There was not enough money left to provide adequate coverage for hospital and doctor bills.</p>
<p>“You can&#8217;t trust anybody!” one outraged member told reporters. “We all put our money into that thing. And those crooks robbed us blind.”</p>
<p>“What the Government should do, it should take over everything,” said another. “What this country needs is Government medicine.” </p>
<p><div id="attachment_67572" class="wp-caption alignright" style="width: 360px"><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-two-health-insurance.html/attachment/healthcare-19580614-silverman-3" rel="attachment wp-att-67572"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580614-silverman-3.jpg" alt="Baby Boy Born in Los Angeles" title="Baby Boy Born in Los Angeles " width="350" class="size-full wp-image-67572" /></a><p class="wp-caption-text">The Ross-Loos Group in Los Angeles provides all medical and surgical needs of members. The birth of Andrew Benjamin (above) was covered by the plan. So was his mother (right) in 1935.</p></div></p>
<p>To casual observers, this first batch of complaints over one relatively minor episode of till-robbing seemed to hold no great menace for the growing voluntary health-insurance program of the nation. But the investigation did not stop with the shooting of Tommy Lewis. Even before that murder, New York State investigators had been looking into the affairs of the insurance agency, which handled the janitors&#8217; health-insurance fund. The shooting intensified and expanded their search. </p>
<p>On orders of the governor, a corps of lawyers, accountants, and professional sleuths dug into more than 250 other health and welfare funds, and examined hundreds of witnesses under oath. What they found, the report of the deputy superintendent of insurance said, was a “tragic record of abuses &#8230; dissipation of assets, excessive expenses, unsecured and seldom-repaid loans, nepotism, kickbacks, and graft.”</p>
<p>In a confectionery-and-tobacco-drivers’ union, for example, the fund administrator—a former official of the union had himself appointed for life, with sole power to hire, fire, and set salaries for himself and his staff. He had the fund provide $85,000 to purchase from his own cousin a summer-resort property assessed at $10,500. Administrative expenses ran so high that the fund was mired in debt.</p>
<p>The president of a bar-and-restaurant-workers’ local with 1,200 members had himself appointed administrator of health-insurance-and-welfare funds at a salary of $41,000 a year. He justified this sum by claiming, “Good administrators deserve good pay.”</p>
<p>The heads of another union fund gave themselves more than $32,000 a year in compensation, spent most of their time in Florida and Catskill resorts, and let the fund supply them with three expensive cars, plus credit cards to keep the cars filled with gasoline. </p>
<p>In still another union, nearly a third of all health-insurance benefits were paid to the top union officers, many of whom claimed “heavy medical bills” which, later, they were unable to substantiate.</p>
<p>In several instances, insurance agencies or insurance companies were found to be so hungry for the union&#8217;s health-insurance business that they bribed union officials with secret rebates or commissions. </p>
<p>In making these and similar disclosures, the New York investigators emphasized that not all the blame could be given to larceny-minded union officers. Part of the abuse—perhaps an equal part—could be charged to management representatives who were serving as trustees of the various jointly administered funds. </p>
<p>Too often, it was discovered, these employer representatives had found it advisable to look the other way when the till was being robbed or had even dipped their own fingers in the pot.</p>
<p>It was likewise emphasized that most union health-and-welfare funds were being operated efficiently and honestly, and that the exposed miscreants represented only a small minority. Nevertheless, it was estimated that this minority was stealing as much as $15 million a year in New York alone. </p>
<p>The New York report was immediately followed by violent denunciations from national labor leaders. Both Walter Reuther, of the C.I.O., and George Meany, of the A.F.L., ordered local officials to clean their houses or be kicked out of office. At the same time, state legislatures were asked to pass laws, which would prevent all such skulduggery in the future. By January of 1958, however, only about half a dozen states had approved such laws, and President Eisenhower sought Federal legislation, which could do the job. </p>
<p>Among those who most vehemently expressed their indignation at the plundering of union health-and-welfare funds—of which two dollars out of three were earmarked for health insurance—were many physicians, including several leaders of organized medicine and editors of important medical journals. These crimes, they said, were weakening the whole structure of voluntary health insurance and bringing closer the threat of Government intervention, compulsory health insurance, and state medicine. </p>
<p>“Such depredations can only help to destroy the confidence of the public in our present system of voluntary prepayment,” one medical editor declared.</p>
<p>Unfortunately, it soon became apparent, the record of doctors themselves was not entirely impeccable. Insurance-company officials and special medical committees were reporting that some doctors were indulging in what could be described at the best as highly questionable activities. Instead of charging according to the value of their services or even according to the patient&#8217;s ability to pay, they were charging according to the insurance company&#8217;s ability to pay.</p>
<p>Typical was the history-making case of a West Coast waitress who underwent surgery for which the usual fee in her community was about $100. </p>
<p>“I thought I was going to be all right,” she told representatives of the local county medical society. “The health insurance policy I have with my union was going to pay me $85, and all I&#8217;d have to put out extra would be $15. But the minute that surgeon found how much the insurance would pay, he raised his price to a hundred and fifty.” The waitress added, “If that&#8217;s the way the doctors do it, I want the Government to take over medicine.” </p>
<p>Her complaint helped lead to a complete revolution in the setting of fees in California, and later in other states (<em>The Saturday Evening Post</em>, February 12, 1955). But this control of fees has by no means become universal.</p>
<p>At a recent medical meeting, for example, Dr. W. J. McNamara, associate medical director of Equitable Life, listed a few of the excessive bills sent to his company for payment. He revealed that one patient with an annual income of $2,500 was charged $2,500 by a surgeon for a lung operation. Another with the same income was charged $1,500 for a stomach operation that normally costs less than $500. A woman whose husband made $6,000 a year was billed $1,200 for a minor gynecological operation, and a $4,000-a-year worker was charged $1,000 for a minor bone operation. A common laborer underwent surgery for the amputation of one arm and the repair of a fracture of the other; his surgeon&#8217;s bill alone was $2,500, and his total medical expenses ran to more than $4,000.</p>
<p>Evidence of other abuses has been turned up with the routine notices, which many Blue Shield plans send to their subscribers as a periodic report on how their health-insurance dollars are being spent. Such a letter might read something like this: “Dear Sir: Your Blue Shield plan has paid the sum of $150 to John Doe, M.D., for performing an appendectomy on you.” </p>
<p>In Pennsylvania, one of these routine statements brought the following intriguing reply from a subscriber: “I am glad you paid my doctor $150. But he did not take out my appendix. He removed a small wart from my neck.”</p>
<p>Another subscriber replied to a somewhat similar notification by writing: “You people obviously don&#8217;t know how to keep records. My doctor didn&#8217;t treat me 11 times last month. He saw me only once.”</p>
<p>Still another wrote: “How could you pay Doctor Jones for removing my gall bladder? I do not know any Doctor Jones. My family physician, Doctor Brown, told me that he did the gallbladder operation himself.”</p>
<p></div></p>
<p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-two-health-insurance.html">Part II: Health Insurance in 1958</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Part III: Health Insurance in 1958</title>
		<link>http://www.saturdayeveningpost.com/2012/08/20/archives/part-three-health-insurance.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=part-three-health-insurance</link>
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		<pubDate>Mon, 20 Aug 2012 12:00:23 +0000</pubDate>
		<dc:creator>Milton Silverman</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[healthcare]]></category>
		<category><![CDATA[insurance]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=67630</guid>
		<description><![CDATA[<p>When it was first proposed to the health insurance industry, comprehensive health insurance was greeted with predictions of doom.</p><p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-three-health-insurance.html">Part III: Health Insurance in 1958</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><em>Today we are still arguing over who’s responsible for the high cost of healthcare. Get the facts on health insurance in this investigative three-part series from 1958.</p>
<p>[See also: <a href="http://www.saturdayeveningpost.com/?p=67726">"Fixing Our Healthcare System"</a> from our Sep/Oct 2012 issue.]</em><br />
<div class="recipe"><br />
<h2> Is This the Pattern of the Future?</h2> </p>
<h3><a href= “http://www.saturdayeveningpost.com/?p=67306”>Part I: The History of Health Insurance in the United States</a><br />
<a href= "http://www.saturdayeveningpost.com/?p=67562">Part II: The High Cost of Chiseling</a></h3>
<p><em>June 21, 1958</em>—Here&#8217;s how employees of one company prepay all their family medical bills via a comprehensive group plan. For them, sickness can never mean financial ruin.<br />
<div id="attachment_67631" class="wp-caption alignright" style="width: 335px"><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-three-health-insurance.html/attachment/healthcare-19580621-silverman-1" rel="attachment wp-att-67631"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/healthcare-19580621-silverman-1.jpg" alt="1958 Hospital care" title="1958 Hospital care" width="325" class="size-full wp-image-67631" /></a><p class="wp-caption-text">Charles Horton, a G.E. employee, suffered a broken hip in an automobile accident last February. His hospital bill amounted to more than $2,400, but his company&#039;s comprehensive plan will pay about 85% of it.</p></div></p>
<p>For many years, a number of General Electric engineers and executives had been members of a private association called the Elfun Society. At their meetings in Schenectady, New York, and other cities, they talked about community service projects, company improvements and how to invest their savings in stocks and bonds. Also, since many of the members were young men with growing families, they talked informally about school setups, Parent-Teacher Associations, household budgets, and medical bills.</p>
<p>“It&#8217;s those medical bills that really scare the daylights out of me,” an engineer said, one evening back in 1946. “We&#8217;re on such a tight budget at our house that any serious illness could wreck us.”</p>
<p>&#8220;Why don&#8217;t you get some health insurance?&#8221; a friend asked. </p>
<p>“You mean the kind that&#8217;ll pay a couple of hundred bucks if you get sick? That wouldn&#8217;t help. A couple of hundred—I could pay that without too much trouble. But what do I do if I get hit with a bill for a thousand dollars? Or two thousand? Even on my salary, that&#8217;d be a catastrophe!”</p>
<p>“So get some insurance that just pays the big bills.”</p>
<p>“I tried,” said the engineer. “There isn&#8217;t any such thing.”</p>
<p>At the time, the G.E. men discovered, no insurance company was prepared to provide protection against the costs of medical catastrophes. They went to friends in the insurance industry and urged them to try such policies, but they were repeatedly turned down.</p>
<p>“There&#8217;s no need for it,” a New York insurance executive said. </p>
<p>“It would be certain to fail,” said a Connecticut expert. </p>
<p>“Maybe it might work,” admitted the representative of a New Jersey company, “but the industry won&#8217;t be ready to try it for at least 10 years.”</p>
<p>Finally, the Liberty Mutual Insurance Company, of Boston, agreed to an experiment. Working with a committee of the Elfun Society, it prepared an experimental policy patterned somewhat after automobile collision insurance. There was a so-called deductible, obliging the policyholder to pay the first $300 of the bills for any illness. There was also a co-insurance feature, requiring him to pay 25 percent of the rest of the bill. The ceiling for any one illness was set at $1,500. Introduced early in 1949, this was apparently the first catastrophic or major medical health-insurance policy ever sold.</p>
<p>The experiment succeeded beyond the wildest expectations. The new idea spread from the Elfun Society into General Electric and then into other industries. Other insurance companies adopted the idea, setting the deductible portion anywhere from $100 to $500, and raising the ceiling for anyone illness to $5,000, $7,500, and even $15,000. By 1952, approximately 700,000 people were covered; 2 million by 1954; 9 million by 1956; and 13 million by the end of 1957. </p>
<p>Most of the major-medical policies paid in the form of cash, rather than services, allowed free choice of doctor and hospital, and involved no fee schedule to control the doctor&#8217;s charge. At the outset, these provisions won an enthusiastic reception, especially from medical groups. Dr. David Allman, president of the American Medical Association, said last year, “No physician can consider this type of insurance a threat to medical practice.”</p>
<p>Organized labor was not so optimistic. “Major medical,” warned one union leader, “can merely mean more money in circulation to pay higher doctor bills, with the patient no better off.”</p>
<p>Regardless of this and similar objections, the creation of major medical, or catastrophic, health insurance was widely and highly admired, and insurance companies won considerable praise for their enterprise. To insurance executives such a warm reaction was exhilarating and also somewhat unusual. Until recently, health insurance companies were widely depicted as remote, cold-hearted corporations interested in collecting premiums, adamantly refusing to pay justifiable claims, and seeking to amass great profits for their stockholders.</p>
<p>Actually, few major insurance companies are set up as profit-making concerns. Most are nonprofit or mutual corporations; if they make any money, these funds are returned each year to their policyholders in the form of cash, reduced premiums or paid-up insurance.</p>
<p>On the other hand, as some insurance men themselves admit, there have been grounds for hard feelings. In the past, companies have put out individual policies which they could cancel at will if their experience proved unfavorable—a maneuver which one expert describes as “perhaps good economics, but remarkably poor public relations.” More recently, some companies or their more zealous agents have indulged in outright misrepresentation as to what their policies did and did not cover. Last year, the Better Business Bureau of Boston, felt obliged to warn customers that “there is no magic which can furnish broad insurance coverage and sweeping protection at unbelievable bargain rates &#8230; one can&#8217;t buy steak for the price of turnips.”</p>
<p>Many conservative insurance leaders still view with dismay the efforts to sell health insurance—especially the more expensive individual policies—on an emotionally supercharged level. Some salesmen admittedly utilize such high-pressure tactics. In one how-to-do-it article published last year in the insurance magazine, <em>Accident and Sickness Review</em>, a Chicago agent warned his fellow salesmen against the prospect who “desires to study the plans we have offered and perhaps wants to look into other plans.” Encountering such a client, he said, the salesman should counterattack with approaches like these: “Do you know the exact provisions of your auto insurance or, for that matter, any of your insurance policies? … Would you drive your car without insurance? Does your body or your income deserve less? &#8230; You trusted someone to insure your car, life, and so on. If you don&#8217;t have coverage, it&#8217;s better to have some protection than none.”</p>
<p>In contrast, Joseph F. Follmann, Jr., of the Health Insurance Association of America, has suggested, “In the long run, we believe the interests of the prospect—and thus of the company—will be served best by a chance to size up all proposed plans, carefully and unemotionally, and to select the program which most closely fits his needs and his pocketbook.”</p>
<p>To meet such requirements, insurance companies—along with Blue Cross and Blue Shield—have experimented with such ideas as noncancelable or guaranteed renewable policies, policies which provide at least some coverage for mental disease, Paid-Up-At-65 policies, economical group coverage for farmers, and the new nationwide Medicare health insurance program for military dependents. Among these new experimental ideas was catastrophic, or major medical, coverage, which was greeted upon its introduction with considerable enthusiasm.</p>
<p>Within a very few years, it became apparent that major-medical insurance was by no means foolproof. The deductible and co-insurance features made it difficult for patients to abuse their policies, but not impossible. Even in the absence of fee schedules, and with ceilings as high as $10,000 or more for a single illness, the vast majority of doctors exercised restraint and discretion, but some did not. Unfortunately, an increasing number of physicians in some areas began to render extraordinarily high bills for their services. Only a few months ago, one company in California regretfully announced that it was forced to go back to the restrictive fee-schedule system to keep doctors&#8217; bills in line.</p>
<p>Furthermore, there were growing signs of collusion between physician and patient. In such a conspiracy, investigators discovered, the procedure was usually something like this: Joe Doakes, with a stone in his kidney and a touch of larceny in his heart, would find that a kidney operation—including charges for the surgeon, the hospital, nurses, and miscellaneous items—would cost him $800. Under the terms of his policy, he would have to put out in cash the deductible amount of $200, and then 20 percent of the remaining $600, or $120. </p>
<p></div></p>
<p><a href="http://www.saturdayeveningpost.com/2012/08/20/archives/part-three-health-insurance.html">Part III: Health Insurance in 1958</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Classic Olympic Images from the Post</title>
		<link>http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=olympic-photos-post</link>
		<comments>http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html#comments</comments>
		<pubDate>Fri, 27 Jul 2012 20:50:56 +0000</pubDate>
		<dc:creator>Post Editors</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[1960s]]></category>
		<category><![CDATA[Olympics]]></category>
		<category><![CDATA[sports]]></category>

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		<description><![CDATA[<p>This gallery of <em>Post</em> images features photographs of Olympic athletes from the '50s and '60s.</p><p><a href="http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html">Classic Olympic Images from the <em>Post</em></a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>Photographs of past Olympic athletes from the 50s and 60s.<br />
<div class="recipe"><br />

<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/1951_russiantrackandfieldchamp' title='Heino Lipp'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1951_russianTrackandFieldChamp-150x150.jpg" class="attachment-thumbnail" alt="Heino Lipp" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/1952_russianhurdler' title='Yevgeny Bulanchik'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1952_russianHurdler-150x150.jpg" class="attachment-thumbnail" alt="Yevgeny Bulanchik" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/1956_cdumas7feet' title='Charles Dumas'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1956_cDumas7Feet-150x150.jpg" class="attachment-thumbnail" alt="Charles Dumas" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/1956_usadharperdiving' title='Don Harper'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1956_usaDHarperDiving-150x150.jpg" class="attachment-thumbnail" alt="&quot;Don Harper&#039;s diving could add to the U.S. point total.&quot; 1956" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/1956_equestrian-1' title='Equestrian event at Stockholm Olympics'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1956_equestrian-1-150x150.jpg" class="attachment-thumbnail" alt="Equestrian event at Stockholm Olympics" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/1952_sovietscandoitall' title='Cold-war humor'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1952_sovietsCanDoItAll-150x150.jpg" class="attachment-thumbnail" alt="Cold-war humor" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/1960_usaconnollydiscus' title='Olga Fikotova Connolly'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1960_usaConnollyDiscus-150x150.jpg" class="attachment-thumbnail" alt="Olga Fikotova Connolly" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/1964_10_pat_winslow_cover' title='Pat Winslow'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/1964_10_Pat_Winslow_cover-150x150.jpg" class="attachment-thumbnail" alt="Pat Winslow" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olympics-12-1' title='Tom O&#039;Hara'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olympics-12-1-150x150.jpg" class="attachment-thumbnail" alt="Tom O&#039;Hara" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olympics-12-2' title='Edith McGuire'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olympics-12-2-150x150.jpg" class="attachment-thumbnail" alt="Edith McGuire" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olymics-10-1' title='Jeff Fishback'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olymics-10-1-150x150.jpg" class="attachment-thumbnail" alt="Jeff Fishback" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olympics_slider' title='Marcia Jones'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olympics_slider-150x150.jpg" class="attachment-thumbnail" alt="Marcia Jones" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olympics-7' title='Dallas Long'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olympics-7-150x150.jpg" class="attachment-thumbnail" alt="Dallas Long" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olympics-8' title='Harold Connolly'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olympics-8-150x150.jpg" class="attachment-thumbnail" alt="Harold Connolly" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olympics-9' title='Water polo'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olympics-9-150x150.jpg" class="attachment-thumbnail" alt="Water polo" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olympics-11-1' title='Hayes Jones'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olympics-11-1-150x150.jpg" class="attachment-thumbnail" alt="Hayes Jones" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olympics-11-2' title='Buddy Edelen'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olympics-11-2-150x150.jpg" class="attachment-thumbnail" alt="Buddy Edelen" /></a>
<a href='http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html/attachment/olympics-14' title='Fred Hansen'><img width="150" height="150" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/olympics-14-150x150.jpg" class="attachment-thumbnail" alt="Fred Hansen" /></a>
<br />
</div></p>
<p><a href="http://www.saturdayeveningpost.com/2012/07/27/archives/olympic-photos-post.html">Classic Olympic Images from the <em>Post</em></a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Classic Covers: Earl Mayan</title>
		<link>http://www.saturdayeveningpost.com/2012/07/20/art-entertainment/art-and-artists/cover-artist-earl-mayan.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cover-artist-earl-mayan</link>
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		<pubDate>Fri, 20 Jul 2012 13:00:44 +0000</pubDate>
		<dc:creator>Diana Denny</dc:creator>
				<category><![CDATA[Art & Artists]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[cover artists]]></category>
		<category><![CDATA[earl mayan]]></category>
		<category><![CDATA[post covers]]></category>

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		<description><![CDATA[<p>From Yogi Berra to a pistol-packin’ saloon girl, Earl Mayan’s illustrations kept the '50s fun!</p><p><a href="http://www.saturdayeveningpost.com/2012/07/20/art-entertainment/art-and-artists/cover-artist-earl-mayan.html">Classic Covers: Earl Mayan</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><div class="recipe"><h2>“Yogi Berra”</h2><br />
<div id="attachment_63650" class="wp-caption alignleft" style="width: 410px"><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9570420.jpg"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9570420.jpg" alt="Yogi Berra from April 20,1957 " title="9570420" width="400" height="513" class="size-medium wp-image-63650" /></a><p class="wp-caption-text"><br />
<h5>&quot;Yogi Berra&quot;<br />from April 20,1957</h5>
<p></p></div>&#8220;It’s like déjà vu all over again!&#8221;</p>
<p>What a career! Yogi Berra spent almost 19 years with the Yankees as an outfielder and catcher, was named American League Most Valuable Player three times, and participated in 21 World Series (as a player, manager, and coach). </p>
<p>And he’s one of the most quotable people on the planet.</p>
<p>Earl Mayan posed Berra in Yankee Stadium for this 1957 cover. Most of the yelling, cat-calling, complaining fans behind the catcher were friends of the artist who, editors assured us, “were real nice-looking people till he asked them to look like baseball fans.” </p>
<p>The “fans” are keeping an eye on the action, heeding Berra&#8217;s advice, “You can observe a lot just by watching.” </p>
<p>Berra is playing his part well, concentrating on that high, fly ball because, “baseball is 90 percent mental—the other half is physical.”  But, actually, we don’t know how much of this is true, since, “I didn’t really say everything I said.” </p>
<p>Gotta love the guy.</p>
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<p></div></p>
<p><div class="recipe"><h2>“Saturday Rain”</h2><br />
<div id="attachment_63902" class="wp-caption alignleft" style="width: 410px"><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9590425-2.jpg"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9590425-2.jpg" alt="Saturday Rain from April 25, 1959" title="9590425-2" width="400" height="513" class="size-medium wp-image-63902" /></a><p class="wp-caption-text"><br />
<h5>&quot;Saturday Rain&quot;<br />from April 25, 1959</h5>
<p></p></div></p>
<p>“Mr. Moore” to the left isn’t overly concerned with nature’s bounty. He had one little bloom and let it get all droopy. </p>
<p>Although the sign on the house says “Moore,” he doesn’t fool us: As our cover artists sometimes liked to do, the part of the disappointed golfer was played by illustrator Earl Mayan himself. A Long Island buddy of the artist posed for the part of the happy gardener.</p>
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<p></div></p>
<p><div class="recipe"><h2>“Madame Forty-Four”</h2></p>
<p><div id="attachment_63660" class="wp-caption alignleft" style="width: 410px"><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/madame-44.jpg"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/madame-44.jpg" alt="Madame Forty-Four from October 5, 1951" title="madame-44" width="400" height="280" class="size-medium wp-image-63660" /></a><p class="wp-caption-text"><br />
<h5>&quot;Madame Forty-Four&quot;<br />from October 5, 1951</h5>
<p></p></div>Mayan illustrated 10 <em>Post</em> covers and over a hundred fictional stories that appeared in the magazine in the &#8217;50s and &#8217;60s. The stories ran the gamut from spy thrillers to detective mysteries to this gem we found from 1951. </p>
<p>A saloon singer in the gold mine camps of 1853, Prudence Ledyard, came out with two revolvers blazing when she came across some toughs trying to jump her claim. Turns out they weren’t as tough as they thought they were, and thereafter the demure saloon girl was known as “Madame Forty-Four,” which was the title of this 1951 story by Michael Foster. </p>
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<p></div></p>
<p><div class="recipe"><h2>“Wedding and Rehearsal”</h2></p>
<p><div id="attachment_63663" class="wp-caption alignleft" style="width: 410px"><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9550602.jpg"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9550602.jpg" alt="Wedding and Rehearsal from June 2, 1956" title="9550602" width="400" height="521" class="size-medium wp-image-63663" /></a><p class="wp-caption-text"><br />
<h5>&quot;Wedding and Rehearsal&quot;<br /> from June 2, 1956</h5>
<p></p></div>One thing we can say about the slackers in the first panel: They clean up good. The groomsmen are slouching, the bridesmaids are yawning or applying make-up and the flower girl is yo-yoing. But a magic wand was waved and somehow this group materialized into a proper ceremony. And it was an actual wedding that Mayan painted. </p>
<p>Editors noted “when Mayan felt sorry about having to paint the Very Rev. Albert Greanoff&#8217;s back view, he then put him in the pews a couple of times, front face. This may surprise the rector.”</p>
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<p></div></p>
<p><div class="recipe"><h2>“Traffic Jam”</h2></p>
<p><div id="attachment_63667" class="wp-caption alignleft" style="width: 410px"><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9560428.jpg"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9560428.jpg" alt="Traffic Jam from April 28, 1956" title="9560428" width="400" height="522" class="size-medium wp-image-63667" /></a><p class="wp-caption-text"><br />
<h5>&quot;Traffic Jam&quot;<br /> from April 28, 1956</h5>
<p></p></div>In the post-war &#8217;50s, urban sprawl created problems such as traffic jams. Or perhaps it was just pretty girls. </p>
<p>Frustrated drivers are understandably irate as the traffic cop lingers in a female-induced coma, but we get a terrific view of the mid-1950 automobiles.</p>
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<p></div></p>
<p><div class="recipe"><h2>“Plowed-Over Driveway”</h2></p>
<p><div id="attachment_63670" class="wp-caption alignleft" style="width: 410px"><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9541218.jpg"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/9541218.jpg" alt="Plowed-Over Driveway from December 18, 1954" title="9541218" width="400" height="519" class="size-medium wp-image-63670" /></a><p class="wp-caption-text"><br />
<h5>&quot;Plowed-Over Driveway&quot;<br /> from December 18, 1954</h5>
<p></p></div><em>Geeze! Dey complain if you don’t plow, then complain if you do!</em> </p>
<p>Okay, we know you’ve heard this story before, but isn’t it nice seeing all that snow during the summer sizzle?</p>
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<p></div></p>
<p><div class="recipe"><h2>“Sleepy Inning”</h2></p>
<p><div id="attachment_63673" class="wp-caption alignleft" style="width: 410px"><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/95504231.jpg"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/95504231.jpg" alt=" Sleepy Inning from April 23, 1955" title="9550423" width="400" height="504" class="size-medium wp-image-63673" /></a><p class="wp-caption-text"><br />
<h5>&quot;Sleepy Inning&quot;<br />from April 23, 1955</p></div>One more, because this is one Earl Mayan cover I can’t resist. It’s the top of the ninth, the score is tied, and there are two strikes on the board, for crying out loud. </p>
<p>What I love most is the “what can you do?” look on dad’s face as he hauls away the little fan who couldn’t last any longer.</p>
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<p></div></p>
<p><a href="http://www.saturdayeveningpost.com/2012/07/20/art-entertainment/art-and-artists/cover-artist-earl-mayan.html">Classic Covers: Earl Mayan</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Just What Was Marilyn Monroe Saying?</title>
		<link>http://www.saturdayeveningpost.com/2012/05/19/archives/post-perspective/just-what-was-marilyn-monroe-saying.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=just-what-was-marilyn-monroe-saying</link>
		<comments>http://www.saturdayeveningpost.com/2012/05/19/archives/post-perspective/just-what-was-marilyn-monroe-saying.html#comments</comments>
		<pubDate>Sat, 19 May 2012 13:00:43 +0000</pubDate>
		<dc:creator>Jeff Nilsson</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Post Perspective]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[celebrities]]></category>
		<category><![CDATA[Marilyn Monroe]]></category>
		<category><![CDATA[Monroeisms]]></category>
		<category><![CDATA[movie stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Pete Martin]]></category>
		<category><![CDATA[sex symbols]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=59226</guid>
		<description><![CDATA[<p>Marilyn Monroe was often portrayed as a "dumb blonde," but one <em>Post</em> writer saw how carefully she chose her words.</p><p><a href="http://www.saturdayeveningpost.com/2012/05/19/archives/post-perspective/just-what-was-marilyn-monroe-saying.html">Just What Was Marilyn Monroe Saying?</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><div id="attachment_59330" class="wp-caption alignright" style="width: 260px"><a href="http://www.saturdayeveningpost.com/2012/05/19/archives/post-perspective/just-what-was-marilyn-monroe-saying.html/attachment/marilynkoreasmall" rel="attachment wp-att-59330"><img class="size-medium wp-image-59330" title="Marilyn Monroe" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/MarilynKoreaSmall.jpg" alt="Marilyn Monroe" width="250" height="332" /></a><p class="wp-caption-text">&quot;In Korea in February of 1954 she caught a cold after entertaining troops in below freezing weather.&quot;</p></div>By 1956, Marilyn Monroe had earned a national reputation for being a “star,” a “celebrity,” a “sex symbol,” and… a “dumb blonde.” This last attribute came from the popular assumption that a woman with such a strong sensual nature <em>must</em> <em>be</em> ignorant. It was reinforced by the movie roles in which she played dim-witted ladies. Partly, too, it was Marilyn’s speech, delivered in a high, breathy voice that made her sound continually startled. And it wasn’t helped by many of the things Marilyn said without thinking.</p>
<p>But many of her sayings were well thought-out before uttered: the <em>Post</em> staff interviewer called them “Monroeisms.&#8221; Sometimes they were baffling, but they were usually amusing and often contained a second meaning.</p>
<p>Pete Martin offered <em>Post</em> readers several examples. For instance, her response to the question of whether she appeared in her photos with her mouth open and eyes half closed to look sexy.</p>
<blockquote><p>“The formation of my lids must make them look heavy, or else I’m thinking of something,” she told me. “Sometimes I’m thinking of men. Other times I’m thinking of some man in particular. It’s easier to look sexy when you’re thinking of some man in particular. As for my mouth falling open all the time, I even sleep with it open. I know, because it’s open when I wake up. I never consciously think of my mouth, but I do consciously think about what I’m thinking about.”</p>
<p>Tucked away in the paragraph like blueberries in a hot muffin were several genuine Monroeisms.</p></blockquote>
<p>Later, Martin asked her about her visit to Marine recruits at Camp Pendleton “when they whistled at you and made wolf calls.”</p>
<blockquote><p>“They wanted me to say a few words, so I said, “You fellows down there are always whistling at sweater girls. Well, take away their sweaters and what have you got?’ For some reason they screamed and yelled.”</p></blockquote>
<p>For some reason.</p>
<p>Was she really so unaware? How could someone who projected sexuality so effectively be so naïve? But in other responses, Martin saw Marilyn&#8217;s thinking behind her Monroeisms. He asked her—because this was 1956, and some people spoke this way back then—if anyone had ever suggested that she had padded her figure (“wore ‘falsies’” was his expression).</p>
<blockquote><p>“Yes,&#8221; she told me, here eyes flashing indignantly. “Naturally,” she went on, “it was another actress who accused me. My answer to that is, quote: Those who know me better know better. That’s all. Unquote.”</p></blockquote>
<p>It sounds like a parody of Marilyn, something Judy Holliday might say in a movie. But its suggestive nature, and its clever repetition of “know” and “better,” indicated she’d worked on the line before delivering it.</p>
<p>In truth, Marilyn was continually thinking up these quotable lines. A senior publicity agent [whom Pete Martin referred to as “Flack Jones”] told Martin that she was a skilled ad-lib artist. “She makes up those cracks herself. Certainly that ‘Chanel Number 5&#8242; was her own.”</p>
<blockquote><p><div id="attachment_59329" class="wp-caption alignright" style="width: 260px"><a href="http://www.saturdayeveningpost.com/2012/05/19/archives/post-perspective/just-what-was-marilyn-monroe-saying.html/attachment/marilynbusstopsmall" rel="attachment wp-att-59329"><img class="size-medium wp-image-59329" title="MarilynBusStopSmall" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/MarilynBusStopSmall.jpg" alt="" width="250" height="295" /></a><p class="wp-caption-text">The &quot;new Marilyn&quot; (i.e., hopeful, serious actress) and Don Murray, male lead in &quot;Bus Stop.&quot;</p></div>When I told Marilyn about this, she smiled happily. “He’s right. It was my own,” she said.</p>
<p>“Somebody was always asking me, ‘What do you sleep in, Marilyn?’ ‘Do you sleep in P.J.s?’ ‘Do you sleep in a nightie?’ ‘Do you sleep raw, Marilyn?’… I remembered that the truth is the easiest way out, so I said, ‘I sleep in Chanel Number 5,’ because I do.”</p>
<p>“Another one—the calendar crack—I made when I was up in Canada. A woman came up to me and asked. ‘You mean to say you didn’t have anything on when you had that calendar picture taken?’ I drew myself up and told her, ‘I did, too, have something on. I had the radio on.’</p>
<p>“Or you take the columnist, Earl Wilson, when he asked me if I had a bedroom voice. I said. ‘I don’t talk in the bedroom, Earl.’</p>
<p>“I don’t want to tell everybody who interviews me the same thing. I want them all to have something new, different, exclusive.&#8221;</p></blockquote>
<p>According to Flack Jones:</p>
<blockquote><p>&#8220;She concentrates on trying to give [an interviewer] what he wants—something intriguing, amusing and off-beat. She’s very bright at it. … She tries to say something that’s amusing and quotable, and she usually does.”</p></blockquote>
<p>Creating a Monroeism wasn’t as easy, it seemed. When a writer at Fox studios produced an article attributed to Marilyn, he gave her the quote that she didn’t tan “because it confuses the coloring of my wardrobe.”</p>
<blockquote><p>She scratched it out. “I asked her. ‘What’s the matter?’</p>
<p>“‘That’s ridiculous.’ she said. ‘Having a suntan doesn’t have anything to do with my wardrobe.’ She thought for a minute; then wrote, ‘I do not suntan because I like to feel blonde all over.’ I saw her write that with her own hot little pencil.”</p>
<p>“I wish I could say I thought it up. But I didn’t. Feeling blonde all over is a state of mind,” he said musingly. “I should think it would be a wonderful state of mind if you’re a girl.”</p></blockquote>
<p>As she had observed, the truth was often the easiest way out of a question.</p>
<p>Roy Craft, one of the publicity men at Fox, had told me that he had worked with her for five years, and that in all that time he’d never heard her tell a lie. “That’s a mighty fine record for any community,” he said.</p>
<blockquote><p><div id="attachment_59328" class="wp-caption alignright" style="width: 285px"><a href="http://www.saturdayeveningpost.com/2012/05/19/archives/post-perspective/just-what-was-marilyn-monroe-saying.html/attachment/marilynlarge" rel="attachment wp-att-59328"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/MarilynLarge-275x258.jpg" alt="Marilyn Monroe" title="Marilyn Monroe" width="275" height="258" class="size-small 275 max width for in post wp-image-59328" /></a><p class="wp-caption-text">Writer Pete Martin interview Marilyn Monroe for the <em>Post</em>.</p></div>&#8220;It may be a fine record,” she admitted, “but it has also gotten me into trouble. Telling the truth. I mean. Then, when I get into trouble by being too direct and I try to pull back, people think I’m being coy.</p>
<p>“I’m supposed to have said that I dislike being interviewed by women reporters, but that it’s different with gentlemen of the press because we have a mutual appreciation of being male and female. I didn’t say I disliked women reporters. As dumb as I am, I wouldn’t be that dumb, although that, in itself, is kind of a mysterious remark because people don’t really know how dumb I am. But I really do prefer men reporters. They’re more stimulating.”</p></blockquote>
<p>The truth, as she noted, was often the easiest way out. And speaking the truth had the added novelty of being unexpected, and sometimes funny. But it often led her to make statements that landed somewhere between the painfully obvious and the profound.</p>
<blockquote><p>“One of the things about leaving Hollywood and coming to New York and attending the Actors’ Studio was that I feel that I could be more myself,” she said. “After all, if I can’t be myself, who can I be?”</p>
<p>I shook my head.</p>
<p>It had me puzzled too.</p></blockquote>
<p>&nbsp;</p>
<p><a href="http://www.saturdayeveningpost.com/2012/05/19/archives/post-perspective/just-what-was-marilyn-monroe-saying.html">Just What Was Marilyn Monroe Saying?</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>The Rock Revolution in the Dick Clark Days</title>
		<link>http://www.saturdayeveningpost.com/2012/04/21/archives/post-perspective/when-pop-music-lost-control-the-record-revolution.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=when-pop-music-lost-control-the-record-revolution</link>
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		<pubDate>Sat, 21 Apr 2012 13:00:38 +0000</pubDate>
		<dc:creator>Jeff Nilsson</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Post Perspective]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[American music]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[Dick Clark]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Rock n' Roll]]></category>

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		<description><![CDATA[<p>When Dick Clark told the Post, "I don't think some people's attitudes about rock 'n' roll can stop a way of life," he was including the record labels that ignored the new music—until it was too late.</p><p><a href="http://www.saturdayeveningpost.com/2012/04/21/archives/post-perspective/when-pop-music-lost-control-the-record-revolution.html">The Rock Revolution in the Dick Clark Days</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><div id="attachment_56854" class="wp-caption alignleft" style="width: 374px"><a href="http://www.saturdayeveningpost.com/2012/04/21/archives/then-and-now/when-pop-music-lost-control-the-record-revolution.html/attachment/elvis-presley" rel="attachment wp-att-56854"><img class="size-full wp-image-56854" title="Elvis-Presley" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Elvis-Presley.jpg" alt="The King of Rock 'n Roll, Elvis Presley." width="364" height="569" /></a><p class="wp-caption-text">The King of Rock &#39;n Roll, Elvis Presley.</p></div></p>
<p>The recent passing of Dick Clark reminded us of the early days of rock music—back when it was alternately called “rock and roll” and The End of Civilization.</p>
<p>Though we remember Clark as a perennially nice, inoffensive guy, he was a force for change in the &#8217;50s. Not only did he play the teen music that parents disliked so much, he insisted on welcoming black teens into his studio audience, and traveling through the South in a racially mixed tour. His &#8220;Caravan of the Stars&#8221; bus was often denied service and even threatened by armed segregationists.</p>
<p>Just as significant, though, was his promoting of rock &#8216;n&#8217; roll, which helped integrate black and white traditions and audiences.</p>
<p>When it emerged unexpected in the 1950s, many Americans were shocked and suspicious of this strange, energetic new sound.They were accustomed to “pop” music. But rock &#8216;n&#8217; roll was, in fact, true “pop” music if the word is meant as an abbreviation of “popular.”</p>
<p>Up to that time, the musical tastes of Americans had been largely shaped by a big industry with a few record labels, which determined much of the music America heard.</p>
<p>As a 1959 article reported, however, the predominance of these companies fell when a few small, independent studios, with little budget and no advertising, produced enormous hit records.</p>
<blockquote><p>Up until a few years ago there was a fairly orderly sequence that took place in the launching of a new &#8220;pop&#8221; record. Everything was done big. Whenever one of the major recording companies came across a catchy tune, the company assigned it to a big-name singer, backed him up with a big-name band, then unleashed a barrage of publicity.</p>
<p>Today the popular-record business… is dominated by the smalls and the unknowns.</p>
<p>Knowledgeable men in the field agree … the record revolution started on a hot day in 1953 when a slim high-school boy, with his hair nearly down to his shoulders, fidgeted with a beat-up guitar below the windows of the newly opened Sun Recording Studios in Memphis, Tennessee.</p>
<p>The boy, who had taken time off from his after-school job at the Crown Electric Company, spent an hour of indecision out on the sidewalk before he got his courage up and walked one flight up to the small one-room studio. When Sam Phillips, [Sun’s] owner, approached, the boy gulped and said, &#8220;Please, mister, I&#8217;d like to make a record for my mother.&#8221;</p>
<p>&#8220;Sure, buddy, just relax and we&#8217;ll give it a try,&#8221; Phillips said encouragingly.</p></blockquote>
<p>Phillips was impressed, “the boy was just a raw kid with no training, but he had an interesting sound.” Phillips eventually found the “right song” for Presley —“Without Love.&#8221; As Phillips told the reporters, they &#8220;had to work hard to get the best out of his style&#8221;.</p>
<blockquote><p>And even when we got something that sounded right, we had a terrible time getting any disc jockey to play it. The only place we got his records played at first was in the Negro sections of Chicago and Detroit and in California.”</p></blockquote>
<p><div id="attachment_56852" class="wp-caption alignright" style="width: 260px"><a href="http://www.saturdayeveningpost.com/2012/04/21/archives/then-and-now/when-pop-music-lost-control-the-record-revolution.html/attachment/buddy-holly" rel="attachment wp-att-56852"><img class="size-full wp-image-56852" title="Buddy-Holly" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Buddy-Holly.jpg" alt="Buddy Holly." width="250" height="355" /></a><p class="wp-caption-text">Buddy Holly.</p></div></p>
<p>But the sound eventually drifted into the hearing of America’s teenagers, where it struck a resounding chord.</p>
<p>After Presley’s overwhelming success [selling 35 million records by that year], unknown studios and artists were eager to try their luck, completely bypassing the big record labels.</p>
<p>Buddy Holly was another star-out-of-nowhere. Throwing together a few songs with a combo he’d assembled in Lubbock, Texas, he drove with his band—The Crickets—out to a tiny recording studio in Clovis, New Mexico—as far from the heart of the recording industry as you can get in the lower 48 states. By the time of his death, 30 months later, he had sold 6 million records—most of which had been recorded in the shadow of the big grain elevator in ‘downtown’ Clovis.</p>
<blockquote><p>[Inspired by these successes,] youngsters with dreams of glory and gold pooled their talents. A singer would write his own song, hunt up a couple of instrumentalists, and they&#8217;d bang out tunes in rumpus rooms, living rooms or basements until they had something they thought was worth recording. Then they&#8217;d try to peddle their tapes. If a producer thought they had a &#8220;sound,&#8221; some unusual quality, either instrumental or vocal, that might drive the teen-agers wild, he&#8217;d take a gamble and make records.</p>
<p>This pattern, repeated over and over, revolutionized the popular-record field.</p>
<p>Today 70 to 80 per cent of the hits are being turned out by youngsters you never heard of a month or two ago, and who may disappear from the public scene just as abruptly as they came.</p>
<p>The major companies [are]… still turning out many records, but their hits don&#8217;t come as easily as they used to.</p>
<p>The biggest [obstacle] is the inflexibility of the major record companies. The independents are able to adapt quickly to any shift in teen-age tastes; the big organizations, saddled with protocol and chains of command, can&#8217;t move as fast.</p>
<p>Many record companies have found, too, that it&#8217;s a risky business to buy a new hit and re-record it with big-name singers and musicians. The teen-agers almost always prefer the original recording… [they] refuse to be impressed by the big-name approach.</p></blockquote>
<p><div id="attachment_56856" class="wp-caption alignleft" style="width: 260px"><a href="http://www.saturdayeveningpost.com/2012/04/21/archives/then-and-now/when-pop-music-lost-control-the-record-revolution.html/attachment/everly-brothers" rel="attachment wp-att-56856"><img class="size-full wp-image-56856" title="Everly-Brothers" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Everly-Brothers.jpg" alt="The Everly Brothers." width="250" height="301" /></a><p class="wp-caption-text">The Everly Brothers.</p></div></p>
<p>As the early sounds of rock music poured out of teenager’s radios and record players, adults who were accustomed to &#8216;big name talent&#8217; (Tony Martin, Jo Stafford, Kay Starr) created their own &#8216;new sound&#8217;: a strident, continual chorus of complaints about that ‘gawdawful music.’</p>
<p>As the <em>Post</em> authors noted, their criticism could actually ensure the survival of rock ‘n’ roll.</p>
<blockquote><p>According to many teenagers, rock &#8216;n&#8217; roll never would have got as popular as it is if their elders didn&#8217;t hate it so violently. It&#8217;s something to think about. The young parents of today compose the generation that went all out for swing against the noisy objections of their parents; and their parents used to get all giggly over ragtime. And so on and so on, back to the day some Neanderthal father listened in outrage as his son got off some hot licks with matched dinosaur-bone drumsticks on the family tom-tom. It must have seemed to that early man that the kids were going absolutely to the dogs.</p></blockquote>
<p>Today the budding Elvis or Buddy doesn&#8217;t even need a small-town recording studio. They can put together their own hit in front of their computer, launch it on YouTube, then sit back and wait for the agents and record companies to show up.</p>
<p>The no-studio viral-marketing approach might have given us Justin Bieber, or any number of other rising artists you don&#8217;t like, but if the music industry was still controlled by a few record labels, we might still be listening to Frankie Laine and Rosemary Clooney.</p>
<p>&nbsp;</p>
<p><a href="http://www.saturdayeveningpost.com/2012/04/21/archives/post-perspective/when-pop-music-lost-control-the-record-revolution.html">The Rock Revolution in the Dick Clark Days</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>From Our Archives: Big Boom in Outdoor Movies</title>
		<link>http://www.saturdayeveningpost.com/2012/04/20/archives/drivein.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=drivein</link>
		<comments>http://www.saturdayeveningpost.com/2012/04/20/archives/drivein.html#comments</comments>
		<pubDate>Fri, 20 Apr 2012 13:30:01 +0000</pubDate>
		<dc:creator>Post Editors</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[1950s]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[drive-in]]></category>
		<category><![CDATA[drive-in theater]]></category>
		<category><![CDATA[Movies]]></category>

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		<description><![CDATA[<p>This 1956 article by Frank J. Taylor told us drive-in movie theaters were here to stay.</p><p><a href="http://www.saturdayeveningpost.com/2012/04/20/archives/drivein.html">From Our Archives: Big Boom in Outdoor Movies</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>&#8220;In spite of TV, &#8216;ozone theaters&#8217; are having their biggest year ever, with chicken dinners, rock-and-roll music, and other lures for the whole family.&#8221; So it was in 1956. Below, you can read the entirety of this ode to drive-in cinema.</p>
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<p><a href="http://www.saturdayeveningpost.com/2012/04/20/archives/drivein.html">From Our Archives: Big Boom in Outdoor Movies</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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