Gathering Wood by John Clymer

Ah, the deep, cold Minnesota winter as painted by wonderful landscape artist John Clymer. If you’re wondering what the large, egg-shaped structures in the background are, as I was, they are snow-covered bales of hay. The face of the boy we can see is still enjoying the winter and the dog seems content. But notice the felines at the bottom heading in. Where there’s firewood, there must be a fire to cozy up to. Cats are my kind of people.

Seated Woman with Big Cat in Her Lap by Harrison Fisher

Here’s a beauty from 1908. Artist Harrison Fisher did over eighty Saturday Evening Post covers of lovely ladies, and this one has a bonus gorgeous feline. We showed you many Harrison Fisher ladies in stunning hats in our April cover piece, “Kentucky Derby Fashion Tips”. He was so well known for his paintings of beautiful ladies that they were known as the Harrison Fisher girls, and yes, reprints are available at curtispublishing.com.

Passing the Blame by K.R. Wireman

I couldn’t resist showing this Country Gentleman cover once more. CG was a sister publication to the Post for many, many decades. This little tot by artist K.R. Wireman has learned early to pass the buck. Well, a case could be made that the cat is black from knocking over the coal bucket, but we think the evidence points elsewhere.

Kitty Cooldown by Parker Cushman

On a hot day, kitty needs a turn in front of the fan, too. This adorable cover was by an artist named Parker Cushman in 1916. I can find very little about his artist, but he did three cute covers of children for the Post.

Cat Fight by Charles Livingston Bull

The greatest cat lovers will admit that they aren’t always adorable. Charles Livingston Bull was a great wildlife painter, and it doesn’t get much wilder than two felines going at each other. I can hear the howls now!

Cat Guards Bowl of Milk by Robert L. Dickey

Give ‘em heck, kitty! No matter how adorable the dogs may be, this feisty kitten from 1926 is not sharing her bowl of milk. Cats are the original divas. Artist Robert L. Dickey was known for his animal paintings, particularly horses. He did six other covers for the Post, all of dogs. He certainly nailed this kitty’s attitude.

Girl and Three Cats by Sarah Stilwell-Weber

We’ve shown many Sarah Stilwell-Weber covers, but this is a nearly-forgotten one from 1910. This young lady has her hands full of cute. Stilwell-Weber was a popular artist of children and did sixty-five covers for the Post and Country Gentleman magazines between 1904-1925 (yes, each more adorable than the next).

Swimming Hole by Norman Rockwell

This is a charming story-in-a-picture of a salesman making a long drive on a hot August day. No air conditioning in the car, of course. He spots a swimming hole, pulls over and goes for it. He carefully lays his glasses on a newspaper and his lit cigar on his shoe, to be picked up when he emerges (Rockwell was all about details). And then shows us a face of pure bliss. “George Zimmer, my model,” reported Norman Rockwell, “was an awful good sport. He stripped and I poured several buckets of water over his head to get the effect.” And you thought modeling was easy!

Drink of Water by Frank X. Leyendecker

We love this cover from August of 1914 by artist Frank X. Leyendecker (brother of Post cover artist J.C.). Frank did sixteen Post covers, and this one is delightful. Delivering papers in August is hot, tiring work, and the kid deserves a cool drink. The fact that his drinking buddy happens to be a horse doesn’t concern him.

Watering Father by Richard Sargent

We’d all like to see this scene three seconds later, but this is what we have to work with. While Mom is busy planting and watering flowers, Junior is thinking Dad’s pasty white skin needs a cool-down. Whether Dad agreed it was a good idea is a mystery left up to the viewer. Sargent was great with humorous scenes and a master at the pregnant pause, the “what-happens-next” moment.

Wet Swim Suit by Clarence F. Underwood

We know, you’re shocked. A pretty young lady in a swimsuit on the cover of the staid and venerable Saturday Evening Post. And in 1912 yet! Well, even young ladies in 1912 deserved a cool-down. At least we don’t have to wring out the heavy skirts of our swimsuits these days. Artist Clarence F. Underwood did over forty Post covers. Even though most of them were in the 19-teens, many showed active women: fishing, playing tennis, canoeing, even plowing a field. Of course, they looked surprisingly pretty doing all this.

Sitting on the Diving Board by Penrhyn Stanlaws

My, how bathing suits changed in a mere twenty-one years! In a swimsuit more suited for immersion, the pretty lady from 1933 is just dipping her toes in the water. Go figure. Curtis Publishing (curtispublishing.com) shows many gorgeous Stanlaws covers, usually of lovely young ladies holding a teacup or bouquet. He did a total of thirty-seven Post covers between 1913 and 1938. (Warning: if you look up his covers on the Curtis website, you’ll want to buy prints of them all.)

Cool Bear by Charles Livingston Bull

Then there’s the total immersion therapy. This is from Country Gentleman magazine (a sister publication) in 1922 by great wildlife artist, Charles Livingston Bull. If that water looks good to you, a word of advice: Find another place to cool down.

N. C. Wyeth

The father of painter Andrew Wyeth and grandfather of present-day artist Jamie Wyeth, Newell Convers Wyeth was a student of Howard Pyle and the Brandywine School of art. Wyeth’s first professional work was a commissioned illustration for the Post. His sense of color and mood was particularly suited to Western subjects, which also appealed to Lorimer. So the Post sent Wyeth to gain firsthand knowledge of his subject. On trips to the western United States, he worked as a ranch hand in Colorado and rode mail routes in New Mexico and Arizona.

Charles Livingston Bull

Known chiefly as an animal illustrator, Bull literally drew from his experience as a taxidermist at the National Museum in Washington, D.C. Bull’s images, whether an eagle soaring in flight or a fox on the prowl, gave a majestic, even startling, life and grace to his wild subjects.

Angus MacDonall

MacDonall, who came from the Midwest but eventually migrated east to become part of the Westport, Connecticut art colony, did only a few covers for the Post, but they were memorable, especially his poignant depictions of children. The forlorn boy and his dog were real, seen by a reader in Oregon, who described the scene vividly in a letter to the editor.

Ellen Pyle

Like N.C. Wyeth, Ellen Bernard Thompson Pyle was a student of Howard Pyle’s Brandywine School, later marrying Howard’s brother Walter. When they started a family, Pyle set painting aside, but after Walter’s death in 1919, as a widow with four children, Pyle resumed her career to make ends meet. She struggled at first, but then her sister-in-law took three of Pyle’s paintings to the Post—and Lorimer promptly bought two of them, in addition to the girl with the ice cream cone, which became a cover in 1922 (after Lorimer insisted that the dog, originally shown drooling, be retouched). Pyle painted 40 Post covers in all, often using her children as models. The girls sipping sodas here are Pyle’s daughters.

J. C. Leyendecker

Joseph Christian Leyendecker received his first commission to paint a Post cover the same year George Horace Lorimer began running them, in 1899. Before Norman Rockwell arrived, no other artist had been so closely identified with the Post. Leyendecker famously created the iconic New Year’s Baby and the pudgy red-garbed rendition of Santa Claus, among other enduring images. Rockwell himself idolized the artist, calling him “a superb draftsman and a fine colorist,” as evidenced here. Leyendecker had an eye for the humor in everyday life, too (as in the case of the ample bathing beauty and her water wings, witnessed by a Post editor, who later described her to Leyendecker), which always delighted readers.