Spring Storm Blowing In

In a contemporary description of this cover, Post editors wrote that artist John Falter remembered well the spring storms from his Midwestern childhood in Nebraska and the way trees turned up the undersides of their leaves and looked like phantoms.

His more than 125 Post covers depicted everyday life, and often its foibles. (See “John Falter’s August.”)

Falter was known for his masterful use of outdoor light, reflected here with quickly disappearing patches of light and just as rapidly darkening skies.

Brushing Their Teeth

According to a 1938 article in the Post, San Francisco-born artist Amos Sewell worked at a bank for several years, studying art in the evenings and spending vacations sketching up and down the Pacific coast. Then “in 1931, right in the middle of the depression, (Sewell) decided he was tired of the banking business and shipped out as a work-a-way on a lumber boat bound for New York, via the Panama Canal.”

In spite of his earlier vagabond lifestyle, many of Sewell’s 45 covers are notable for their homespun quality. Prime examples include this 1955 suburban toothbrushing scene, a father assembling a swing set (see “Thanks, Dad!”), and a little boy playing cowboy (see “Romance of the Cowboy”).

Date with the Television

It all says mid-1950s: the TV, the dress, the lamp, the ashtrays … we have everything but tailfins here in this portrait of teenage angst.

The urbane setting (note the glittering city lights in the window) seems far removed from John Falter’s corn-fed Nebraskan boyhood. But let us be reminded of the artist’s meticulously rendered cityscapes as featured in “Can You Guess the City?”

First Cake

Adept at drawing humor from everyday life, Stevan Dohanos’ covers include a toddler in a bedroom happily emptying purses as grown-ups gather in the next room and a woman “on vacation” at a beach cabin. (See “The Great Covers of Stevan Dohanos.”)

About this 1955 kitchen scene (left), Post editors wrote: “These newfangled kitchens certainly have helpful equipment, such as wall ovens with windows so one can watch a cake fall.”

Model Home

Artist George Hughes favored vibrant colors and upper-middle class settings. Because the family is fashionably attired, we might assume some level of affluence. Even so, the average home was around $18,000 in 1950, and the sign in this model home states: “This modern spacious split level: $29,995.00.” No question that the family breadwinner is feeling a degree of sticker shock.

On the inside cover of this issue, Post editors quipped that Hughes himself had just purchased a new, one-level home in Vermont “because he is too old a man to climb steps.” Hughes would have been in his 50s at this time, but this sort of teasing banter was typical of the artist/editor relationship.

Den Into Nursery

Post editors wrote that the wallpaper with whitewater fishing scenes in Dad’s den is going, and he would soon be a “displaced person.” As the father of two young girls, illustrator George Hughes could certainly identify with turning man caves into kid’s rooms.

Renovation may have also been on his mind because the artist had recently moved from New York City to Arlington, Vermont, in part, to be near other Post artists like Norman Rockwell and Mead Schaeffer.

The country air must have suited Hughes, as the ’50s saw 80 George Hughes covers, making him the most prolific Post artist of the decade. By comparison, other prominent cover illustrators like Richard Sargent and John Falter did 35 and 60 covers, respectively (Rockwell did 45).

The Fat Lady Sings by Dick Sargent

American Idol wannabes, take note: When everyone is wincing, get a clue. Everybody but the pretty blond at the piano, that is, who still has fun even if the lady in blue is drowning everyone out. The male quartet is not happy. Make that a quintet – Beethoven is apparently in pain.

The Trumpeter by Norman Rockwell

This is not the musician’s posture a teacher would demand. The idea for the painting came when Post editor Ben Hibbs talked to Norman Rockwell about the contortionistic body positions of his son playing the instrument. The dog’s expression is either terror at the strange sounds emitting from that thing or concern that the instrument is somehow hurting the kid (or vice versa).

Rockwell’s incredible eye for detail certainly shows in the chair’s slipcover. Does the charming pattern look familiar? Rockwell fashioned the fabric from a painting done by Grandma Moses, a good friend of his. Oh, and love the socks!

Making Music by Alfred E. Orr

Everyone’s a critic! This dog has a definite opinion about the clarinet. Artist Alfred E. Orr did six Saturday Evening Post covers, including this delight from 1921.

Offkey Harpist by E.M. Jackson

It’s bad enough when the bust of Beethoven winces, but when the instrument itself covers its ears, you are really off-key. Artist E.M. Jackson did 58 covers for the Post and her sister publication, Country Gentleman with subjects from sad to glamorous to downright whimsical, like this one.

Jamming with Dad by John Falter

Jazz greats like Louie Armstrong adorn the walls and pops is sure getting into it, but the tunes just don’t click with the teens. This 1956 generation gap cover was by one of our most beloved artists, John Falter.

Thank you for your comments and suggestions on cover features, like “could you show us some covers people often mistake for Rockwells?” We’ll be glad to do it in the next installment.

Woman With Basketball by Carol Aus

Dr. James Naismith is credited with inventing basketball in 1891, and apparently it didn’t take long for the ladies to try their hand at the sport. A Norwegian artist named Carol Aus (1868-1934), about whom little is known, painted this young player for a 1909 Post cover.

Woman Playing Tennis by George Brehm

We have plenty of cover art showing a pretty lady posing with a tennis racket or other sports equipment, but an action shot like this tennis player makes a person wonder how the artist did it. A person might also wonder how the lady was so active in a long skirt. This is from 1907.

Lady Fishing by Harrison Fisher

We have dozens of covers depicting the art of fishing, the first of which was Grover Cleveland fishing in 1901. The second, in 1902, was of a lady reeling one in! Harrison Fisher was a big name in Post covers, doing nearly 80 between 1900 and 1915.

The Finals and Alice Gray by Pete Fountain

We have numerous depictions of the great game of golf, also. This is one of the earliest, from 1903. Maybe they couldn’t vote, but women could certainly golf…and fish, hunt, play tennis, basketball and baseball.

Woman Archer by J.J. Gould

This is another action painting. Early Post artist J.J. Gould went for verisimilitude in this one from 1907. The lady looks like she knows what she’s doing.

Woman on Horseback by Philip R. Goodwin

Hundreds of covers depict a lady reading, holding flowers or a fan, or simply looking lovely in a beautiful gown. This 1906 cover shows many of the fair sex were made of sterner stuff.

Coachman and Horse by J.F. Kernan

If you think I’ve been looking for an excuse to show off this beautiful cover, you’re absolutely right. The coachman and horse is one of my favorites (of course, my favorites change from week to week). Between the Post and sister publication, Country Gentleman, artist J.F. Kernan did over fifty covers.

Billboard Painters by Penrhyn Stanlaws

There are several covers depicting billboard painters, and I’d forgotten about this one. It was by artist Penrhyn Stanlaws whose covers of elegant ladies, often in interesting hats, graced the Post many times. This particular lady just happens to be several times life size.

Partygoers by Norman Rockwell

The milkman started at the crack of dawn, so if you met him on your way home, you were a bona fide party animal. Note the hard-working deliverer of our morning milk is still carrying his flashlight. Rockwell depicted him as a fatherly type, admonishing the young couple for their unseemly hours.

Blacksmith by L.L. Emmert

Since the Country Gentleman magazine folded in the 1970’s, a lot of cover art is all but forgotten. Today we’re remembering the blacksmith at his labors in 1917. What’s a horse to do these days – go to a shoe store?

Fill ‘er Up by McCauley Conner

I suppose remembering the days when someone pumped your gas makes you officially old, but it’s another job that’s gone by the wayside. I never thought the reason might be gas station attendants like this one, who got distracted by pretty ladies. This could get costly these days!

Soda Jerk by Norman Rockwell

Yes, there were perks to being soda jerks – like girls. Norman Rockwell got the idea for this cover by listening to his youngest son talk about his experience behind the soda fountain. And, yes, Peter Rockwell was the model, although he wasn’t all that pleased with the resulting painting. “I’m not that goofy-looking,” he said. Well, dad had to give the guy some “character”. See if you can dream up any other extinct professions.

Speeding Oldsters by Wm. Meade Prince

“Henry! I TOLD you we were going too fast!” Who knew there were motorcycle cops in 1925? Well, there’s one in this rear-view mirror. The Country Gentleman magazine was a sister publication to The Saturday Evening Post. On this cover, Henry is clearly having the time of his life, tooling along at thirty miles per hour. Fun’s over, buddy.

Elderly Couple in Automobile by Robert Robinson

What is with the oldsters these days? At least the men. We’ve shown you some delightful old codgers by artist Robert Robinson in the past, and this one has a lead foot. And he’s scaring the wits out of the Mrs. She has a restraining hand on his arm, but seems too scared to say anything. But just wait and see if the old fool gets his supper tonight.

Exhilaration by Norman Rockwell

Who’s enjoying the speeding now? Rockwell turns the tables and shows a young lady who is thrilled at the wild rumble seat ride. The dog, too, seems to enjoy the wind in his ears. The poor guy, however, is just trying to hang on to his hat. If you slow down enough to read the cover notes, you’ll see that the Post boasted some pretty impressive writers, too.

Excuse My Dust by Norman Rockwell

This family is pretty impressed that their Ford is outrunning the fancy-schmancy, more expensive car. The models were the Campion family from New Rochelle, where Norman Rockwell lived. Rockwell often used friends and neighbors for his paintings. Dave Campion ran a news store. We would have loved to see the customer’s faces when they purchased their copy of the Post with Mr. Campion speeding by on the cover! We’ll see him again.

World’s Fair or Bust by John E. Sheridan

Love this colorful cover. Apparently there was something going on in New York in 1939, and the men in the yellow car are in a hurry to get there – “World’s Fair or Bust”. The lady in the other car evidently didn’t “bust,” we’re happy to report, and is returning from the fair. Let’s hope the speeding guys don’t get bust–ed. Okay, that’s a reach, but I couldn’t help but notice that the long arm of the law awaits (below).

Welcome to Elmville by Norman Rockwell

Meet the long arm of the law. Look familiar? The squinty eyes threw me off, but it’s our old buddy Dave Campion, taking time off from his newsstand once again to pose for Rockwell (see Excuse My Dust above). The idea for the painting came from a real-life incident. Rockwell was traveling through Amenia, New York “back in the days when towns paid their taxes with speeders’ fines, and the Amenia cop really nailed me—right along the welcome sign!” So as you bemoan your speeding ticket, dear reader, remember that you are in good company.

Elizabeth Taylor – December 3, 1966

Elizabeth Taylor may have been a shrew on the December 3, 1966 cover, but she was also a stunner. She and Richard Burton were starring in The Taming of the Shrew. The Paul Ronald photo gives credence to those who argue she was the most beautiful screen actress of all. To my surprise and delight, the cover folded out to show the man attempting to tame her (Burton as Petruchio). Well, it certainly never happened in real life.

Sophia Loren – October 21, 1967

Just when you stick your foot in it and assert that Liz was the greatest screen beauty ever, you run across a gorgeous cover of Sophia Loren from 1967. The battle rages on. The movie star had a rough beginning, “even for a poor Neapolitan,” wrote John Cheever in the accompanying article. “She was seven years old when the three-year of bombardment of Naples began during World War II, and she and her mother suffered the hazards of poverty and war.” Forty-three years later, she’s still gorgeous.

Ann-Margret – May 4, 1963

Looking sassy, sexy and joyful all at once is Ann-Margret, an “explosive new star.” Her rise to Hollywood fame was considered lightning fast. “At 22, having emerged from nowhere by way of Sweden and Illinois, Ann-Margret has worked the film town’s official chroniclers into a froth of admiration,” wrote Dean Jennings. As ingenuous as the young star was, she planned “to be the girl who sustains, year after year.” We’re delighted she succeeded.

Faye Dunaway – September 7, 1968

I have been known to rue the day photography replaced art and illustration on the covers of The Saturday Evening Post, but a photo like this reminds even a curmudgeon like myself that photography is an art form, too. The beautiful star was nominated for Best Actress for Bonnie and Clyde from the year before.

Julie Andrews – January 29, 1966

I love the fresh-faced Julie Andrews of this 1966 cover. She was a long way from the Mary Poppins of only a couple of years before, starring in a cold-war themed Hitchcock movie. With her in “Torn Curtain” was Paul Newman (who’ll be one of our “leading men” next week). She was the first to make fun of her squeaky clean image. When Hitchcock complained during a scene, “That light is making a hell of a line over her head,” she responded with hands primly on hips, “That’s my halo.” Okay, no halo, but she certainly had a radiance.

Brigitte Bardot – May 8, 1965

“For people like me,” Bardot was quoted as saying, “there is no place left to hide.” The sex kitten was still a hot property at the ripe old age of thirty. According to the article, “police almost lost control of the mob when she got off the plane in Mexico City to assume her part in Viva Maria! Being hounded by the paparazzi isn’t a new thing—the alluring actress was brutally pursued by photographers. She retired less than ten years later and became an outspoken advocate for animal rights.

Spring 1977

By kind permission of Coe Kerr Gallery in 1977, we were able to reproduce this painting by Rembrandt Peale (1778-1860). It was of his brother, Ruebens (do you think the parents might have been art buffs?) and shows him here “with the first geranium brought to America in 1801.” The editors further informed us that “the Peales ran what amounted to a portrait factory where they painted Indians, patriots, still lifes, landscapes, miniatures and themselves–in great abundance.” And apparently with exquisite skill.

June 1953

Since it was a magazine for farmers, Country Gentleman covers were frequently of livestock or farm scenes. This peaceful June scene was in the heart of dairyland in Jefferson County, Wisconsin. The artist was Robert Addison. As serene and picturesque as it appeared here, this was a working dairy farm of 197 acres. But wait…I found a great painting of a movie star and a cover painted by a former President…

Winter 1976

From a peaceful summer scene to a peaceful winter scene – and can you see the artist’s signature? White Church in the Country was painted by Dwight D. Eisenhower in 1961 “amidst the stifling one-hundred-degree heat of the Palm Desert in California.” Eisenhower loved golf, but “daubing,” as he referred to his painting, was his second-favorite hobby. A very fine portrait of Eisenhower by Norman Rockwell appeared on a Saturday Evening Post cover in 1952. And speaking of Rockwell…

Spring 1979

This 1979 cover was a repeat – it originally appeared on Country Gentleman magazine in 1922. It was the result of a contest to find the most representative “Country Gent” salesboy. The winner got to pose for Norman Rockwell! “The response was overwhelming,” editors informed us. “500,000 young entrepreneurs mailed in their photos, and one George Hamilton of Binghampton, New York, was chosen as the lucky model.” George’s mother had sent a photo of him holding four fox terriers. “Never mind that the puppies had somehow switched their breed…to beagles,” the editors noted, “for Norman Rockwell transformed the ordinary into magic.” This we all well know.

Spring 1978

What movie buff wouldn’t love this cover? The handsome cowboy, of course, is Jimmy Stewart. He was painted by artist Robert Abbett for the National Cowboy Hall of Fame in Oklahoma City. Stewart had great appreciation for the Hollywood Western. “It saved my career, after the war,” he is quoted as saying in this issue, “and everybody knows what it did for Gary Cooper and Duke Wayne. Naturally, I’m grateful.” And we’re grateful for such a beautiful way to remember a beloved actor.

Fall 1976

For a magazine named Country Gentleman, this must be the quintessential cover. Known as a “sporting painter,” George Stubbs (1724-1806) painted horses, dogs, hay wagons, and harvesting activities against the English countryside. This gem is called Sir John Nelthorpe Out Shooting.

Spring 1976

Seems I’m always discovering a new artist. Okay, so this “new” artist was born in 1780, but renowned primitive painter Edward Hicks was new to me. This is a portion of a stunning painting of James Cornell’s Pennsylvania farm circa 1848 on an Indian summer day. The farm won a five-dollar prize for the “best cultivated farm over 100 acres,” which the editors informed us was “five years before the Genessee Farmer and The Cultivator combined to create the first Country Gentleman magazine.” Not as old as The Saturday Evening Post, but Country Gentleman sure went back a fer piece. If you hunger to see more Country Gentleman covers, or have a question about Saturday Evening Post covers, feel free to comment and let us know.

Baby Delivery Boy with Hat boxes and Flowers – April 10, 1909

Along with sometimes lavishly dressed ladies and gentlemen, Leyendecker painted children and babies – lots of babies! His winsome tots did everything from delivering Easter boxes to carving a Thanksgiving turkey. The first New Year’s baby was delivered by the stork to welcome the fresh New Year 1908. The last New Year’s baby was bravely fighting the Nazis in 1943. These precocious youngsters did it all.

New Year Ticker Tape – December 30, 1933

In the 1930s, these poor little tykes were mighty worried about the economy (we told you they were precocious). The one greeting 1934 was encouraged at what he saw on the ticker tape. Which brings us to 1935, and our friend and cover boy, David L. Johnson. The artist depicted David trying his darndest to balance the budget. Walking a tightrope between a bottle of red ink and a bottle of black, he precariously balances the budget atop his cute little head.

Johnson tells us his grandfather was an illustrator named Orson B. Lowell. Lowell attended the Art Institute of Chicago and later moved lock, stock, and motherless grandchild to New Rochelle, which had become something of an artists’ colony. There Granddad hung out with artistic types like Post cover artists J.C. Leyendecker and Norman Rockwell (“He knew all those guys,” Johnson tells us). When J.C. Leyendecker was looking for a model for New Year’s 1935, his artist pal–Johnson’s grandpa–knew just the child.

Baby New Year Flying Bi-Plane – January 1, 1910

We get a brief history lesson reviewing the Leyendecker baby covers. The baby welcoming the year 1910 was flying a new-fangled bi-plane, a feminine baby in 1912 was carrying a “Votes for Women” sign. 1914’s tot was cruising the soon-to-be-opened Panama Canal.

Global War – December 30, 1916

The Post welcomed 1917 with a Leyendecker baby looking with concern at a damaged globe – could global war be looming? Alas, 1918’s tiny boy was helmeted and armed and ready to report for military duty.

Votes for Women – December 30, 1911

Thank you so much for getting in touch with us, Mr. Johnson. You’re the first Leyendecker baby we’ve had the pleasure of getting to know. By the way, we could still use your budget balancing skills. Questions about Saturday Evening Post covers can be sent to: d.denny@saturdayeveningpost.com or by comments below. And if you know of former Post cover models, we’d love to hear from them!

Sweating Man Reading Thermometer – Robert Robinson – July 9, 1910

A turn-of-the-century artist named Robert Robinson did many Post covers, a number of them featuring delightful old codgers like Mr. Sweltering here. The notice board from the Weather Bureau he’s reading says it’s going to be a “hot Thursday,” and he is a believer. Robinson is one of those artists we are unable to find information on, so if you have info on him, do share!

Swimming in Fountain – E. M. Jackson – July 24, 1926

You probably wouldn’t get away with it today, but in the roaring twenties, cooling down in a public fountain was a cover idea for artist E. M. Jackson. It’s no swimming pool, but it sure looks refreshing. We’re not responsible for those of you who choose this method of seeking relief from the heat (not that we’d blame you).

Three Bathing Beauties – John LaGatta – July 8, 1933

A wonderful artist named John LaGatta did over twenty Saturday Evening Post covers, usually of willowy, elegant ladies. These bathing beauties grace a July 1933 cover. You can view John LaGatta covers (and those of many Post artists) at curtispublishing.com.

Joys of Summer – Norman Rockwell – July 13, 1940

This doesn’t strike me as a typical Norman Rockwell cover, but it is a typical July dilemma – how to get the ice cream where it needs to go before it melts! Okay, which umbrella is sis under?

Billboard Painters – Stevan Dohanos – July 13, 1957

The billboard of polar bears and icebergs looks nice and cool, but the temperature is still 95 degrees for these hard-working painters. Too bad the air conditioner is just a painting and they can’t turn it on. Dohanos must have loved irony: In February of 1948, he did a Post cover of a billboard painter standing in the snow, trying vainly to warm up over a makeshift fire. The billboard? A tropical vacation advertisement with a lady in a swimsuit.

Unwelcome Pool Guests – Thornton Utz – July 22, 1961

Ah, a nice, peaceful Sunday morning breakfast by the pool with my newspaper. Until Uncle Obnoxious and his station wagon full of kids (I count eight!) invade the scene. Artist Thornton Utz did about forty-five covers for the Post, and this is a prime example of a guy we can identify with. Maybe tomorrow morning at work will be peaceful…

Soldier and Daughter by K.R. Wireman – December 14, 1918

#1 – The Grateful Dad:Dad was often a prominent feature, like this WWI soldier coming home to his daughter. It’s a rarely-seen remembrance of this era from a great artist little known today: K.R. Wireman.

Dad at Bat by Alan Foster – June 1, 1929

#2 – The Sportsman: This is one of those covers that resembles the style of Norman Rockwell, but it was by artist Alan Foster. Dad must have just come from the office, according to his clothing, but he’s game for the game. Good batter stance, Pop.

Tea for Grandpa by C. Gager Phillips – February 18, 1933

#3 – The Good Sport: If tea is served in a doll-sized teacup, then by golly, dad (or granddad) will do his best to drink it. If it’s the 1930s, you can bet the little girl will have a Shirley Temple-type hairstyle. This beautiful cover is from February 1933 and was by little-known artist C. Gager Phillips.

Report Card by Frances Tipton Hunter – March 25, 1939

#4 – The Intimidator: If your report card was not up to snuff, you would hear about it. It’s 1939 and somebody may be about to lose his radio privileges. Even the dog is concerned. We just hope the news in the evening paper isn’t that bad. Artist Frances Tipton Hunter did a number of Post covers featuring adorable children. For more of these, go to: http://www.curtispublishing.com/artists/Hunter.shtml

Bike Riding Lesson by George Hughes – June 12, 1954

#5 – The Teacher: Remember all the things Dad taught you. This 1954 cover shows a kid having a great time on his bike. But Pops seems a little panicky about the stopping part. Oh, just wait, Dad. In a few years you’ll be teaching him to drive a car.

Happy Father’s Day by Howard Scott – June 19, 1943

#6 – The Deserving Dad: And which dad isn’t deserving of special recognition? We think getting that cake into and out of the lunchbox in perfect condition displayed a bit of artistic license, but the sentiment is spot on. If you can’t read “Pop’s” button even after clicking for a close-up, it is his ID badge to show he works at Plant 46.

Toddler Watering Geraniums by K.R. Wireman, June 28, 1924 (The Country Gentleman)

The Country Gentleman magazine (from the same publisher as the Post) showed us that gardeners come in all shapes and sizes. Cutie Patootie here wants to help with watering the flowers. This is from 1924. Artist K.R. Wireman is little known today but did about two dozen covers for The Country Gentleman magazine and about a half dozen for the Post.

Hardware Store at Springtime by Stevan Dohanos, March 16, 1946

This is the part I love best! Shopping for flowers at the local stores. This hardware store in 1946 is tempting your wallet with shiny equipment, seeds, and cool stuff for your patio. “There is nothing like the feel of a good rake or hoe in your hand,” the editors noted, “in the hardware store.”

Ready to Garden by J.C. Leyendecker, May 6, 1916

All ready with his brand-spanking-new equipment and the latest seed catalog is this endearing fellow by artist J.C. Leyendecker. Oh, to have a shiny new push mower like this one from 1916! Oh wait, we can still get one. It’s just that it will be $100-$200 these days.

Geranium Gardener by W.D. Stevens, May 1, 1937

I wish artist W.D. Stevens had done more than one cover for the Post, because this is a charmer. Dig the high-tech wheelbarrow. That, a couple of rakes, a shovel, a hoe, and a watering can for one itty-bitty geranium. And darned if she doesn’t look good doing it!

Little Girl Gardener by K.R. Wireman, March 15, 1919 (The Country Gentleman)

Now THIS is a gardener! If you can grow cabbages half your size and body weight, you have accomplished something indeed. This is another adorable cover from artist K.R. Wireman and is from 1919.

Victory Garden by Howard Scott, August 7, 1943

Now for the part about gardening we all like least. Toiling in his victory garden in 1943, the man’s face and posture says it all. Maybe a wifely backrub and some fresh-cooked veggies will make it all worthwhile.

Flat and Chat – May 21, 1949

The irritated tire-changer? Why, that’s artist George Hughes himself. The editors mused that he served as his own model because he was tired of waiting for Rockwell to insert him into a Post cover. Several Post cover artists lived near each other in Arlington, Vermont, and they used each other (and their families) as subjects. Rockwell had used fellow artists Atherton, Schaeffer and even himself as Post cover boys. Well, if you want something done, you’d better do it yourself.

Missed Exit – June 15, 1957

“High-speed pikes are wonderful inventions,” Post editors noted in 1957, “except for a few bugs that need to be ironed out, such as exit signs moving by too fast.” What do you do in this situation? One can imagine the conversation inside the blue convertible. We’d rather not.

Fork in the Road – July 7, 1956

Yogi Berra says, “when you come to a fork in the road, take it.” That advice isn’t helping the couple in this 1956 cover. He says “that way,” but no, she insists, “this way.” The editors suggested perhaps they should flip a coin. Or perhaps he should just let the wife navigate because “nobody can think clearly under a cap like that.” Editors are such wise guys.

Ticket for Roadster – April 27, 1957

If you drive a snappy Roadster, be careful with your speed. And if worse should come to worse and you do get pulled over, be sure it isn’t where there’s a group of snarky kids hanging out. Rough trip – not only costing in monetary terms, but in terms of mental anguish.

Gas Money – March 26, 1960

These boys had a bit of a problem. “Big Ron” gassed up the jalopy and is finding himself in the embarrassing position of being short on funds. His buddies are not coming up with the dough either and Lou (it says “Lou” on the attendant’s shirt) wants his $4.07 and he wants it now. Looks like Big Ron will have to call his dad, Bigger Ron, and hope for the best.

Out of Gas – September 2, 1961

Is there a worse scenario? Leave it to artist Hughes to find it. “The setting of this depressing encounter is not fifty miles from nowhere,” the editors noted. “This is nowhere.” A mile or two in either direction will take you to a car that’s out of gas. The unanswered question, of course, is how the heck did they get out of this one? One can only hope Big Ron got his gas money and happens by.

Farm Appetites – Clyde Forsythe – November 24, 1917

We have plenty of poignant wartime covers, but this one is fun! These are hearty farm-boys-turned-soldiers, and the painting is appropriately named: “Farm Appetites.” It was done by cartoonist Clyde Forsythe, a friend of Norman Rockwell. In fact, it was Forsythe who encouraged the reticent, nervous young Rockwell to try to sell a cover to the venerable Saturday Evening Post. So Forsythe not only painted history, he helped to make it.

Women Work for War – Charles A. MacLellan – July 20, 1918

And who, pray, worked the land while the male farm hands were fighting the war? The “women’s land army”, that’s who. Some were country girls, others were out of their element working farms, but the women of the U.S. and Europe wanted to do their part back home.

Her Boy – K.R. Wireman” – September 15, 1917

Another seldom-seen Country Gentleman cover shows a proud mother at the mailbox, receiving a photo of her son in uniform. Let’s hope he’s back at the farm soon. This was by artist K.R. Wireman.

Necessary Height – Norman Rockwell – June 16, 1917

Back at The Saturday Evening Post, a gent we all know and love, Norman Rockwell, was also recognizing the war in his art. Only about 22 himself at the time, Rockwell shows us that even the youngsters were getting into the war effort. Playing recruiter, a boy (notice the “recruiting poster”) seems to be questioning the qualifications of a vertically challenged applicant.

Uncle Sam – Herbert Johnson – June 16, 1917

This trio was vitally important to the nation in World War I. The American soldier, good old Uncle Sam and the American farmer. This was from a painting by Herbert Johnson, a well-known political cartoonist for both the Post and Country Gentleman.

Soldier’s Christmas – J.C. Leyendecker – December 22, 1917

I can’t leave without sharing my favorite World War I cover, “Soldier’s Christmas” by J.C. Leyendecker. A soldier is sharing his meager holiday meal with a tiny French girl. Can’t help it – gets me every time.

Singing Praise
Dick Sargent – March 7, 1959

“Never before has that little boy heard anything like Mrs. Bellows,” the editors said of this painting. Typical of artist Dick Sargent’s delightful humor, “Singing Praise” was a cover in March 1959. We don’t have to tell you the boy’s face is priceless (but we’ll say it anyway).

Walking Home in the Rain
John Clymer – October 20, 1962

The exhibit features several John Clymer covers, and this one from 1962 combines the artist’s talent for painting nature with a charming scene of children walking home in a chill autumn rain. The artist came across the scene in Rockport, Massachusetts while traveling and “looking for Americana”. “If there is a puddle to be found,” the artist noted, “kids will find it and walk in it.” Well, gee, isn’t that what boots are for?

Construction Crew
Norman Rockwell – August 21, 1954

This is progress? Home plate is giving way to the bulldozer for a new house. Always one for authenticity, Norman Rockwell found the boys by knocking on doors in Stockbridge and asking for members of the Little League team. Some were used as models in later covers. Is the tiny boy sucking his fingers too cute or what?

Patriotic Band Concert
Stevan Dohanos – July 7, 1951

Stevan Dohanos did over 120 memorable Post covers, and readers loved this one from 1951. There is a lot going on at this Fourth of July concert in Delhi, New York. Grandparents listening, dogs and kids checking things out, sailors chatting, and tiny tots are having meltdowns. The editors noted, “When Dohanos set up his easel opposite Town Hall, passers-by forgathered to see why, and the first thing they knew, the were on canvas.”

Jamming with Dad
John Falter – December 1, 1956

Dad crashes junior’s jam session and the guys are, well, less than enthused. Artist John Falter also did well over 100 Saturday Evening Post covers, and life with kids was a favorite topic. Note the college band photo on the wall – straw boaters and all. The photo montage of jazz greats gives us a clue to the type of music dad finds cool, and the kids…well, let’s just say they don’t dig all that jazz.

St. Bernard in Lamp Shop
George Hughes – October 25, 1952

Another frequent Post cover artist, George Hughes, clearly sympathizes with the nervous clerk in this painting from 1952. Editors noted, “it can be said in this lady’s favor that she would not take a bull into a china shop.” One swipe of Bernie’s tail would probably make the point moot.