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	<title>The Saturday Evening Post &#187; Famous Contributors</title>
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		<title>Famous Contributors: John le Carré</title>
		<link>http://www.saturdayeveningpost.com/2012/10/31/archives/famous-contributors/john-le-carre.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=john-le-carre</link>
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		<pubDate>Wed, 31 Oct 2012 19:36:43 +0000</pubDate>
		<dc:creator>Jeff Nilsson</dc:creator>
				<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[John le Carré]]></category>
		<category><![CDATA[spies]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=73204</guid>
		<description><![CDATA[<p>In 51 years as a writer, John le Carré has published just four short stories. Two of them were in <em>The Saturday Evening Post</em>.</p><p><a href="http://www.saturdayeveningpost.com/2012/10/31/archives/famous-contributors/john-le-carre.html">Famous Contributors: John le Carré</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>In 51 years as a writer, <a href="http://www.johnlecarre.com/" target="_blank">John le Carré</a> has published just four short stories. Two of them were in <em>The Saturday Evening Post</em>.</p>
<p>A month after le Carré’s fifth novel was released in bookstores, “What Ritual Is Being Observed Tonight?” appeared in a November 1968 issue. (Read the entire story <a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/ritual-john-le-carre.pdf" target="_blank">here</a>.)</p>
<p><a href="http://www.saturdayeveningpost.com/2012/10/31/archives/famous-contributors/john-le-carre.html/attachment/a-lecarre" rel="attachment wp-att-73452"><img class="alignright size-medium wp-image-73452" title="a-lecarre" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/a-lecarre.jpg" alt="" width="364" height="464" /></a></p>
<p>It is a good example of the author’s skill with language, his unerring ear for dialogue, and his sharp eye for the telling detail. However, the story does not involve le Carré’s usual world of international politics and espionage. Instead, it gives us a glimpse into the world he knew during a seven-year hiatus from active intelligence work, when he earned a degree at Oxford and taught at Eton College. In 1959, le Carré—then known only as David Cornwell—joined Britain’s foreign-intelligence service. He worked undercover in Germany, directing spies, interrogating suspected double agents, and gathering intelligence on Soviet activity. He also began writing fiction and turned out two mystery stories set in the world of spies. </p>
<p>With his third book, <em>The Spy Who Came In From The Cold</em>, he became a best-selling author. The book was highly successful, even before it was made into a movie with Richard Burton. His sudden fame encouraged le Carré to take up writing as a full-time career.  The decision was well timed, since a top British agent had just fled to Russia, offering the Soviets the names and backgrounds of Britain’s undercover agents—presumably including le Carré’s.</p>
<p><a href="http://www.saturdayeveningpost.com/2012/10/31/archives/famous-contributors/john-le-carre.html/attachment/a-lecarre-photo" rel="attachment wp-att-75101"><img class="alignleft size-full wp-image-75101" title="John le Carré" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/a-lecarre-photo.jpg" alt="John le Carré" width="300" /></a></p>
<p>Le Carré is now regarded as one of the foremost authors of spy novels. However, his spies exist in an entirely different world than the one in which the James Bond spy thrillers were set. Le Carré’s secret agents usually work in drab offices and unromantic cities, amid moral ambiguities, and their operations are as likely to fail as succeed. Yet, this more realistic view of the intelligence operations has proved very popular with readers.</p>
<p>While there isn’t a breath of espionage in the following story, it does center on a theme that has continually intrigued the author: the conflict between the heart and the mind, the struggle between the intellectual and the lover. It is a rare gem that a lesser writer might have stretched into a too-long novel, and it features a resolution that you might not expect from the creator of <em>The Russia House</em>; <em>The Constant Gardener</em>; <em>A Perfect Spy</em>; and <em>Tinker, Tailor, Soldier, Spy</em>.</p>
<p><a href="http://www.saturdayeveningpost.com/2012/10/31/archives/famous-contributors/john-le-carre.html">Famous Contributors: John le Carré</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Famous Contributors: W. Somerset Maugham</title>
		<link>http://www.saturdayeveningpost.com/2012/08/13/archives/w-somerset-maugham.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=w-somerset-maugham</link>
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		<pubDate>Mon, 13 Aug 2012 18:49:35 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[W. Somerset Maugham]]></category>
		<category><![CDATA[World War I]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=67767</guid>
		<description><![CDATA[<p>Maugham wrote over 10 pieces for the <em>Post</em>, and is arguably the most popular author of his era.</p><p><a href="http://www.saturdayeveningpost.com/2012/08/13/archives/w-somerset-maugham.html">Famous Contributors: W. Somerset Maugham</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.saturdayeveningpost.com/2012/08/13/archives/w-somerset-maugham.html/attachment/maugham" rel="attachment wp-att-67976"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Maugham.jpg" alt="W. Somerset Maugham" title="W. Somerset Maugham" width="300" height="379" class="alignleft size-full wp-image-67976" /></a></p>
<p>W. Somerset Maugham (1874-1965) was arguably the most popular author of his era. Maugham wrote more than 10 pieces for the <em>Post</em>, including &#8220;<a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/maugham.pdf" target="_blank">We Have Been Betrayed</a>,&#8221; which appeared in the Dec. 28, 1940, issue [see PDF below].</p>
<p>Maugham’s talent was influenced by two important experiences from his youth. The first being that when he was young, both of his parents died, and he was sent from his home in Paris to live with an uncle in England. Maugham also had a severe stuttering problem and was bullied at school, which contributed to a fear of speaking. These factors led him to suppress his emotions.</p>
<p>On the other hand, as a medical student in college, Maugham was exposed to mankind’s rawest emotions while seeing the sick and dying at the hospital. This divide between no emotion and pure, unbridled emotion characterized much of his work.</p>
<p>When World War I broke out, Maugham used his medical skills to become an <a href="http://www.firstworldwar.com/poetsandprose/ambulance.htm" target="_blank">ambulance driver</a>,  alongside other notable writers of his day such as Ernest Hemingway and E.E. Cummings.</p>
<p>He also proved to be a good intelligence agent. In 1915, Maugham published his first novel, <em>Of Human Bondage</em>, and an intelligence official suggested that his language skills would make him a perfect fit for the SIS&mdash;Britain&#8217;s Secret Intelligence Service&mdash;and his career as a writer would provide a great cover. While posing as a writer (himself), he gathered information for the Allies during the war. This experience in espionage led him to write <em>Ashenden: Or the British Agent</em>, which is considered to be the first modern spy story.</p>
<p><center><iframe src="http://docs.google.com/viewer?url=http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/maugham.pdf&embedded=true" style="width:400px; height:514px;" frameborder="0" id="embedpdfviewer" name="embedpdfviewer">Your browser should support iFrame to view this PDF document</iframe></center></p>
<p><a href="http://www.saturdayeveningpost.com/2012/08/13/archives/w-somerset-maugham.html">Famous Contributors: W. Somerset Maugham</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Famous Contributors: Sir Arthur Conan Doyle</title>
		<link>http://www.saturdayeveningpost.com/2012/08/03/archives/famous-contributors/famous-contributors-sir-arthur-conan-doyle.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=famous-contributors-sir-arthur-conan-doyle</link>
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		<pubDate>Fri, 03 Aug 2012 13:00:34 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[historical]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[mysteries]]></category>
		<category><![CDATA[short stories]]></category>
		<category><![CDATA[Sir Arthur Conan Doyle]]></category>

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		<description><![CDATA[<p>Best known for the Sherlock Holmes detective series, Sir Arthur Conan Doyle was also a contributor for the Post.</p><p><a href="http://www.saturdayeveningpost.com/2012/08/03/archives/famous-contributors/famous-contributors-sir-arthur-conan-doyle.html">Famous Contributors: Sir Arthur Conan Doyle</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.saturdayeveningpost.com/2012/08/03/archives/famous-contributors/famous-contributors-sir-arthur-conan-doyle.html/attachment/sir_arthur_conan_doyle_1890" rel="attachment wp-att-65665"><img src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Sir_Arthur_Conan_Doyle_1890-400x464.jpg" alt="Sir Arthur Conan Doyle, 1890" title="Sir Arthur Conan Doyle, 1890" width="400" height="464" class="alignleft size-medium wp-image-65665" /></a><br />
This edition of Famous Contributors to <em>The Saturday Evening Post</em> focuses on Sir Arthur Conan Doyle, the author of the Sherlock Holmes detective books.</p>
<p>His contributions to the <em>Post</em> include &#8220;<a href="http://www.saturdayeveningpost.com/2010/05/01/archives/classic-fiction/death-voyage-arthur-conan-doyle.html" target="_blank">The Death Voyage</a>,&#8221;  “The Maracot Deep,” and “<a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/doyle.pdf" target="_blank">The End of Devil Hawker</a>,&#8221; [see PDF below].</p>
<p>Although his family&#8217;s background was in the arts, Doyle chose to focus on medicine rather than the written word as a young man. His mother took in a border named Dr. Bryan Charles Waller in Doyle&#8217;s youth, and the man had such an influence on the young boy that he decided to follow in his footsteps and go to medical school. Doyle&#8217;s own father suffered from severe alcoholism and was committed to an asylum, and in many ways Doyle looked to Waller and a future medical professor, Dr. Joseph Bell, as father figures.</p>
<p>At university, Bell taught Doyle the value of logic, deduction, and observation–traits that would become central to the personality of Doyle&#8217;s famed detective Sherlock Holmes. He was eventually offered a job as a ship&#8217;s surgeon on <em>The Hope</em>, a whaling boat bound for the Arctic Ocean. It was this voyage that instilled in him the love of adventure that was prevalent throughout his work, and was the basis for his story <em>Captain of the Polestar</em>.</p>
<p>Eventually he set up a family doctor practice and wrote stories on the side. In 1886 he began writing his big breakthrough, <em>A Study In Scarlet</em>, which introduced the world to the duo of Holmes and Watson. By 1891, Doyle had abandoned his medical career and was writing stories about Holmes&mdash;as well as other short stories, historical novels, non-fiction, and more&mdash;full time.</p>
<p>Interestingly, Doyle channeled his inner Sherlock later in life. A trial involving the wrongful conviction of George Edalji, a half-English, half-Indian man who was found guilty after blatantly discriminatory police work, caught Doyle’s attention. Doyle’s non-fictitious detective work proved Edalji’s innocence and was a factor in the creation of the Court of Criminal Appeal in England.</p>
<p><center><iframe src="http://docs.google.com/viewer?url=http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/doyle.pdf&embedded=true" style="width:400px; height:514px;" frameborder="0" id="embedpdfviewer" name="embedpdfviewer">Your browser should support iFrame to view this PDF document</iframe></center></p>
<p><a href="http://www.saturdayeveningpost.com/2012/08/03/archives/famous-contributors/famous-contributors-sir-arthur-conan-doyle.html">Famous Contributors: Sir Arthur Conan Doyle</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Famous Contributors: Herbert Hoover</title>
		<link>http://www.saturdayeveningpost.com/2012/04/19/archives/famous-contributors-herbert-hoover.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=famous-contributors-herbert-hoover</link>
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		<pubDate>Thu, 19 Apr 2012 14:30:17 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[Herbert Hoover]]></category>
		<category><![CDATA[presidents]]></category>

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		<description><![CDATA[<p>Although he is considered one of the worst presidents in U.S. history, Herbert Hoover was a long-time <em>Post</em> contributor.</p><p><a href="http://www.saturdayeveningpost.com/2012/04/19/archives/famous-contributors-herbert-hoover.html">Famous Contributors: Herbert Hoover</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.saturdayeveningpost.com/2012/04/19/archives/famous-contributors-herbert-hoover.html/attachment/483px-herbert_hoover" rel="attachment wp-att-55514"><img class="alignleft size-title image 368 max width wp-image-55514" title="483px-Herbert_Hoover" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/483px-Herbert_Hoover-368x456.jpg" alt="" width="368" height="456" /></a><br />
Long before he became president of the United States, Herbert Hoover had experience helping people during large-scale crises. He engineered protective barricades in China during the Boxer Rebellion of 1900. In the onset of World War I, he was selected by the American Consul General to coordinate the evacuation of 120,000 American tourists from Europe. As U.S. Food Administrator he developed a plan that fed Allied soldiers in Europe and avoided rationing at home, and after the Great War, he organized food shipments to millions in central Europe and Soviet Russia.</p>
<p>But Ill-fated words from his 1928 campaign speech, “We in America today are nearer to the final triumph over poverty than ever before in the history of any land,” the subsequent stock market crash, and what some view as bad economic policies have branded him as one of the worst presidents in our nation’s history.  </p>
<p>Herbert Hoover was a long-time contributor to the <em>Post</em>. His article, &#8220;Some Notes on Industrial Readjustment,&#8221; published 10 years before the Great Depression, may provide some insight into Hoover’s conservative approach to problems during the Great Depression. The following excerpts are taken from this article:</p>
<blockquote><p>…[T]he attempt to solve great human and economic problems by governmental use of the courts instead of seeking solution from the legislatures is indeed further evidence of need for careful thinking.</p>
<p>When all is said and done, labor, whether with hand or mind, is the only excuse for membership in the community.</p>
</blockquote>
<blockquote><p>No scheme based on political appointment has yet developed the ability to replace competition in its selection of ability and character in management, and no government under the pressure of local political influences can properly conduct the risks of initiating extension and improvement.</p></blockquote>
<blockquote><p>In any event, until our Government abandons its method of war finance by way of gigantic inflation of credit and consequent stimulus to speculation there will be little relief from profiteering and its bitter interpolation into the cost of living.</p></blockquote>
<p>You can read &#8220;Some Notes on Industrial Readjustment&#8221; in its entirety below:</p>
<p><iframe src="http://docs.google.com/viewer?url=http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Hoover.pdf&embedded=true" style="width:700px; height:900px;" frameborder="0" id="embedpdfviewer" name="embedpdfviewer">Your browser should support iFrame to view this PDF document</iframe></p>
<p><a href="http://www.saturdayeveningpost.com/2012/04/19/archives/famous-contributors-herbert-hoover.html">Famous Contributors: Herbert Hoover</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Famous Contributors: Zora Neale Hurston</title>
		<link>http://www.saturdayeveningpost.com/2012/02/23/archives/famous-contributors/famous-contributors-zora-neale-hurston.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=famous-contributors-zora-neale-hurston</link>
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		<pubDate>Thu, 23 Feb 2012 14:30:59 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[black history month]]></category>
		<category><![CDATA[zora neale hurston]]></category>

		<guid isPermaLink="false">http://www.saturdayeveningpost.com/?p=50938</guid>
		<description><![CDATA[<p>In honor of Black History Month, the Post is reprinting Zora Neale Hurston's "The Conscience of the Court."</p><p><a href="http://www.saturdayeveningpost.com/2012/02/23/archives/famous-contributors/famous-contributors-zora-neale-hurston.html">Famous Contributors: Zora Neale Hurston</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><a rel="attachment wp-att-51371" href="http://www.saturdayeveningpost.com/2012/02/23/archives/famous-contributors/famous-contributors-zora-neale-hurston.html/attachment/hurston-zora-neale"><img class="alignleft size-medium wp-image-51371" title="Hurston-Zora-Neale" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Hurston-Zora-Neale-400x576.jpg" alt="" width="257" height="368" /></a><em>The Saturday Evening Post</em>&#8216;s celebration of Black History month continues with this Famous Contributor&#8217;s column focusing on anthropologist and novelist Zora Neale Hurston.</p>
<p>Like fellow famous contributor Langston Hughes, Hurston rose to  prominence during the Harlem Renaissance, where she  became respected as one of the top authorities on Black culture. Her unique blend of fictional prose and anthropological science led her to become one of the first widely-celebrated African-American writers. In 2002, scholar Moleti Kete Asanti<span style="color: #000000;"> named her one of the 100 Greatest </span>African Americans; her life is currently celebrated every year at &#8220;Zora Fest&#8221; in Fort Pierce, Florida; and her home is a National Historic Landmark.</p>
<p>Born in 1891, Hurston&#8217;s belief that there could be more equality in America was instilled at a young age. She grew up Eatonville, Florida—one of the first incorporated African-American communities in America—and her experiences in the self-sufficient city convinced her that blacks could indeed live successfully if free from the constraints and prejudices of white society. She would refer to Eatonville as a Utopian community in much of her writing later in life. Today, the city celebrates Hurston&#8217;s legacy with another festival, the annual Zora Neale Hurston Festival of the Arts and Humanities.</p>
<p>People first began to take note of Hurston&#8217;s talent when she was enrolled at prestigious Howard University, but it was when she moved to Harlem that her popularity really began to take hold. Her background in anthropology provided endless material for her writing, as her academic travels took her to places such as Haiti, Jamaica and throughout the South, and her novels reflected African-American folklore that many Americans had never been exposed to. Books written by Hurston such as <em>Their Eyes Were Watching God</em> and <em>Jonah&#8217;s Gourd Vine</em> are remembered as all-time greats.</p>
<p>While considered one of the preeminent sources on African Americans in the 30s and 40s, her viewpoints would later cause her to fall out of favor with many contemporaries. She believed the old mantra of &#8220;separate but equal&#8221; could actually succeed and opposed such civil rights landmarks as the &#8220;Brown vs. Board of Education&#8221; decision and FDR&#8217;s New Deal, which caused her to become unpopular in her later years.</p>
<p>Below is her short story &#8220;The Conscience of the Court,&#8221; which appeared in the <em>Post</em> in 1950.</p>
<p><iframe src="http://docs.google.com/viewer?url=http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/19639593.pdf&embedded=true" style="width:700px; height:900px;" frameborder="0" id="embedpdfviewer" name="embedpdfviewer">Your browser should support iFrame to view this PDF document</iframe></p>
<p><a href="http://www.saturdayeveningpost.com/2012/02/23/archives/famous-contributors/famous-contributors-zora-neale-hurston.html">Famous Contributors: Zora Neale Hurston</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Famous Contributors: John Hersey</title>
		<link>http://www.saturdayeveningpost.com/2012/02/16/archives/famous-contributors-john-hersey.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=famous-contributors-john-hersey</link>
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		<pubDate>Thu, 16 Feb 2012 14:00:06 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[civil rights]]></category>
		<category><![CDATA[John Hersey]]></category>

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		<description><![CDATA[<p>John Hersey wrote about Blacks in Mississippi trying to exercise their right to vote. Read this controversial Post article from 1964.</p><p><a href="http://www.saturdayeveningpost.com/2012/02/16/archives/famous-contributors-john-hersey.html">Famous Contributors: John Hersey</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p><div id="attachment_50376" class="wp-caption alignleft" style="width: 254px"><a rel="attachment wp-att-50376" href="http://www.saturdayeveningpost.com/2012/02/16/archives/famous-contributors-john-hersey.html/attachment/john_hersey"><img class="size-full wp-image-50376" title="John_Hersey" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/John_Hersey.jpg" alt="" width="244" height="293" /></a><p class="wp-caption-text"> </p></div></p>
<p>In this edition of Famous Contributors, we look at Pulitzer-Prize winning journalist John Hersey, whose article &#8220;A Life for a Vote&#8221; appeared in the <em>Post</em> in 1964 and focused on the challenges facing Mississippi Blacks looking to exercise their right to cast ballots. Partially as a result of the awareness raised by Hersey and other activists the Voting Rights Act, which outlawed literacy tests and other discriminatory voting practices, was passed in 1965. To read the full story in PDF, <a href="#story">click here</a> or scroll down. (Warning: article contains graphic language and violent content.)</p>
<p>In 1914, John Hersey was born in Tientsin, China to U.S. missionary parents. He displayed promise at a young age, attending Yale and becoming Far East correspondent for <em>Time Magazine</em> upon graduation.</p>
<p>When World War II erupted, Hersey became a highly respected wartime journalist covering both Europe and Asia. The experiences he gained helped him write the book <em>A Bell For Adano</em>, which garnered the Pulitzer Prize in 1945 and was later adopted into a movie.</p>
<p>Hersey is perhaps most remembered for his coverage of the aftermath of the atomic bombing of Hiroshima. In a 31,000 word article titled &#8220;Hiroshima,&#8221; which unprecedentedly took up an entire issue of the <em>New Yorker</em>, he conveyed the remarkable survival stories of six individuals who emerged from the unfathomable nuclear destruction. The story was named the number one work of journalism of the 20th century by a New York University panel in 1999.</p>
<p>Hersey later became a master&#8217;s professor at Yale and continued to write for the rest of his life. His critically acclaimed book <em>The Wall</em>, which focused on the Nazi destruction of the Warsaw Ghetto, is considered to be the first American novel about the Holocaust. Hersey was honored as one of the five greatest journalists of the 20th century with a commemorative postage stamp, and Yale University has given the John Hersey Prize since 1985 to students who show responsible reporting and engagement with moral and social issues.</p>
<p>Below, read &#8220;A Life for a Vote&#8221; in its entirety.</p>
<p><a name="story"><br />
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		<title>Famous Contributors: Langston Hughes</title>
		<link>http://www.saturdayeveningpost.com/2011/12/29/archives/famous-contributors-langston-hughes.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=famous-contributors-langston-hughes</link>
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		<pubDate>Thu, 29 Dec 2011 15:00:21 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[langston hughes]]></category>
		<category><![CDATA[poetry]]></category>

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		<description><![CDATA[<p>Langston Hughes' poetry ran in the <em>Post</em> during the 1940s, despite a relationship that could be described as "love-hate."</p><p><a href="http://www.saturdayeveningpost.com/2011/12/29/archives/famous-contributors-langston-hughes.html">Famous Contributors: Langston Hughes</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<div style="float: left; margin: 10px;"><img class="alignleft size-full wp-image-45381" title="Langston_Hughes_1936" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Langston_Hughes_1936-e1323789401102.jpg" alt="" width="263" height="330" /></div>
<p>This edition of Famous Contributors to <em>The Saturday Evening Post</em> focuses on the renowned Poet Laureate of Harlem, Langston Hughes.</p>
<p>Hughes&#8217; life crisscrossed with other famous African-Americans—he went to Lincoln University along with famed civil rights attorney and Supreme Court Justice Thurgood Marshall; his uncle was John Mercer Langston, the first African-American elected to the US Congress; and he worked alongside important figures such as W.E.B. DuBois during the Harlem Renaissance to foster creativity and expression in the black community. Hughes won the Harman Gold Medal for Literature, was awarded a Guggenheim Fellowship, and received the NAACP&#8217;s yearly Spingam Medal for outstanding achievement.</p>
<p>His work focused on the exploitation and oppression of fellow African-Americans and, during the 1920s and 30s, much of it showed a nod to Marxism. In 1932 he visited the Soviet Union, an experience that moved the young writer deeply.</p>
<p>However, his controversial viewpoints would come back to haunt him later in life.  He was called in front of Joseph McCarthy’s Subcommittee on Investigations in 1953, and, although he was not charged as a “card-carrying” Communist, he was unable to make a decent living afterward. Even so, he is remembered as one of the greatest poets—of any color—in American history.</p>
<p>Hughes&#8217; relationship with the <em>Post</em> could be described as &#8220;love-hate.&#8221; In his younger years, he described the publication as a &#8220;magazine whose columns, like the doors of many of our churches, has been until recently entirely closed to Negroes,&#8221; and criticized the magazine in his poetry. However, the relationship became more amicable as Hughes got older and he eventually submitted poetry to the magazine. Below are two poems from Hughes as they originally appeared in the <em>Post</em>.</p>
<div class="poem">
<h3>Refugee In America</h3>
<p><em>By Langston Hughes</em></p>
<p>There are words like &#8220;Freedom,&#8221;</p>
<p>     <span class="indent">Sweet and wonderful to say.</span></p>
<p>On my heartstrings freedom sings</p>
<p>     <span class="indent">All day everyday.</span></p>
<div style="margin-top:30px"><!--spacer--></div>
<p>There are words like &#8220;Democracy&#8221;</p>
<p>   <span class="indent">That almost make me cry.</span></p>
<p>If you had known what I knew</p>
<p>   <span class="indent">You would know why.</span></p>
</div>
<div class="poem">
<h3>Wisdom</h3>
<p><em>By Langston Hughes</em></p>
<p>I stand most humbly before man&#8217;s</p>
<p>      <span class="indent2">wisdom,</span></p>
<p>   <span class="indent"> Knowing we are not really wise.</span></p>
<div style="margin-top:30px"><!--spacer--></div>
<p>If we were, we&#8217;d open up the</p>
<p>      <span class="indent2"> kingdom</span></p>
<p>    <span class="indent">And make earth happy as the</span></p>
<p>       <span class="indent3">dreamed-of skies.</span>
</div>
<div style="clear:both"><!--this is a clear block--></div>
<p><a href="http://www.saturdayeveningpost.com/2011/12/29/archives/famous-contributors-langston-hughes.html">Famous Contributors: Langston Hughes</a>

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		<title>Famous Contributors: O. Henry</title>
		<link>http://www.saturdayeveningpost.com/2011/12/01/archives/famous-contributors-henry.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=famous-contributors-henry</link>
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		<pubDate>Thu, 01 Dec 2011 15:00:25 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[O. Henry]]></category>
		<category><![CDATA[short stories]]></category>
		<category><![CDATA[short story]]></category>

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		<description><![CDATA[<p>O. Henry may have taken his famous name in prison, but his witty short stories—like this 1903 <em>Post</em> original—are why we remember his name today.</p><p><a href="http://www.saturdayeveningpost.com/2011/12/01/archives/famous-contributors-henry.html">Famous Contributors: O. Henry</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>In this edition of <em>The Saturday Evening Post’s</em> Famous Contributors column, we focus on O. Henry, the master of the short story and inventor of the surprise plot-twist ending.</p>
<p>Born William Sydney Porter in 1862, O. Henry ran into trouble early on. Working as a banker as a young man, he was indicted on money embezzlement charges. Whether he was a criminal or just bad with math is unclear—in &#8220;The Gift of the Magi&#8221; he describes a character as having &#8220;One dollar and eighty-seven cents&#8230; And 60 cents of it was in pennies,&#8221; a mathematical impossibility.  Regardless, he decided that fleeing the country was better than going to jail, so he traveled to Honduras, where he coined the term “Banana Republic.”</p>
<p>Unfortunately, O. Henry&#8217;s wife became deathly ill while he was in hiding, so he returned to the U.S. to see her and was promptly locked up. In prison, his popularity took off. He developed the pen-name “O. Henry,” which some believe is short for <strong>Oh</strong>io P<strong>en</strong>itentia<strong>ry</strong>. While behind bars, he wrote over a dozen short stories.</p>
<p>He kept the pen-name upon his release from prison and published over 300 stories before his death in 1910. Today, the O. Henry Prize commemorates his legacy as an award for the best short story of the year.  Below is his short story<em> </em>“The Ransom of Red Chief,” which first appeared in the <em>Post</em> in 1903.<em> </em></p>
<p><div class="recipe"></p>
<p><strong>The Ransom Of Red Chief</strong></p>
<p><em>By O. Henry</em></p>
<p>It looked like a good thing: but wait till I tell you. We were down  South, in Alabama–Bill Driscoll and myself–when this kidnapping  idea struck us. It was, as Bill afterward expressed it, &#8220;during a moment  of temporary mental apparition&#8221;; but we didn&#8217;t find that out till  later.</p>
<p>There was a town down there, as flat as a flannel-cake,  and called Summit, of course. It contained inhabitants Of as  undeleterious and self-satisfied a class of peasantry as ever clustered  around a Maypole.</p>
<p>Bill and me had a joint capital of about six  hundred dollars, and we needed just two thousand dollars more to pull  off a fraudulent town-lot scheme in Western Illinois with. We talked it  over on the front steps of the hotel. Philoprogenitiveness, says we, is  strong in semi-rural communities; therefore and for other reasons, a  kidnapping project ought to do better there than in the radius of  newspapers that send reporters out in plain clothes to stir up talk  about such things. We knew that Summit couldn&#8217;t get after us with  anything stronger than constables and maybe some lackadaisical  bloodhounds and a diatribe or two in the Weekly Farmers&#8217; Budget. So, it  looked good.</p>
<p>We selected for our victim the only child of a  prominent citizen named Ebenezer Dorset. The father was respectable and  tight, a mortgage fancier and a stern, upright collection-plate passer  and forecloser. The kid was a boy of ten, with bas-relief freckles, and  hair the colour of the cover of the magazine you buy at the news-stand  when you want to catch a train. Bill and me figured that Ebenezer would  melt down for a ransom of two thousand dollars to a cent. But wait till I  tell you.</p>
<p>About two miles from Summit was a little mountain,  covered with a dense cedar brake. On the rear elevation of this mountain  was a cave. There we stored provisions. One evening after sundown, we  drove in a buggy past old Dorset&#8217;s house. The kid was in the street,  throwing rocks at a kitten on the opposite fence.</p>
<p>&#8220;Hey, little boy!&#8221; says Bill, &#8220;would you like to have a bag of candy and a nice ride?&#8221;</p>
<p>The boy catches Bill neatly in the eye with a piece of brick.</p>
<p>&#8220;That will cost the old man an extra five hundred dollars,&#8221; says Bill, climbing over the wheel.</p>
<p>That  boy put up a fight like a welter-weight cinnamon bear; but, at last, we  got him down in the bottom of the buggy and drove away. We took him up  to the cave and I hitched the horse in the cedar brake. After dark I  drove the buggy to the little village, three miles away, where we had  hired it, and walked back to the mountain.</p>
<p>Bill was pasting  court-plaster over the scratches and bruises on his features. There was a  burning behind the big rock at the entrance of the cave, and the boy  was watching a pot of boiling coffee, with two buzzard tailfeathers  stuck in his red hair. He points a stick at me when I come up, and says:</p>
<p>&#8220;Ha! cursed paleface, do you dare to enter the camp of Red Chief, the terror of the plains?</p>
<p>&#8220;He&#8217;s  all right now,&#8221; says Bill, rolling up his trousers and examining some  bruises on his shins. &#8220;We&#8217;re playing Indian. We&#8217;re making Buffalo Bill&#8217;s  show look like magic-lantern views of Palestine in the town hall. I&#8217;m  Old Hank, the Trapper, Red Chief&#8217;s captive, and I&#8217;m to be scalped at  daybreak. By Geronimo! that kid can kick hard.&#8221;</p>
<p>Yes, sir, that  boy seemed to be having the time of his life. The fun of camping out in a  cave had made him forget that he was a captive, himself. He immediately  christened me Snake-eye, the Spy, and announced that, when his braves  returned from the warpath, I was to be broiled at the stake at the  rising of the sun.</p>
<p>Then we had supper; and he filled his mouth  full of bacon and bread and gravy, and began to talk. He made a  during-dinner speech something like this:</p>
<p>&#8220;I like this fine. I  never camped out before; but I had a pet &#8216;possum once, and I was nine  last birthday. I hate to go to school. Rats ate up sixteen of Jimmy  Talbot&#8217;s aunt&#8217;s speckled hen&#8217;s eggs. Are there any real Indians in these  woods? I want some more gravy. Does the trees moving make the wind  blow? We had five puppies. What makes your nose so red, Hank? My father  has lots of money. Are the stars hot? I whipped Ed Walker twice,  Saturday. I don&#8217;t like girls. You dassent catch toads unless with a  string. Do oxen make any noise? Why are oranges round? Have you got beds  to sleep on in this cave? Amos Murray has got Six toes. A parrot can  talk, but a monkey or a fish can&#8217;t. How many does it take to make  twelve?&#8221;</p>
<p>Every few minutes he would remember that he was a pesky  redskin, and pick up his stick rifle and tiptoe to the mouth of the cave  to rubber for the scouts of the hated paleface. Now and then he would  let out a war-whoop that made Old Hank the Trapper shiver. That boy had  Bill terrorized from the start.</p>
<p>&#8220;Red Chief,&#8221; says I to the kid, &#8220;would you like to go home?&#8221;</p>
<p>&#8220;Aw,  what for?&#8221; says he. &#8220;I don&#8217;t have any fun at home. I hate to go to  school. I like to camp out. You won&#8217;t take me back home again,  Snake-eye, will you?&#8221;</p>
<p>&#8220;Not right away,&#8221; says I. &#8220;We&#8217;ll stay here in the cave a while.&#8221;</p>
<p>&#8220;All right!&#8221; says he. &#8220;That&#8217;ll be fine. I never had such fun in all my life.&#8221;</p>
<p>We  went to bed about eleven o&#8217;clock. We spread down some wide blankets and  quilts and put Red Chief between us. We weren&#8217;t afraid he&#8217;d run away.  He kept us awake for three hours, jumping up and reaching for his rifle  and screeching: &#8220;Hist! pard,&#8221; in mine and Bill&#8217;s ears, as the fancied  crackle of a twig or the rustle of a leaf revealed to his young  imagination the stealthy approach of the outlaw band. At last, I fell  into a troubled sleep, and dreamed that I had been kidnapped and chained  to a tree by a ferocious pirate with red hair.</p>
<p>Just at daybreak,  I was awakened by a series of awful screams from Bill. They weren&#8217;t  yells, or howls, or shouts, or whoops, or yalps, such as you&#8217;d expect  from a manly set of vocal organs &#8212; they were simply indecent,  terrifying, humiliating screams, such as women emit when they see ghosts  or caterpillars. It&#8217;s an awful thing to hear a strong, desperate, fat  man scream incontinently in a cave at daybreak.</p>
<p>I jumped up to  see what the matter was. Red Chief was sitting on Bill&#8217;s chest, with one  hand twined in Bill&#8217;s hair. In the other he had the sharp case-knife we  used for slicing, bacon; and he was industriously and realistically  trying to take Bill&#8217;s scalp, according to the sentence that had been  pronounced upon him the evening before.</p>
<p>I got the knife away from  the kid and made him lie down again. But, from that moment, Bill&#8217;s  spirit was broken. He laid down on his side of the bed, but he never  closed an eye again in sleep as long as that boy was with us. I dozed  off for a while, but along toward sun-up I remembered that Red Chief had  said I was to be burned at the stake at the rising of the sun. I wasn&#8217;t  nervous or afraid; but I sat up and lit my pipe and leaned against a  rock.</p>
<p>&#8220;What you getting up so soon for, Sam?&#8221; asked Bill.</p>
<p>&#8220;Me?&#8221; says I. &#8220;Oh, I got a kind of a pain in my shoulder. I thought sitting up would rest it.&#8221;</p>
<p>&#8220;You&#8217;re  a liar!&#8221; says Bill. &#8220;You&#8217;re afraid. You was to be burned at sunrise,  and you was afraid he&#8217;d do it. And he would, too, if he could find a  match. Ain&#8217;t it awful, Sam? Do you think anybody will pay out money to  get a little imp like that back home?&#8221;</p>
<p>&#8220;Sure,&#8221; said I. &#8220;A rowdy  kid like that is just the kind that parents dote on. Now, you and the  Chief get up and cook breakfast, while I go up on the top of this  mountain and reconnoitre.&#8221;</p>
<p>I went up on the peak of the little  mountain and ran my eye over the contiguous vicinity. Over toward Summit  I expected to see the sturdy yeomanry of the village armed with scythes  and pitchforks beating the countryside for the dastardly kidnappers.  But what I saw was a peaceful landscape dotted with one man ploughing  with a dun mule. Nobody was dragging the creek; no couriers dashed  hither and yon, bringing tidings of no news to the distracted parents.  There was a sylvan attitude of somnolent sleepiness pervading that  section of the external outward surface of Alabama that lay exposed to  my view. &#8220;Perhaps,&#8221; says I to myself, &#8220;it has not yet been discovered  that the wolves have home away the tender lambkin from the fold. Heaven  help the wolves!&#8221; says I, and I went down the mountain to breakfast.</p>
<p>When  I got to the cave I found Bill backed up against the side of it,  breathing hard, and the boy threatening to smash him with a rock half as  big as a cocoanut.</p>
<p>&#8220;He put a red-hot boiled potato down my  back,&#8221; explained Bill, &#8220;and the mashed it with his foot; and I boxed his  ears. Have you got a gun about you, Sam?</p>
<p>I took the rock away  from the boy and kind of patched up the argument. &#8220;I&#8217;ll fix you,&#8221; says  the kid to Bill. &#8220;No man ever yet struck the Red Chief but what he got  paid for it. You better beware!&#8221;</p>
<p>After breakfast the kid takes a  piece of leather with strings wrapped around it out of his pocket and  goes outside the cave unwinding it.</p>
<p>&#8220;What&#8217;s he up to now?&#8221; says Bill, anxiously. &#8220;You don&#8217;t think he&#8217;ll run away, do you, Sam?&#8221;</p>
<p>&#8220;No  fear of it,&#8221; says I. &#8220;He don&#8217;t seem to be much of a home body. But  we&#8217;ve got to fix up some plan about the ransom. There don&#8217;t seem to be  much excitement around Summit on account of his disappearance; but maybe  they haven&#8217;t realized yet that he&#8217;s gone. His folks may think he&#8217;s  spending the night with Aunt Jane or one of the neighbours. Anyhow,  he&#8217;ll be missed to-day. To-night we must get a message to his father  demanding the two thousand dollars for his return.&#8221;</p>
<p>Just then we  heard a kind Of war-whoop, such as David might have emitted when he  knocked out the champion Goliath. It was a sling that Red Chief had  pulled out of his pocket, and he was whirling it around his head.</p>
<p>I  dodged, and heard a heavy thud and a kind of a sigh from Bill, like a  horse gives out when you take his saddle off. A niggerhead rock the size  of an egg had caught Bill just behind his left ear. He loosened himself  all over and fell in the fire across the frying pan of hot water for  washing the dishes. I dragged him out and poured cold water on his head  for half an hour.</p>
<p>By and by, Bill sits up and feels behind his ear and says: &#8220;Sam, do you know who my favourite Biblical character is?&#8221;</p>
<p>&#8220;Take it easy,&#8221; says I. &#8220;You&#8217;ll come to your senses presently.&#8221;</p>
<p>&#8220;King Herod,&#8221; says he. &#8220;You won&#8217;t go away and leave me here alone, will you, Sam?&#8221;</p>
<p>I went out and caught that boy and shook him until his freckles rattled.</p>
<p>&#8220;If you don&#8217;t behave,&#8221; says I, &#8220;I&#8217;ll take you straight home. Now, are you going to be good, or not?&#8221;</p>
<p>&#8220;I  was only funning,&#8221; says he sullenly. &#8220;I didn&#8217;t mean to hurt Old Hank.  But what did he hit me for? &#8220;I&#8217;ll behave, Snake-eye, if you won&#8217;t send  me home, and if you&#8217;ll let me play the Black Scout to-day.&#8221;</p>
<p>&#8220;I  don&#8217;t know the game,&#8221; says I. &#8220;That&#8217;s for you and Mr. Bill to decide.  He&#8217;s your playmate for the day. I&#8217;m going away for a while, on business.  Now, you come in and make friends with him and say you are sorry for  hurting him, or home you go, at once.&#8221;</p>
<p>I made him and Bill shake  hands, and then I took Bill aside and told him I was going to Poplar  Cove, a little village three miles from the cave, and find out what I  could about how the kidnapping had been regarded in Summit. Also, I  thought it best to send a peremptory letter to old man Dorset that day,  demanding the ransom and dictating how it should be paid.</p>
<p>&#8220;You  know, Sam,&#8221; says Bill, &#8220;I&#8217;ve stood by you without batting an eye in  earthquakes, fire and flood &#8212; in poker games, dynamite outrages, police  raids, train robberies and cyclones. I never lost my nerve yet till we  kidnapped that two-legged skyrocket of a kid. He&#8217;s got me going. You  won&#8217;t leave me long with him, will you, Sam?&#8221;</p>
<p>&#8220;I&#8217;ll be back some  time this afternoon,&#8221; says I. &#8220;You must keep the boy amused and quiet  till I return. And now we&#8217;ll write the letter to old Dorset.&#8221;</p>
<p>Bill  and I got paper and pencil and worked on the letter while Red Chief,  with a blanket wrapped around him, strutted up and down, guarding the  mouth of the cave. Bill begged me tearfully to make the ransom fifteen  hundred dollars instead of two thousand. &#8220;I ain&#8217;t attempting,&#8221; says he,  &#8220;to decry the celebrated moral aspect of parental affection, but we&#8217;re  dealing with humans, and it ain&#8217;t human for anybody to give up two  thousand dollars for that forty-pound chunk of freckled wildcat. I&#8217;m  willing to take a chance at fifteen hundred dollars. You can charge the  difference up to me.&#8221;</p>
<p>So, to relieve Bill, I acceded, and we collaborated a letter that ran this way:</p>
<blockquote><p>Ebenezer Dorset, Esq.:</p>
<p>We  have your boy concealed in a place far from Summit. It is useless for  you or the most skilful detectives to attempt to find him. Absolutely,  the only terms on which you can have him restored to you are these: We  demand fifteen hundred dollars in large bills for his return; the money  to be left at midnight to-night at the same spot and in the same box as  your reply &#8212; as hereinafter described. If you agree to these terms,  send your answer in writing by a solitary messenger to-night at  half-past eight o&#8217;clock. After crossing Owl Creek, on the road to Poplar  Cove, there are three large trees about a hundred yards apart, close to  the fence of the wheat field on the right-hand side. At the bottom of  the fence-post, opposite the third tree, will be found a small  pasteboard box. The messenger will place the answer in this box and  return immediately to Summit.</p>
<p>If you attempt any treachery or fail to comply with our demand as stated, you will never see your boy again.</p>
<p>If  you pay the money as demanded, he will be returned to you safe and well  within three hours. These terms are final, and if you do not accede to  them no further communication will be attempted.</p>
<p>TWO DESPERATE MEN.</p></blockquote>
<p>I addressed this letter to Dorset, and put it in my pocket. As I was about to start, the kid comes up to me and says:</p>
<p>&#8220;Aw, Snake-eye, you said I could play the Black Scout while you was gone.&#8221;</p>
<p>&#8220;Play it, of course,&#8221; says I. &#8220;Mr. Bill will play with you. What kind of a game is it?&#8221;</p>
<p>&#8220;I&#8217;m  the Black Scout,&#8221; says Red Chief, &#8220;and I have to ride to the stockade  to warn the settlers that the Indians are coming. I&#8217;m tired of playing  Indian myself. I want to be the Black Scout.&#8221;</p>
<p>&#8220;All right,&#8221; says I. &#8220;It sounds harmless to me. I guess Mr. Bill will help you foil the pesky savages.&#8221;</p>
<p>&#8220;What am I to do?&#8221; asks Bill, looking at the kid suspiciously.</p>
<p>&#8220;You are the hoss,&#8221; says Black Scout. &#8220;Get down on your hands and knees. How can I ride to the stockade without a hoss?&#8221;</p>
<p>&#8220;You&#8217;d better keep him interested,&#8221; said I, &#8220;till we get the scheme going. Loosen up.&#8221;</p>
<p>Bill gets down on his all fours, and a look comes in his eye like a rabbit&#8217;s when you catch it in a trap.</p>
<p>&#8220;How far is it to the stockade, kid?&#8221; he asks, in a husky manner of voice.</p>
<p>&#8220;Ninety miles,&#8221; says the Black Scout. &#8220;And you have to hump yourself to get there on time. Whoa, now!&#8221;</p>
<p>The Black Scout jumps on Bill&#8217;s back and digs his heels in his side.</p>
<p>&#8220;For  Heaven&#8217;s sake,&#8221; says Bill, &#8220;hurry back, Sam, as soon as you can. I wish  we hadn&#8217;t made the ransom more than a thousand. Say, you quit kicking  me or I&#8217;ll get up and warm you good.&#8221;</p>
<p>I walked over to Poplar  Cove and sat around the post-office and store, talking with the  chawbacons that came in to trade. One whiskerando says that he hears  Summit is all upset on account of Elder Ebenezer Dorset&#8217;s boy having  been lost or stolen. That was all I wanted to know. I bought some  smoking tobacco, referred casually to the price of black-eyed peas,  posted my letter surreptitiously and came away. The postmaster said the  mail-carrier would come by in an hour to take the mail on to Summit.</p>
<p>When  I got back to the cave Bill and the boy were not to be found. I  explored the vicinity of the cave, and risked a yodel or two, but there  was no response.</p>
<p>So I lighted my pipe and sat down on a mossy bank to await developments.</p>
<p>In  about half an hour I heard the bushes rustle, and Bill wabbled out into  the little glade in front of the cave. Behind him was the kid, stepping  softly like a scout, with a broad grin on his face. Bill stopped, took  off his hat and wiped his face with a red handkerchief. The kid stopped  about eight feet behind him.</p>
<p>&#8220;Sam,&#8221; says Bill, &#8220;I suppose you&#8217;ll  think I&#8217;m a renegade, but I couldn&#8217;t help it. I&#8217;m a grown person with  masculine proclivities and habits of self-defense, but there is a time  when all systems of egotism and predominance fail. The boy is gone. I  have sent him home. All is off. There was martyrs in old times,&#8221; goes on  Bill, &#8220;that suffered death rather than give up the particular graft  they enjoyed. None of &#8216;em ever was subjugated to such supernatural  tortures as I have been. I tried to be faithful to our articles of  depredation; but there came a limit.&#8221;</p>
<p>&#8220;What&#8217;s the trouble, Bill?&#8221; I asks him.</p>
<p>&#8220;I  was rode,&#8221; says Bill, &#8220;the ninety miles to the stockade, not barring an  inch. Then, when the settlers was rescued, I was given oats. Sand ain&#8217;t  a palatable substitute. And then, for an hour I had to try to explain  to him why there was nothin&#8217; in holes, how a road can run both ways and  what makes the grass green. I tell you, Sam, a human can only stand so  much. I takes him by the neck of his clothes and drags him down the  mountain. On the way he kicks my legs black-and-blue from the knees  down; and I&#8217;ve got to have two or three bites on my thumb and hand  cauterized.</p>
<p>&#8220;But he&#8217;s gone&#8221; &#8212; continues Bill &#8212; &#8220;gone home. I  showed him the road to Summit and kicked him about eight feet nearer  there at one kick. I&#8217;m sorry we lose the ransom; but it was either that  or Bill Driscoll to the madhouse.&#8221;</p>
<p>Bill is puffing and blowing, but there is a look of ineffable peace and growing content on his rose-pink features.</p>
<p>&#8220;Bill,&#8221; says I, &#8220;there isn&#8217;t any heart disease in your family, is there?</p>
<p>&#8220;No,&#8221; says Bill, &#8220;nothing chronic except malaria and accidents. Why?&#8221;</p>
<p>&#8220;Then you might turn around,&#8221; says I, &#8220;and have a took behind you.&#8221;</p>
<p>Bill  turns and sees the boy, and loses his complexion and sits down plump on  the round and begins to pluck aimlessly at grass and little sticks. For  an hour I was afraid for his mind. And then I told him that my scheme  was to put the whole job through immediately and that we would get the  ransom and be off with it by midnight if old Dorset fell in with our  proposition. So Bill braced up enough to give the kid a weak sort of a  smile and a promise to play the Russian in a Japanese war with him is  soon as he felt a little better.</p>
<p>I had a scheme for collecting  that ransom without danger of being caught by counterplots that ought to  commend itself to professional kidnappers. The tree under which the  answer was to be left &#8212; and the money later on &#8212; was close to the road  fence with big, bare fields on all sides. If a gang of constables  should be watching for any one to come for the note they could see him a  long way off crossing the fields or in the road. But no, sirree! At  half-past eight I was up in that tree as well hidden as a tree toad,  waiting for the messenger to arrive.</p>
<p>Exactly on time, a  half-grown boy rides up the road on a bicycle, locates the pasteboard  box at the foot of the fence-post, slips a folded piece of paper into it  and pedals away again back toward Summit.</p>
<p>I waited an hour and  then concluded the thing was square. I slid down the tree, got the note,  slipped along the fence till I struck the woods, and was back at the  cave in another half an hour. I opened the note, got near the lantern  and read it to Bill. It was written with a pen in a crabbed hand, and  the sum and substance of it was this:</p>
<blockquote><p>Two Desperate Men.</p>
<p>Gentlemen:  I received your letter to-day by post, in regard to the ransom you ask  for the return of my son. I think you are a little high in your demands,  and I hereby make you a counter-proposition, which I am inclined to  believe you will accept. You bring Johnny home and pay me two hundred  and fifty dollars in cash, and I agree to take him off your hands. You  had better come at night, for the neighbours believe he is lost, and I  couldn&#8217;t be responsible for what they would do to anybody they saw  bringing him back.</p>
<p>Very respectfully,<br />
EBENEZER DORSET.</p></blockquote>
<p>&#8220;Great pirates of Penzance!&#8221; says I; &#8220;of all the impudent &#8212; &#8221;</p>
<p>But  I glanced at Bill, and hesitated. He had the most appealing look in his  eyes I ever saw on the face of a dumb or a talking brute.</p>
<p>&#8220;Sam,&#8221;  says he, &#8220;what&#8217;s two hundred and fifty dollars, after all? We&#8217;ve got  the money. One more night of this kid will send me to a bed in Bedlam.  Besides being a thorough gentleman, I think Mr. Dorset is a spendthrift  for making us such a liberal offer. You ain&#8217;t going to let the chance  go, are you?&#8221;</p>
<p>&#8220;Tell you the truth, Bill,&#8221; says I, &#8220;this little he  ewe lamb has somewhat got on my nerves too. We&#8217;ll take him home, pay  the ransom and make our get-away.&#8221;</p>
<p>We took him home that night.  We got him to go by telling him that his father had bought a  silver-mounted rifle and a pair of moccasins for him, and we were going  to hunt bears the next day.</p>
<p>It was just twelve o&#8217;clock when we  knocked at Ebenezer s front door. Just at the moment when I should have  been abstracting the fifteen hundred dollars from the box under the  tree, according to the original proposition, Bill was counting out two  hundred and fifty dollars into Dorset&#8217;s hand.</p>
<p>When the kid found  out we were going to leave him at home he started up a howl like a  calliope and fastened himself as tight as a leech to Bill&#8217;s leg. His  father peeled him away gradually, like a porous plaster.</p>
<p>&#8220;How long can you hold him?&#8221; asks Bill.</p>
<p>&#8220;I&#8217;m not as strong as I used to be,&#8221; says old Dorset, &#8220;but I think I can promise you ten minutes.&#8221;</p>
<p>&#8220;Enough,&#8221;  says Bill. &#8220;In ten minutes I shall cross the Central, Southern and  Middle Western States, and be legging it trippingly for the Canadian  border.&#8221;</p>
<p>And, as dark as it was, and as fat as Bill was, and as  good a runner as I am, he was a good mile and a half out of Summit  before I could catch up with him.<br />
</div></p>
<p><a href="http://www.saturdayeveningpost.com/2011/12/01/archives/famous-contributors-henry.html">Famous Contributors: O. Henry</a>

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		<title>Famous Contributors: Jack London</title>
		<link>http://www.saturdayeveningpost.com/2011/11/16/archives/famous-contributors-jack-london.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=famous-contributors-jack-london</link>
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		<pubDate>Wed, 16 Nov 2011 14:22:30 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[Jack London]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[San Francisco]]></category>
		<category><![CDATA[short stories]]></category>

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		<description><![CDATA[<p>Writer Jack London was an international celebrity in his time—thanks, in part, to the <em>Post</em>. Read his short story "South of the Slot" to see why.</p><p><a href="http://www.saturdayeveningpost.com/2011/11/16/archives/famous-contributors-jack-london.html">Famous Contributors: Jack London</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>In this edition of <em>The Saturday Evening Post’s</em> Famous Contributors column, we take a look at Jack London, whose tales of adventure and survival made him one of the world’s first widely celebrated fiction writers, and whose popularity holds to this day.</p>
<p><em>To read London&#8217;s short story &#8220;South of the Slot,&#8221; which first appeared in the May 22, 1909 edition of the <span style="font-style: normal;">Post</span>, <a href="#story">click here</a> or scroll down.</em></p>
<p>Born in 1876, San Francisco native Jack London so captured the public&#8217;s interest with his short stories and novels that he was one of the first fiction writers to gain international celebrity status. His most well-known book, <em>The Call of the Wild</em>, first ran as a serial in <em>The Saturday Evening </em><em>Post</em>, and is often deemed one of the top 100 novels of all time. Meanwhile, some of his lesser-known works greatly influenced later writers. For instance, London&#8217;s dystopian novel <em>The Iron Heel </em>inspired George Orwell&#8217;s <em>1984</em>.</p>
<p>By the time he enrolled at UC Berkeley at age 19, London had personally experienced much of the adventure that greatly influenced his writing. He had already sailed the Pacific on a sealing ship, pirated oysters in the San Francisco Bay, journeyed the country as a train-hopping hobo, and joined Coxey&#8217;s Army of unemployed workers to march on Washington, D.C. London dropped out of college after just six months, and, in winter 1897, journeyed to the setting of his most famous stories—the Klondike.</p>
<p>Although London did not prove successful as a gold prospector—a severe case of scurvy forced him to leave within months—he did hone a skill in the Yukon that brought considerably more wealth: storytelling. Inspired by the popularity of his fireside stories among fellow prospectors, London began to submit fiction to various publications on his return to the Bay Area. His first stories were published in 1899 and, in 1903, his serial &#8220;The Sleeping Wolf&#8221; (which later became the classic <em>The </em><em>Call of the Wild</em>) was published in the <em>Post</em>. London&#8217;s prolific work (as a rule the disciplined novelist wrote at least 1,000 words a day for 18 years) and immense popularity netted him unprecedented wealth and recognition before his death in 1916.</p>
<p>Despite his mainstream success, London held personal beliefs that some in today&#8217;s world would consider unusual. His youthful experience with Coxey&#8217;s Army inspired his lifelong membership of the Socialist Party, and people referred to him as the &#8220;Boy Socialist of Oakland&#8221; after his nightly, impassioned street corner speeches. He even unsuccessfully ran for mayor of Oakland several times on the Socialist Party ticket.</p>
<p>His first marriage to Bess Maddern was based on the Victorian-era ideal of &#8220;good breeding.&#8221; Both said that they were not marrying for love but out of the belief that they &#8220;would produce sturdy children.&#8221; Nevertheless, in 1905, London divorced Maddern to marry Charmian Kittredge, whom he called his &#8220;Mate Woman,&#8221; a term that might be considered pejorative in modern times but was likely meant by London to mean &#8220;soul mate.&#8221;</p>
<p>Below is the short story &#8220;South of the Slot,&#8221; which is based in the San Francisco neighborhood where London was born (that we might call &#8220;the wrong side of the tracks&#8221; today).</p>
<p><div class="recipe"><br />
<a name="story"></a><br />
<strong>South of the Slot</strong></p>
<p><em>By Jack London</em></p>
<p>Old San Francisco, which is the San Francisco of only the other day, the day before the Earthquake, was divided midway by the Slot. The Slot was an iron crack that ran along the center of Market street, and from the Slot arose the burr of the ceaseless, endless cable that was hitched at will to the cars it dragged up and down. In truth, there were two slots, but in the quick grammar of the West time was saved by calling them, and much more that they stood for, &#8220;The Slot.&#8221; North of the Slot were the theaters, hotels, and shopping district, the banks and the staid, respectable business houses. South of the Slot were the factories, slums, laundries, machine-shops, boiler works, and the abodes of the working class.</p>
<p>The Slot was the metaphor that expressed the class cleavage of Society, and no man crossed this metaphor, back and forth, more successfully than Freddie Drummond. He made a practice of living in both worlds, and in both worlds he lived signally well. Freddie Drummond was a professor in the Sociology Department of the University of California, and it was as a professor of sociology that he first crossed over the Slot, lived for six months in the great labor-ghetto, and wrote &#8220;The Unskilled Laborer&#8221; — a book that was hailed everywhere as an able contribution to the literature of progress, and as a splendid reply to the literature of discontent. Politically and economically it was nothing if not orthodox. Presidents of great railway systems bought whole editions of it to give to their employees. The Manufacturers&#8217; Association alone distributed fifty thousand copies of it. In a way, it was almost as immoral as the far-famed and notorious &#8220;Message to Garcia,&#8221; while in its pernicious preachment of thrift and content it ran &#8220;Mrs. Wiggs of the Cabbage Patch&#8221; a close second.</p>
<p>At first, Freddie Drummond found it monstrously difficult to get along among the working people. He was not used to their ways, and they certainly were not used to his. They were suspicious. He had no antecedents. He could talk of no previous jobs. His hands were soft. His extraordinary politeness was ominous. His first idea of the role he would play was that of a free and independent American who chose to work with his hands and no explanations given. But it wouldn&#8217;t do, as he quickly discovered. At the beginning they accepted him, very provisionally, as a freak. A little later, as he began to know his way about better, he insensibly drifted into the role that would work — namely, he was a man who had seen better days, very much better days, but who was down in his luck, though, to be sure, only temporarily.</p>
<p>He learned many things, and generalized much and often erroneously, all of which can be found in the pages of &#8220;The Unskilled Laborer.&#8221; He saved himself, however, after the sane and conservative manner of his kind, by labeling his generalizations as &#8220;tentative.&#8221; One of his first experiences was in the great Wilmax Cannery, where he was put on piece-work making small packing cases. A box factory supplied the parts, and all Freddie Drummond had to do was to fit the parts into a form and drive in the wire nails with a light hammer.</p>
<p>It was not skilled labor, but it was piece-work. The ordinary laborers in the cannery got a dollar and a half per day. Freddie Drummond found the other men on the same job with him jogging along and earning a dollar and seventy-five cents a day. By the third day he was able to earn the same. But he was ambitious. He did not care to jog along and, being unusually able and fit, on the fourth day earned two dollars. The next day, having keyed himself up to an exhausting high-tension, he earned two dollars and a half. His fellow workers favored him with scowls and black looks, and made remarks, slangily witty and which he did not understand, about sucking up to the boss and pace-making and holding her down when the rains set in. He was astonished at their malingering on piece-work, generalized about the inherent laziness of the unskilled laborer, and proceeded next day to hammer out three dollars&#8217; worth of boxes.</p>
<p>And that night, coming out of the cannery, he was interviewed by his fellow workmen, who were very angry and incoherently slangy. He failed to comprehend the motive behind their action. The action itself was strenuous. When he refused to ease down his pace and bleated about freedom of contract, independent Americanism, and the dignity of toil, they proceeded to spoil his pace-making ability. It was a fierce battle, for Drummond was a large man and an athlete, but the crowd finally jumped on his ribs, walked on his face, and stamped on his fingers, so that it was only after lying in bed for a week that he was able to get up and look for another job. All of which is duly narrated in that first book of his, in the chapter entitled &#8220;The Tyranny of Labor.&#8221;</p>
<p>A little later, in another department of the Wilmax Cannery, lumping as a fruit-distributor among the women, he essayed to carry two boxes of fruit at a time, and was promptly reproached by the other fruit-lumpers. It was palpable malingering; but he was there, he decided, not to change conditions, but to observe. So he lumped one box thereafter, and so well did he study the art of shirking that he wrote a special chapter on it, with the last several paragraphs devoted to tentative generalizations.</p>
<p>In those six months he worked at many jobs and developed into a very good imitation of a genuine worker. He was a natural linguist, and he kept notebooks, making a scientific study of the workers&#8217; slang or argot, until he could talk quite intelligibly. This language also enabled him more intimately to follow their mental processes, and thereby to gather much data for a projected chapter in some future book which he planned to entitle &#8220;Synthesis of Working-Class Psychology.&#8221;</p>
<p>Before he arose to the surface from that first plunge into the underworld he discovered that he was a good actor and demonstrated the plasticity of his nature. He was himself astonished at his own fluidity. Once having mastered the language and conquered numerous fastidious qualms, he found that he could flow into any nook of working-class life and fit it so snugly as to feel comfortably at home. As he said, in the preface to his second book, &#8220;The Toiler,&#8221; he endeavored really to know the working people, and the only possible way to achieve this was to work beside them, eat their food, sleep in their beds, be amused with their amusements, think their thoughts, and feel their feelings.</p>
<p>He was not a deep thinker. He had no faith in new theories. All his norms and criteria were conventional. His Thesis, on the French Revolution, was noteworthy in college annals, not merely for its painstaking and voluminous accuracy, but for the fact that it was the dryest, deadest, most formal, and most orthodox screed ever written on the subject. He was a very reserved man, and his natural inhibition was large in quantity and steel-like in quality. He had but few friends. He was too undemonstrative, too frigid. He had no vices, nor had anyone ever discovered any temptations. Tobacco he detested, beer he abhorred, and he was never known to drink anything stronger than an occasional light wine at dinner.</p>
<p>When a freshman he had been baptized &#8220;Ice-Box&#8221; by his warmer-blooded fellows. As a member of the faculty he was known as &#8220;Cold-Storage.&#8221; He had but one grief, and that was &#8220;Freddie.&#8221; He had earned it when he played full-back on the `Varsity eleven&#8217;, and his formal soul had never succeeded in living it down. &#8220;Freddie&#8221; he would ever be, except officially, and through nightmare vistas he looked into a future when his world would speak of him as &#8220;Old Freddie.&#8221;</p>
<p>For he was very young to be a Doctor of Sociology, only twenty-seven, and he looked younger. In appearance and atmosphere he was a strapping big college man, smooth-faced and easy-mannered, clean and simple and wholesome, with a known record of being a splendid athlete and an implied vast possession of cold culture of the inhibited sort. He never talked shop out of class and committee rooms, except later on, when his books showered him with distasteful public notice and he yielded to the extent of reading occasional papers before certain literary and economic societies. He did everything right–too right; and in dress and comportment was inevitably correct. Not that he was a dandy. Far from it. He was a college man, in dress and carriage as like as a pea to the type that of late years is being so generously turned out of our institutions of higher learning. His handshake was satisfyingly strong and stiff. His blue eyes were coldly blue and convincingly sincere. His voice, firm and masculine, clean and crisp of enunciation, was pleasant to the ear. The one drawback to Freddie Drummond was his inhibition. He never unbent. In his football days, the higher the tension of the game, the cooler he grew. He was noted as a boxer, but he was regarded as an automaton, with the inhuman precision of a machine judging distance and timing blows, guarding, blocking, and stalling. He was rarely punished himself, while he rarely punished an opponent. He was too clever and too controlled to permit himself to put a pound more weight into a punch than he intended. With him it was a matter of exercise. It kept him fit.</p>
<p>As time went by, Freddie Drummond found himself more frequently crossing the Slot and losing himself in South of Market. His summer and winter holidays were spent there, and, whether it was a week or a week-end, he found the time spent there to be valuable and enjoyable. And there was so much material to be gathered. His third book, &#8220;Mass and Master,&#8221; became a text-book in the American universities; and almost before he knew it, he was at work on a fourth one, &#8220;The Fallacy of the Inefficient.&#8221;</p>
<p>Somewhere in his make-up there was a strange twist or quirk. Perhaps it was a recoil from his environment and training, or from the tempered seed of his ancestors, who had been bookmen generation preceding generation; but at any rate, he found enjoyment in being down in the working-class world. In his own world he was &#8220;Cold-Storage,&#8221; but down below he was &#8220;Big&#8221; Bill Totts, who could drink and smoke, and slang and fight, and be an all-around favorite. Everybody liked Bill, and more than one working girl made love to him. At first he had been merely a good actor, but as time went on, simulation became second nature. He no longer played a part, and he loved sausages, sausages and bacon, than which, in his own proper sphere, there was nothing more loathsome in the way of food.</p>
<p>From doing the thing for the need&#8217;s sake, he came to doing the thing for the thing&#8217;s sake. He found himself regretting as the time drew near for him to go back to his lecture-room and his inhibition. And he often found himself waiting with anticipation for the dreamy time to pass when he could cross the Slot and cut loose and play the devil. He was not wicked, but as &#8220;Big&#8221; Bill Totts he did a myriad things that Freddie Drummond would never have been permitted to do. Moreover, Freddie Drummond never would have wanted to do them. That was the strangest part of his discovery. Freddie Drummond and Bill Totts were two totally different creatures. The desires and tastes and impulses of each ran counter to the other&#8217;s. Bill Totts could shirk at a job with clear conscience, while Freddie Drummond condemned shirking as vicious, criminal, and un-American, and devoted whole chapters to condemnation of the vice. Freddie Drummond did not care for dancing, but Bill Totts never missed the nights at the various dancing clubs, such as The Magnolia, The Western Star, and The Elite; while he won a massive silver cup, standing thirty inches high, for being the best-sustained character at the Butchers and Meat Workers&#8217; annual grand masked ball. And Bill Totts liked the girls and the girls liked him, while Freddie Drummond enjoyed playing the ascetic in this particular, was open in his opposition to equal suffrage, and cynically bitter in his secret condemnation of coeducation.</p>
<p>Freddie Drummond changed his manners with his dress, and without effort. When he entered the obscure little room used for his transformation scenes, he carried himself just a bit too stiffly. He was too erect, his shoulders were an inch too far back, while his face was grave, almost harsh, and practically expressionless. But when he emerged in Bill Totts&#8217;s clothes he was another creature. Bill Totts did not slouch, but somehow his whole form limbered up and became graceful. The very sound of the voice was changed, and the laugh was loud and hearty, while loose speech and an occasional oath were as a matter of course on his lips. Also, Bill Totts was a trifle inclined to later hours, and at times, in saloons, to be good-naturedly bellicose with other workmen. Then, too, at Sunday picnics or when coming home from the show, either arm betrayed a practiced familiarity in stealing around girls&#8217; waists, while he displayed a wit keen and delightful in the flirtatious badinage that was expected of a good fellow in his class.</p>
<p>So thoroughly was Bill Totts himself, so thoroughly a workman, a genuine denizen of South of the Slot, that he was as class-conscious as the average of his kind, and his hatred for a scab even exceeded that of the average loyal union man. During the Water Front Strike, Freddie Drummond was somehow able to stand apart from the unique combination, and, coldly critical, watch Bill Totts hilariously slug scab long-shoremen. For Bill Totts was a dues-paying member of the Longshoremen Union and had a right to be indignant with the usurpers of his job. &#8220;Big&#8221; Bill Totts was so very big, and so very able, that it was &#8220;Big&#8221; Bill to the front when trouble was brewing. From acting outraged feelings, Freddie Drummond, in the role of his other self, came to experience genuine outrage, and it was only when he returned to the classic atmosphere of the university that he was able, sanely and conservatively, to generalize upon his underworld experiences and put them down on paper as a trained sociologist should. That Bill Totts lacked the perspective to raise him above class-consciousness, Freddie Drummond clearly saw. But Bill Totts could not see it. When he saw a scab taking his job away, he saw red at the same time, and little else did he see. It was Freddie Drummond, irreproachably clothed and comported, seated at his study desk or facing his class in &#8220;Sociology 17,&#8221; who saw Bill Totts, and all around Bill Totts, and all around the whole scab and union-labor problem and its relation to the economic welfare of the United States in the struggle for the world market. Bill Totts really wasn&#8217;t able to see beyond the next meal and the prize-fight the following night at the Gaiety Athletic Club.</p>
<p>It was while gathering material for &#8220;Women and Work&#8221; that Freddie received his first warning of the danger he was in. He was too successful at living in both worlds. This strange dualism he had developed was after all very unstable, and, as he sat in his study and meditated, he saw that it could not endure. It was really a transition stage, and if he persisted he saw that he would inevitably have to drop one world or the other. He could not continue in both. And as he looked at the row of volumes that graced the upper shelf of his revolving book-case, his volumes, beginning with his Thesis and ending with &#8220;Women and Work,&#8221; he decided that that was the world he would hold to and stick by. Bill Totts had served his purpose, but he had become a too dangerous accomplice. Bill Totts would have to cease.</p>
<p>Freddie Drummond&#8217;s fright was due to Mary Condon, President of the International Glove Workers&#8217; Union No. 974. He had seen her, first, from the spectators&#8217; gallery, at the annual convention of the Northwest Federation of Labor, and he had seen her through Bill Totts&#8217; eyes, and that individual had been most favorably impressed by her. She was not Freddie Drummond&#8217;s sort at all. What if she were a royal-bodied woman, graceful and sinewy as a panther, with amazing black eyes that could fill with fire or laughter-love, as the mood might dictate? He detested women with a too exuberant vitality and a lack of . . . well, of inhibition. Freddie Drummond accepted the doctrine of evolution because it was quite universally accepted by college men, and he flatly believed that man had climbed up the ladder of life out of the weltering muck and mess of lower and monstrous organic things. But he was a trifle ashamed of this genealogy, and preferred not to think of it. Wherefore, probably, he practiced his iron inhibition and preached it to others, and preferred women of his own type, who could shake free of this bestial and regrettable ancestral line and by discipline and control emphasize the wideness of the gulf that separated them from what their dim forbears had been.</p>
<p>Bill Totts had none of these considerations. He had liked Mary Condon from the moment his eyes first rested on her in the convention hall, and he had made it a point, then and there, to find out who she was. The next time he met her, and quite by accident, was when he was driving an express wagon for Pat Morrissey. It was in a lodging house in Mission Street, where he had been called to take a trunk into storage. The landlady&#8217;s daughter had called him and led him to the little bedroom, the occupant of which, a glove-maker, had just been removed to hospital. But Bill did not know this. He stooped, up-ended the trunk, which was a large one, got it on his shoulder, and struggled to his feet with his back toward the open door. At that moment he heard a woman&#8217;s voice.</p>
<p>&#8220;Belong to the union?&#8221; was the question asked.</p>
<p>&#8220;Aw, what&#8217;s it to you?&#8221; he retorted. &#8220;Run along now, an&#8217; git outa my way. I wanta turn round.&#8221;</p>
<p>The next he knew, big as he was, he was whirled half around and sent reeling backward, the trunk overbalancing him, till he fetched up with a crash against the wall. He started to swear, but at the same instant found himself looking into Mary Condon&#8217;s flashing, angry eyes.</p>
<p>&#8220;Of course I b&#8217;long to the union,&#8221; he said. &#8220;I was only kiddin&#8217; you.&#8221;</p>
<p>&#8220;Where&#8217;s your card?&#8221; she demanded in business-like tones.</p>
<p>&#8220;In my pocket. But I can&#8217;t git it out now. This trunk&#8217;s too damn heavy. Come on down to the wagon an&#8217; I&#8217;ll show it to you.&#8221;</p>
<p>&#8220;Put that trunk down,&#8221; was the command.</p>
<p>&#8220;What for? I got a card, I&#8217;m tellin&#8217; you.&#8221;</p>
<p>&#8220;Put it down, that&#8217;s all. No scab&#8217;s going to handle that trunk. You ought to be ashamed of yourself, you big coward, scabbing on honest men. Why don&#8217;t you join the union and be a man?&#8221;</p>
<p>Mary Condon&#8217;s color had left her face, and it was apparent that she was in a rage.</p>
<p>&#8220;To think of a big man like you turning traitor to his class. I suppose you&#8217;re aching to join the militia for a chance to shoot down union drivers the next strike. You may belong to the militia already, for that matter. You&#8217;re the sort —&#8221;</p>
<p>&#8220;Hold on, now, that&#8217;s too much!&#8221; Bill dropped the trunk to the floor with a bang, straightened up, and thrust his hand into his inside coat pocket. &#8220;I told you I was only kiddin&#8217;. There, look at that.&#8221;</p>
<p>It was a union card properly enough.</p>
<p>&#8220;All right, take it along,&#8221; Mary Condon said. &#8220;And the next time don&#8217;t kid.&#8221;</p>
<p>Her face relaxed as she noticed the ease with which he got the big trunk to his shoulder, and her eyes glowed as they glanced over the graceful massiveness of the man. But Bill did not see that. He was too busy with the trunk.</p>
<p>The next time he saw Mary Condon was during the Laundry Strike. The Laundry Workers, but recently organized, were green at the business, and had petitioned Mary Condon to engineer the strike. Freddie Drummond had had an inkling of what was coming, and had sent Bill Totts to join the union and investigate. Bill&#8217;s job was in the wash-room, and the men had been called out first, that morning, in order to stiffen the courage of the girls; and Bill chanced to be near the door to the mangle-room when Mary Condon started to enter. The superintendent, who was both large and stout, barred her way. He wasn&#8217;t going to have his girls called out, and he&#8217;d teach her a lesson to mind her own business. And as Mary tried to squeeze past him he thrust her back with a fat hand on her shoulder. She glanced around and saw Bill.</p>
<p>&#8220;Here you, Mr. Totts,&#8221; she called. &#8220;Lend a hand. I want to get in.&#8221;</p>
<p>Bill experienced a startle of warm surprise. She had remembered his name from his union card. The next moment the superintendent had been plucked from the doorway raving about rights under the law, and the girls were deserting their machines. During the rest of that short and successful strike, Bill constituted himself Mary Condon&#8217;s henchman and messenger, and when it was over returned to the University to be Freddie Drummond and to wonder what Bill Totts could see in such a woman.</p>
<p>Freddie Drummond was entirely safe, but Bill had fallen in love. There was no getting away from the fact of it, and it was this fact that had given Freddie Drummond his warning. Well, he had done his work, and his adventures could cease. There was no need for him to cross the Slot again. All but the last three chapters of his latest, &#8220;Labor Tactics and Strategy,&#8221; was finished, and he had sufficient material on hand adequately to supply those chapters.</p>
<p>Another conclusion he arrived at, was that in order to sheet-anchor himself as Freddie Drummond, closer ties and relations in his own social nook were necessary. It was time that he was married, anyway, and he was fully aware that if Freddie Drummond didn&#8217;t get married, Bill Totts assuredly would, and the complications were too awful to contemplate. And so, enters Catherine Van Vorst. She was a college woman herself, and her father, the one wealthy member of the faculty, was the head of the Philosophy Department as well. It would be a wise marriage from every standpoint, Freddie Drummond concluded when the engagement was consummated and announced. In appearance cold and reserved, aristocratic and wholesomely conservative, Catherine Van Vorst, though warm in her way, possessed an inhibition equal to Drummond&#8217;s.</p>
<p>All seemed well with him, but Freddie Drummond could not quite shake off the call of the underworld, the lure of the free and open, of the unhampered, irresponsible life South of the Slot. As the time of his marriage approached, he felt that he had indeed sowed wild oats, and he felt, moreover, what a good thing it would be if he could have but one wild fling more, play the good fellow and the wastrel one last time, ere he settled down to gray lecture-rooms and sober matrimony. And, further to tempt him, the very last chapter of &#8220;Labor Tactics and Strategy&#8221; remained unwritten for lack of a trifle more of essential data which he had neglected to gather.</p>
<p>So Freddie Drummond went down for the last time as Bill Totts, got his data, and, unfortunately, encountered Mary Condon. Once more installed in his study, it was not a pleasant thing to look back upon. It made his warning doubly imperative. Bill Totts had behaved abominably. Not only had he met Mary Condon at the Central Labor Council, but he had stopped in at a chop-house with her, on the way home, and treated her to oysters. And before they parted at her door, his arms had been about her, and he had kissed her on the lips and kissed her repeatedly. And her last words in his ear, words uttered softly with a catchy sob in the throat that was nothing more nor less than a love cry, were &#8220;Bill . . . dear, dear Bill.&#8221;</p>
<p>Freddie Drummond shuddered at the recollection. He saw the pit yawning for him. He was not by nature a polygamist, and he was appalled at the possibilities of the situation. It would have to be put an end to, and it would end in one only of two ways: either he must become wholly Bill Totts and be married to Mary Condon, or he must remain wholly Freddie Drummond and be married to Catherine Van Vorst. Otherwise, his conduct would be beneath contempt and horrible.</p>
<p>In the several months that followed, San Francisco was torn with labor strife. The unions and the employers&#8217; associations had locked horns with a determination that looked as if they intended to settle the matter, one way or the other, for all time. But Freddie Drummond corrected proofs, lectured classes, and did not budge. He devoted himself to Catherine Van Vorst, and day by day found more to respect and admire in her — nay, even to love in her. The Street Car Strike tempted him, but not so severely as he would have expected; and the great Meat Strike came on and left him cold. The ghost of Bill Totts had been successfully laid, and Freddie Drummond with rejuvenescent zeal tackled a brochure, long-planned, on the topic of &#8220;diminishing returns.&#8221;</p>
<p>The wedding was two weeks off, when, one afternoon, in San Francisco, Catherine Van Vorst picked him up and whisked him away to see a Boys&#8217; Club, recently instituted by the settlement workers with whom she was interested. It was her brother&#8217;s machine, but they were alone with the exception of the chauffeur. At the junction with Kearny Street, Market and Geary Streets intersect like the sides of a sharp-angled letter &#8220;V.&#8221; They, in the auto, were coming down Market with the intention of negotiating the sharp apex and going up Geary. But they did not know what was coming down Geary, timed by fate to meet them at the apex. While aware from the papers that the Meat Strike was on and that it was an exceedingly bitter one, all thought of it at that moment was farthest from Freddie Drummond&#8217;s mind. Was he not seated beside Catherine? And, besides, he was carefully expositing to her his views on settlement work — views that Bill Totts&#8217; adventures had played a part in formulating.</p>
<p>Coming down Geary Street were six meat wagons. Beside each scab driver sat a policeman. Front and rear, and along each side of this procession, marched a protecting escort of one hundred police. Behind the police rear guard, at a respectful distance, was an orderly but vociferous mob, several blocks in length, that congested the street from sidewalk to sidewalk. The Beef Trust was making an effort to supply the hotels, and, incidentally, to begin the breaking of the strike. The St. Francis had already been supplied, at a cost of many broken windows and broken heads, and the expedition was marching to the relief of the Palace Hotel.</p>
<p>All unwitting, Drummond sat beside Catherine, talking settlement work, as the auto, honking methodically and dodging traffic, swung in a wide curve to get around the apex. A big coal wagon, loaded with lump coal and drawn by four huge horses, just debouching from Kearny Street as though to turn down Market, blocked their way. The driver of the wagon seemed undecided, and the chauffeur, running slow but disregarding some shouted warning from the crossing policemen, swerved the auto to the left, violating the traffic rules, in order to pass in front of the wagon.</p>
<p>At that moment Freddie Drummond discontinued his conversation. Nor did he resume it again, for the situation was developing with the rapidity of a transformation scene. He heard the roar of the mob at the rear, and caught a glimpse of the helmeted police and the lurching meat wagons. At the same moment, laying on his whip and standing up to his task, the coal driver rushed horses and wagon squarely in front of the advancing procession, pulled the horses up sharply, and put on the big brake. Then he made his lines fast to the brake-handle and sat down with the air of one who had stopped to stay. The auto had been brought to a stop, too, by his big panting leaders which had jammed against it.</p>
<p>Before the chauffeur could back clear, an old Irishman, driving a rickety express wagon and lashing his one horse to a gallop, had locked wheels with the auto. Drummond recognized both horse and wagon, for he had driven them often himself. The Irishman was Pat Morrissey. On the other side a brewery wagon was locking with the coal wagon, and an east-bound Kearny-Street car, wildly clanging its gong, the motorman shouting defiance at the crossing policeman, was dashing forward to complete the blockade. And wagon after wagon was locking and blocking and adding to the confusion. The meat wagons halted. The police were trapped. The roar at the rear increased as the mob came on to the attack, while the vanguard of the police charged the obstructing wagons.</p>
<p>&#8220;We&#8217;re in for it,&#8221; Drummond remarked coolly to Catherine.</p>
<p>&#8220;Yes,&#8221; she nodded, with equal coolness. &#8220;What savages they are.&#8221;</p>
<p>His admiration for her doubled on itself. She was indeed his sort. He would have been satisfied with her even if she had screamed and clung to him, but this — this was magnificent. She sat in that storm center as calmly as if it had been no more than a block of carriages at the opera.</p>
<p>The police were struggling to clear a passage. The driver of the coal wagon, a big man in shirt sleeves, lighted a pipe and sat smoking. He glanced down complacently at a captain of police who was raving and cursing at him, and his only acknowledgment was a shrug of the shoulders. From the rear arose the rat-tat-tat of clubs on heads and a pandemonium of cursing, yelling, and shouting. A violent accession of noise proclaimed that the mob had broken through and was dragging a scab from a wagon. The police captain reinforced from his vanguard, and the mob at the rear was repelled. Meanwhile, window after window in the high office building on the right had been opened, and the class-conscious clerks were raining a shower of office furniture down on the heads of police and scabs. Waste-baskets, ink-bottles, paper-weights, typewriters — anything and everything that came to hand was filling the air.</p>
<p>A policeman, under orders from his captain, clambered to the lofty seat of the coal wagon to arrest the driver. And the driver, rising leisurely and peacefully to meet him, suddenly crumpled him in his arms and threw him down on top of the captain. The driver was a young giant, and when he climbed on top his load and poised a lump of coal in both hands, a policeman, who was just scaling the wagon from the side, let go and dropped back to earth. The captain ordered half a dozen of his men to take the wagon. The teamster, scrambling over the load from side to side, beat them down with huge lumps of coal.</p>
<p>The crowd on the sidewalks and the teamsters on the locked wagons roared encouragement and their own delight. The motorman, smashing helmets with his controller bar, was beaten into insensibility and dragged from his platform. The captain of police, beside himself at the repulse of his men, led the next assault on the coal wagon. A score of police were swarming up the tall-sided fortress. But the teamster multiplied himself. At times there were six or eight policemen rolling on the pavement and under the wagon. Engaged in repulsing an attack on the rear end of his fortress, the teamster turned about to see the captain just in the act of stepping on to the seat from the front end. He was still in the air and in most unstable equilibrium, when the teamster hurled a thirty-pound lump of coal. It caught the captain fairly on the chest, and he went over backward, striking on a wheeler&#8217;s back, tumbling on to the ground, and jamming against the rear wheel of the auto.</p>
<p>Catherine thought he was dead, but he picked himself up and charged back. She reached out her gloved hand and patted the flank of the snorting, quivering horse. But Drummond did not notice the action. He had eyes for nothing save the battle of the coal wagon, while somewhere in his complicated psychology, one Bill Totts was heaving and straining in an effort to come to life. Drummond believed in law and order and the maintenance of the established, but this riotous savage within him would have none of it. Then, if ever, did Freddie Drummond call upon his iron inhibition to save him. But it is written that the house divided against itself must fall. And Freddie Drummond found that he had divided all the will and force of him with Bill Totts, and between them the entity that constituted the pair of them was being wrenched in twain.</p>
<p>Freddie Drummond sat in the auto, quite composed, alongside Catherine Van Vorst; but looking out of Freddie Drummond&#8217;s eyes was Bill Totts, and somewhere behind those eyes, battling for the control of their mutual body, were Freddie Drummond, the sane and conservative sociologist, and Bill Totts, the class-conscious and bellicose union workingman. It was Bill Totts, looking out of those eyes, who saw the inevitable end of the battle on the coal wagon. He saw a policeman gain the top of the load, a second, and a third. They lurched clumsily on the loose footing, but their long riot-clubs were out and winging. One blow caught the teamster on the head. A second he dodged, receiving it on the shoulder. For him the game was plainly up. He dashed in suddenly, clutched two policemen in his arms, and hurled himself a prisoner to the pavement, his hold never relaxing on his two captors.</p>
<p>Catherine Van Vorst was sick and faint at sight of the blood and brutal fighting. But her qualms were vanquished by the sensational and most unexpected happening that followed. The man beside her emitted an unearthly and uncultured yell and rose to his feet. She saw him spring over the front seat, leap to the broad rump of the wheeler, and from there gain the wagon. His onslaught was like a whirlwind. Before the bewildered officer on top the load could guess the errand of this conventionally clad but excited-seeming gentleman, he was the recipient of a punch that arched him back through the air to the pavement. A kick in the face led an ascending policeman to follow his example. A rush of three more gained the top and locked with Bill Totts in a gigantic clinch, during which his scalp was opened up by a club, and coat, vest, and half his starched shirt were torn from him. But the three policemen were flung wide and far, and Bill Totts, raining down lumps of coal, held the fort.</p>
<p>The captain led gallantly to the attack, but was bowled over by a chunk of coal that burst on his head in black baptism. The need of the police was to break the blockade in front before the mob could break in at the rear, and Bill Totts&#8217; need was to hold the wagon till the mob did break through. So the battle of the coal went on.</p>
<p>The crowd had recognized its champion. &#8220;Big&#8221; Bill, as usual, had come to the front, and Catherine Van Vorst was bewildered by the cries of &#8220;Bill! O you Bill!&#8221; that arose on every hand. Pat Morrissey, on his wagon seat, was jumping and screaming in an ecstasy, &#8220;Eat &#8216;em, Bill! Eat &#8216;em! Eat &#8216;em alive!&#8221; From the sidewalk she heard a woman&#8217;s voice cry out, &#8220;Look out, Bill — front end!&#8221; Bill took the warning and with well-directed coal cleaned the front end of the wagon of assailants. Catherine Van Vorst turned her head and saw on the curb of the sidewalk a woman with vivid coloring and flashing black eyes who was staring with all her soul at the man who had been Freddie Drummond a few minutes before.</p>
<p>The windows of the office building became vociferous with applause. A fresh shower of office chairs and filing cabinets descended. The mob had broken through on one side the line of wagons, and was advancing, each segregated policeman the center of a fighting group. The scabs were torn from their seats, the traces of the horses cut, and the frightened animals put in flight. Many policemen crawled under the coal wagon for safety, while the loose horses, with here and there a policeman on their backs or struggling at their heads to hold them, surged across the sidewalk opposite the jam and broke into Market Street.</p>
<p>Catherine Van Vorst heard the woman&#8217;s voice calling in warning. She was back on the curb again, and crying out:</p>
<p>&#8220;Beat it, Bill! Now&#8217;s your time! Beat it!&#8221;</p>
<p>The police for the moment had been swept away. Bill Totts leaped to the pavement and made his way to the woman on the sidewalk. Catherine Van Vorst saw her throw her arms around him and kiss him on the lips; and Catherine Van Vorst watched him curiously as he went on down the sidewalk, one arm around the woman, both talking and laughing, and he with a volubility and abandon she could never have dreamed possible.</p>
<p>The police were back again and clearing the jam while waiting for reinforcements and new drivers and horses. The mob had done its work and was scattering, and Catherine Van Vorst, still watching, could see the man she had known as Freddie Drummond. He towered a head above the crowd. His arm was still about the woman. And she in the motorcar, watching, saw the pair cross Market Street, cross the Slot, and disappear down Third Street into the labor ghetto.</p>
<p><a href="http://www.saturdayeveningpost.com/2011/11/16/archives/famous-contributors-jack-london.html">Famous Contributors: Jack London</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Famous Contributors: Eleanor Roosevelt</title>
		<link>http://www.saturdayeveningpost.com/2011/09/23/art-entertainment/eleanor-world.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=eleanor-world</link>
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		<pubDate>Fri, 23 Sep 2011 20:05:49 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Art & Entertainment]]></category>
		<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[Eleanor Roosevelt]]></category>
		<category><![CDATA[FDR]]></category>
		<category><![CDATA[first ladies]]></category>
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		<description><![CDATA[<p>Eleanor Roosevelt inspired Ethiopian Emperor Haile Selassie, entertained Prime Minister Jawaharlal Nehru of India, and never really approved of Winston Churchill.</p><p><a href="http://www.saturdayeveningpost.com/2011/09/23/art-entertainment/eleanor-world.html">Famous Contributors: Eleanor Roosevelt</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>When Franklin Delano Roosevelt was elected president of the United States in 1932, Eleanor Roosevelt became a highly visible First Lady. Through congressional hearings, radio broadcasts, and written commentary, she showcased the plight of the unfortunate and exploited, highlighting the need for the “New Deal” policies her husband was enacting. Although her efforts drew both admiration and scorn, one thing was certain—a woman so outspoken was unprecedented on the US national stage.</p>
<p><em>To read a brief biography of Mrs. Roosevelt, <a href="#bio">click here</a> or scroll to the bottom.</em></p>
<p>In a series of 1958 articles for <em>The Saturday Evening Post</em> called “On My Own,” Mrs. Roosevelt continued to be outspoken about some of the most important world leaders of the time—including Winston Churchill, Emperor Haile Selassie of Ethiopia, Indian Prime Minister Jawaharlal Nehru, and a young Queen Elizabeth II.</p>
<p>Roosevelt spoke at length about the British royal family, whom she came to know closely during World War II:</p>
<blockquote><p>King George VI and Queen Elizabeth came to the White House  before the war and later visited us at Hyde Park. I shall never forget  the day they left. It was in June, 1939, when the threat of  tragic events in Europe already weighed heavily in all our minds.  Franklin and I went with them to the Hyde Park railroad station, where  their train was waiting. Nobody had arranged anything special, but, of  course, the public knew the time of their departure and crowds had  gathered. The steep little knolls rising on each side of the railroad  tracks were simply covered with people, who waited, rather silently,  until our good-bys were said. But then, as the train pulled out,  somebody began singing Auld Lang Syne and then everybody was singing,  and it seemed to me that there was something of our friendship and our  sadness and something of the uncertainty of our futures in that song  that could not have been said as well in any other words. I think the  king and queen, standing on the rear platform of the train, were deeply  moved. I know I was.</p></blockquote>
<p>Roosevelt recalled how she was impressed by the young Queen Elizabeth while visiting England:</p>
<blockquote><p>I was particularly struck by the then Princess Elizabeth, just twenty  at the time of my visit, but very serious-minded. She came to me after a  dinner given by the Pilgrim Society and said, “I understand you have  been to see some of the homes where we are trying to rehabilitate young  women offenders against the law. I have not yet been to see them, but  could you give me your opinion?”</p>
<p>I told her I was very favorably impressed by the experiment in which  the government had taken over some of the country’s historic houses that  the owners could no longer afford to maintain. These houses had been  put under the care of young women prisoners, who had done the work of rehabilitating the houses and gardens  to preserve them as national monuments. Thus it was hoped not only to  maintain these monuments to the past but in doing so to assist the young  women to rebuild their own lives in a useful way. What struck me at the  time was that this young princess was so interested in social problems  and how they were being handled.</p></blockquote>
<p>The monarchs were not the only Brits who made an impression on the former First Lady, although Prime Minister Winston Churchill made one of a different sort:</p>
<blockquote><p>Mr. Churchill—now Sir Winston—is, of course, one of the very unusual  figures of our time. He was frequently at the White House during the  tense years of the war and he and Franklin had many interests in  common—not counting winning the war—so that they enjoyed each other’s  company. They could talk for hours after dinner on any number of  subjects. My husband, however, was so burdened with work that it was a  terrible strain on him to sit up late at night with Mr. Churchill and  then have to be at his desk early the next day, while his guest stayed  in his room until eleven A.M. I suppose I showed my concern about this  at the time, and the prime minister probably remembered it when he said  to me, “You don’t really approve of me, do you, Mrs. Roosevelt?”</p>
<p>Looking back on it, I don’t suppose I really did.</p></blockquote>
<p>Although she didn&#8217;t get along famously with Churchill, Roosevelt did leave a very favorable impression on other noteworthy dignitaries—including Ethiopia&#8217;s Haile Selassie:</p>
<blockquote><p>One of the most interesting [visitors] was Emperor Haile  Selassie, of Ethiopia, who came to Hyde Park while on an official visit  to the US. He was a slight, bearded man with dignity and strength of  character and, I felt, a desire to foster freedom, peace and progress in  his country &#8230;</p>
<p>He would arrive at noon and I was to meet him at my husband&#8217;s grave  in the rose garden. He was to visit the library where the records of my  husband&#8217;s administration are kept. He positively must get to the house  by one o&#8217;clock because he wanted to see a television broadcast of a film  that he had made. Then the State Department representative added  sternly that it was imperative that the emperor have a half hour alone  in his room before luncheon for rest and contemplation.</p>
<p>I thought this a rather crowded schedule, but I didn&#8217;t try to argue  with the State Department protocol officer. I met the emperor and  accompanied him to the library. He was much interested in modernizing  his own country and when he saw the excellent system for keeping records  in the library he became excited and summarily ordered his entire staff  to be assembled.</p>
<p>&#8220;Look!&#8221; he exclaimed, waving his hand toward the library stacks.  &#8220;Study this system! Here is how you do it! Here is how you keep  history!&#8221;</p>
<p>He was so busy examining the library that I barely managed to get him  to the house on the stroke of one o&#8217;clock. He found a low stool in the  living room and seated himself in front of the television set and seemed  to forget everything else as the film of himself came on the screen. I  am not sure that he had ever seen television of any kind before. In any  event, he was fascinated and the minutes passed with no sign that he was  ready to retire to his room for the scheduled half hour before  luncheon. This rest period had been so strongly emphasized to me,  however, that at last I approached and spoke to him in French.</p>
<p>&#8220;Your Majesty,&#8221; I said. &#8220;I believe you want to rest for half an hour alone.&#8221;</p>
<p>He did not turn his gaze from the television screen, but his reply  was prompt, &#8220;Oh, no. It is not necessary for me to be alone. I only  wanted to take off my shoes for a little while.&#8221; Still watching the  screen, he pointed downward. &#8220;And,&#8221; he added, &#8220;my shoes are off.&#8221; I looked down. The emperor&#8217;s shoes were certainly off and he was wiggling his toes comfortably …</p>
<p>After the emperor returned to his own country, he thoughtfully sent  me some Ethiopian whole coffee beans. In fact, he sent me 400 pounds of  them and I had quite a time using them up.</p></blockquote>
<p>Roosevelt also had much to say of another important world leader, Jawaharlal Nehru, the first Prime Minister of newly sovereign India:</p>
<blockquote><p>As I got to know the prime minister better when I later visited  India, I felt he was a man with great physical and moral courage. But I  discovered that his remarkable intellectual abilities did not free him  entirely from prejudice. In the dispute between India and Pakistan over  Kashmir, Mr. Nehru was completely emotional because of his personal ties  to Kashmir. I felt he suffered a stoppage of all reason on that  particular subject and contradicted the high ideals that he normally  expressed in regard to the right of people to decide their own destiny …</p>
<p>It seems to me that Secretary of State John Foster Dulles’ method of  dealing with Prime Minister Nehru has been unfortunate and unwise. You  have to remember that India is newly independent and the Indians are  highly sensitive in regard to their independence. You have to remember,  too, that since the Communists came into power in China, India is the  only large non-Communist nation in Asia. Mr. Nehru firmly expects India  will remain non-Communist, and this is of great importance to the West.  Yet Secretary Dulles has, in my opinion, made several grave errors in  dealing with India. When negotiating the Japanese treaties, for example,  he visited various Far Eastern countries, but did not go personally to  India. Mr. Nehru felt this was an obvious slight, and I cannot see how  it was wise to create resentment toward us in such an important country.  Then when India and Pakistan were in conflict, we sent arms to  Pakistan, theoretically at least for defense on her northern borders. It  created more bitterness against us in India, and it might well have  been avoided by limiting our aid to Pakistan to the economic field. I  cannot help but feel that Mr. Dulles fails to understand the feelings of  many of the peoples with whom we must deal—that he lacks antennae with  which to reach out and sense the attitudes of others at times when such  attitudes may be of utmost importance in our struggle against Communism.</p></blockquote>
<p>After recalling her visit with Nehru, Roosevelt reflected on the very different impression she received while hosting a dignitary from India&#8217;s even more highly populated neighbor, Madame Kai-shek of China:</p>
<blockquote><p>[Kai-shek] had stayed with us at the White House and  she came to Hyde Park after Franklin&#8217;s death. She once told me that she  and her husband felt it was their duty to establish democratic  government in China and that they should carry on to the bitter end in the struggle toward that goal. She always  seemed to me to be a woman of great ability, but I never ceased to be  perplexed by her ideas about the establishment of democracy. I think  that intellectually she understands what democracy means, but despite  the fact that she went to college in this country she does not know how  to live democracy.</p></blockquote>
<p><a rel="attachment wp-att-39147" href="http://www.saturdayeveningpost.com/2011/09/23/art-literature/eleanor-world.html/attachment/eleanor_roosevelt_at_united_nations-2"><img class="alignleft size-medium wp-image-39147" title="Eleanor_Roosevelt_at_United_Nations" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/Eleanor_Roosevelt_at_United_Nations1-400x504.png" alt="" width="241" height="301" /></a><a name="bio"></a> <strong>A Brief Biography of Eleanor Roosevelt</strong></p>
<p>Born in 1884, humanitarian, civil rights activist, and former First Lady Eleanor Roosevelt was one of the most influential woman in  American history. Throughout the Great Depression and World War II—and  afterward—she ceaselessly worked to better the lives of all, and her  achievements still resonate globally today.</p>
<p>At home, she fought to improve the rights of women, African  Americans, farmers, and the unemployed, and—alongside husband  Franklin Delano Roosevelt—helped shape policies to combat  deplorable living conditions, provide a safety net and jobs for the  poor, establish child labor laws, set a minimum wage, and provide better  working conditions. Abroad, she helped create and served for the United  Nations and helped draft the Universal Declaration of Human  Rights.</p>
<p><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/FDR_in_19331.jpg"><img class="alignright size-full wp-image-39419" title="FDR_in_1933" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/FDR_in_19331.jpg" alt="" width="236" height="278" /></a>Roosevelt was shy as a youth, but her compassion and desire for  social reform were evident by young adulthood when she became a social  worker in New York City’s decrepit East Side. Around this time she met  FDR. During their courtship, she exposed him to the hardships faced by  people in the slums; a transformative experience for the “New Deal”  president. In 1905, they married.</p>
<p>Eleanor worked with the UN after FDR’s death, where she continued her  fight for the downtrodden on a global stage. At this time she helped  create what she considered her greatest achievement—the Universal  Declaration of Human Rights. Adopted by 48 countries, it stated freedom  and justice were universal and condemned discrimination, torture, and  slavery.</p>
<p>Roosevelt continued to work for equality until her death in 1962; she  was serving on President John F. Kennedy’s Commission on the Status of  Women—which aimed to overcome gender discrimination—when she passed  away.</p>
<p><a href="http://www.saturdayeveningpost.com/2011/09/23/art-entertainment/eleanor-world.html">Famous Contributors: Eleanor Roosevelt</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></content:encoded>
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		<title>Famous Contributers: Edgar Allan Poe</title>
		<link>http://www.saturdayeveningpost.com/2011/09/02/archives/famous-contributers-edgar-allan-poe.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=famous-contributers-edgar-allan-poe</link>
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		<pubDate>Fri, 02 Sep 2011 14:26:02 +0000</pubDate>
		<dc:creator>Aaron Rimstidt</dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Famous Contributors]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[halloween]]></category>
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		<category><![CDATA[short stories]]></category>

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		<description><![CDATA[<p>Read Edgar Allan Poe's spine-tingling short story "The Black Cat," which was first published in the <em>Post</em> in 1843.</p><p><a href="http://www.saturdayeveningpost.com/2011/09/02/archives/famous-contributers-edgar-allan-poe.html">Famous Contributers: Edgar Allan Poe</a>

<a href="http://www.saturdayeveningpost.com">The Saturday Evening Post</a></p>]]></description>
				<content:encoded><![CDATA[<p>In this installment of <em>The Saturday Evening Post</em>&#8216;s famous contributors column, we focus on the master of the macabre himself—Edgar Allan Poe.</p>
<p>Born in 1809, Poe is best known for his horror stories, although he is also considered a founding father of both the detective and science fiction genres. His short stories—such as &#8220;The Tell-Tale Heart&#8221; and &#8220;The Pit and the Pendulum&#8221;—still send shivers down readers’ spines, and his poem &#8220;The Raven&#8221; is so ubiquitous that it has been acted out on <em>The Simpsons</em>, performed as a song by the Grateful Dead, and even inspired the naming of Baltimore&#8217;s NFL team.</p>
<p>Unfortunately, the cliché “life mirrors art” was never truer than with Poe, whose life was a mix of dark, tragic, and downright bizarre events. Orphaned at the age of 2, young Edgar was adopted by a successful merchant family. He was accepted to the University of Virginia at 17, but was forced to drop out when his wealthy adopted father refused to provide financial support. Upon returning from school, he found that his fiancé had become engaged to another man. The heartbroken young writer descended into a hole of alcohol, opium, and despair—and began producing the first of his signature works.</p>
<div style="float: right; margin: 10px;"><a href="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/virginiaPoe.jpg"><img title="virginiaPoe" src="http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/virginiaPoe.jpg" alt="" width="250" height="275" /></a></div>
<p>After a brief stint in the military, Poe moved to Baltimore and began to seriously pursue a literary career. During the 1830s his reputation as a writer and critic grew, as did his fondness for his first cousin Virginia Clemm (whom he secretly married in 1835—despite the fact that she was only 13 years old). The marriage was described as happy, but Virginia contracted tuberculosis in 1842. Poe, who had already lost a brother and his biological and adoptive mothers to the disease, began to drink heavily as he watched his wife’s health deteriorate. Her death in 1847 left him devastated.</p>
<p>Poe’s own demise is cloaked in mystery. What is known about the great writer’s passing is that he left Richmond, Virginia, on September 27, 1849, was not seen until he was found in a state of delirium on the streets of Baltimore on October 3, and was declared dead on October 7. The exact cause of his death is unclear; speculation has ranged from rabies to syphilis to an overdose of laudanum.</p>
<p>Below is one of Poe’s darkest short stories, “The Black Cat,” which was first published in the August 19, 1843, edition of <em>The Saturday Evening Post</em>.<br />
<div class="recipe"><br />
<strong>The Black Cat</strong></p>
<p><em>By Edgar Allan Poe</em></p>
<p>For the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence. Yet, mad am I not—and very surely do I not dream. But tomorrow I die, and today I would unburthen my soul. My immediate purpose is to place before the world, plainly, succinctly, and without comment, a series of mere household events. In their consequences, these events have terrified—have tortured—have destroyed me. Yet I will not attempt to expound them. To me, they have presented little but Horror—to many they will seem less terrible than barroques. Hereafter, perhaps, some intellect may be found which will reduce my phantasm to the common-place—some intellect more calm, more logical, and far less excitable than my own, which will perceive, in the circumstances I detail with awe, nothing more than an ordinary succession of very natural causes and effects.</p>
<p>From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions. I was especially fond of animals, and was indulged by my parents with a great variety of pets. With these I spent most of my time, and never was so happy as when feeding and caressing them. This peculiarity of character grew with my growth, and in my manhood, I derived from it one of my principal sources of pleasure. To those who have cherished an affection for a faithful and sagacious dog, I need hardly be at the trouble of explaining the nature or the intensity of the gratification thus derivable. There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.</p>
<p>I married early, and was happy to find in my wife a disposition not uncongenial with my own. Observing my partiality for domestic pets, she lost no opportunity of procuring those of the most agreeable kind. We had birds, goldfish, a fine dog, rabbits, a small monkey, and a cat.</p>
<p>This latter was a remarkably large and beautiful animal, entirely black, and sagacious to an astonishing degree. In speaking of his intelligence, my wife, who at heart was not a little tinctured with superstition, made frequent allusion to the ancient popular notion, which regarded all black cats as witches in disguise. Not that she was ever serious upon this point—and I mention the matter at all for no better reason than that it happens, just now, to be remembered.</p>
<p>Pluto—this was the cat&#8217;s name—was my favorite pet and playmate. I alone fed him, and he attended me wherever I went about the house. It was even with difficulty that I could prevent him from following me through the streets.</p>
<p>Our friendship lasted, in this manner, for several years, during which my general temperament and character—through the instrumentality of the Fiend Intemperance—had (I blush to confess it) experienced a radical alteration for the worse. I grew, day by day, more moody, more irritable, more regardless of the feelings of others. I suffered myself to use intemperate language to my wife. At length, I even offered her personal violence. My pets, of course, were made to feel the change in my disposition. I not only neglected, but ill-used them. For Pluto, however, I still retained sufficient regard to restrain me from maltreating him, as I made no scruple of maltreating the rabbits, the monkey, or even the dog, when by accident, or through affection, they came in my way. But my disease grew upon me—for what disease is like Alcohol!—and at length even Pluto, who was now becoming old, and consequently somewhat peevish—even Pluto began to experience the effects of my ill temper.</p>
<p>One night, returning home, much intoxicated, from one of my haunts about town, I fancied that the cat avoided my presence. I seized him; when, in his fright at my violence, he inflicted a slight wound upon my hand with his teeth. The fury of a demon instantly possessed me. I knew myself no longer. My original soul seemed, at once, to take its flight from my body and a more than fiendish malevolence, gin-nurtured, thrilled every fibre of my frame. I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket! I blush, I burn, I shudder, while I pen the damnable atrocity.</p>
<p>When reason returned with the morning—when I had slept off the fumes of the night&#8217;s debauch—I experienced a sentiment half of horror, half of remorse, for the crime of which I had been guilty; but it was, at best, a feeble and equivocal feeling, and the soul remained untouched. I again plunged into excess, and soon drowned in wine all memory of the deed.</p>
<p>In the meantime the cat slowly recovered. The socket of the lost eye presented, it is true, a frightful appearance, but he no longer appeared to suffer any pain. He went about the house as usual, but, as might be expected, fled in extreme terror at my approach. I had so much of my old heart left, as to be at first grieved by this evident dislike on the part of a creature which had once so loved me. But this feeling soon gave place to irritation. And then came, as if to my final and irrevocable overthrow, the spirit of PERVERSENESS. Of this spirit philosophy takes no account. Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heart—one of the indivisible primary faculties, or sentiments, which give direction to the character of Man. Who has not, a hundred times, found himself committing a vile or a silly action, for no other reason than because he knows he should not? Have we not a perpetual inclination, in the teeth of our best judgment, to violate that which is Law, merely because we understand it to be such? This spirit of perverseness, I say, came to my final overthrow. It was this unfathomable longing of the soul to vex itself—to offer violence to its own nature—to do wrong for the wrong&#8217;s sake only—that urged me to continue and finally to consummate the injury I had inflicted upon the unoffending brute. One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree; hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart; hung it because I knew that it had loved me, and because I felt it had given me no reason of offense; hung it because I knew that in so doing I was committing a sin—a deadly sin that would so jeopardize my immortal soul as to place it—if such a thing wore possible—even beyond the reach of the infinite mercy of the Most Merciful and Most Terrible God.</p>
<p>On the night of the day on which this cruel deed was done, I was aroused from sleep by the cry of fire. The curtains of my bed were in flames. The whole house was blazing. It was with great difficulty that my wife, a servant, and myself, made our escape from the conflagration. The destruction was complete. My entire worldly wealth was swallowed up, and I resigned myself thenceforward to despair.</p>
<p>I am above the weakness of seeking to establish a sequence of cause and effect between the disaster and the atrocity. But I am detailing a chain of facts—and wish not to leave even a possible link imperfect. On the day succeeding the fire, I visited the ruins. The walls, with one exception, had fallen in. This exception was found in a compartment wall, not very thick, which stood about the middle of the house, and against which had rested the head of my bed. The plastering had here, in great measure, resisted the action of the fire—a fact which I attributed to its having been recently spread. About this wall a dense crowd were collected, and many persons seemed to be examining a particular portion of it with very minute and eager attention. The words &#8220;strange!&#8221; &#8220;singular!&#8221; and other similar expressions excited my curiosity. I approached and saw, as if graven in bas relief upon the white surface, the figure of a gigantic cat. The impression was given with an accuracy truly marvellous. There was a rope about the animal&#8217;s neck.</p>
<p>When I first beheld this apparition—for I could scarcely regard it as less—my wonder and my terror were extreme. But at length reflection came to my aid. The cat, I remembered, had been hung in a garden adjacent to the house. Upon the alarm of fire, this garden had been immediately filled by the crowd—by some one of whom the animal must have been cut from the tree and thrown, through an open window, into my chamber. This had probably been done with the view of arousing me from sleep. The falling of other walls had compressed the victim of my cruelty into the substance of the freshly-spread plaster; the lime of which, with the flames, and the ammonia from the carcass, had then accomplished the portraiture as I saw it.</p>
<p>Although I thus readily accounted to my reason, if not altogether to my conscience, for the startling fact just detailed, it did not the less fail to make a deep impression upon my fancy. For months I could not rid myself of the phantasm of the cat; and, during this period, there came back into my spirit a half-sentiment that seemed, but was not, remorse. I went so far as to regret the loss of the animal, and to look about me, among the vile haunts which I now habitually frequented, for another pet of the same species, and of somewhat similar appearance, with which to supply its place.</p>
<p>One night as I sat, half stupified, in a den of more than infamy, my attention was suddenly drawn to some black object, reposing upon the head of one of the immense hogsheads of Gin, or of Rum, which constituted the chief furniture of the apartment. I had been looking steadily at the top of this hogshead for some minutes, and what now caused me surprise was the fact that I had not sooner perceived the object thereupon. I approached it, and touched it with my hand. It was a black cat—a very large one—fully as large as Pluto, and closely resembling him in every respect but one. Pluto had not a white hair upon any portion of his body; but this cat had a large, although indefinite splotch of white, covering nearly the whole region of the breast. Upon my touching him, he immediately arose, purred loudly, rubbed against my hand, and appeared delighted with my notice. This, then, was the very creature of which I was in search. I at once offered to purchase it of the landlord; but this person made no claim to it—knew nothing of it—had never seen it before.</p>
<p>I continued my caresses, and, when I prepared to go home, the animal evinced a disposition to accompany me. I permitted it to do so; occasionally stooping and patting it as I proceeded. When it reached the house it domesticated itself at once, and became immediately a great favorite with my wife.</p>
<p>For my own part, I soon found a dislike to it arising within me. This was just the reverse of what I had anticipated; but—I know not how or why it was—its evident fondness for myself rather disgusted and annoyed. By slow degrees, these feelings of disgust and annoyance rose into the bitterness of hatred. I avoided the creature; a certain sense of shame, and the remembrance of my former deed of cruelty, preventing me from physically abusing it. I did not, for some weeks, strike, or otherwise violently ill use it; but gradually—very gradually—I came to look upon it with unutterable loathing, and to flee silently from its odious presence, as from the breath of a pestilence.</p>
<p>What added, no doubt, to my hatred of the beast, was the discovery, on the morning after I brought it home, that, like Pluto, it also had been deprived of one of its eyes. This circumstance, however, only endeared it to my wife, who, as I have already said, possessed, in a high degree, that humanity of feeling which had once been my distinguishing trait, and the source of many of my simplest and purest pleasures.</p>
<p>With my aversion to this cat, however, its partiality for myself seemed to increase. It followed my footsteps with a pertinacity which it would be difficult to make the reader comprehend. Whenever I sat, it would crouch beneath my chair, or spring upon my knees, covering me with its loathsome caresses. If I arose to walk it would get between my feet and thus nearly throw me down, or, fastening its long and sharp claws in my dress, clamber, in this manner, to my breast. At such times, although I longed to destroy it with a blow, I was yet withheld from so doing, partly by a memory of my former crime, but chiefly—let me confess it at once—by absolute dread of the beast.</p>
<p>This dread was not exactly a dread of physical evil—and yet I should be at a loss how otherwise to define it. I am almost ashamed to own—yes, even in this felon&#8217;s cell, I am almost ashamed to own—that the terror and horror with which the animal inspired me, had been heightened by one of the merest chimaeras it would be possible to conceive. My wife had called my attention, more than once, to the character of the mark of white hair, of which I have spoken, and which constituted the sole visible difference between the strange beast and the one I had destroyed. The reader will remember that this mark, although large, had been originally very indefinite; but, by slow degrees—degrees nearly imperceptible, and which for a long time my Reason struggled to reject as fanciful—it had, at length, assumed a rigorous distinctness of outline. It was now the representation of an object that I shudder to name—and for this, above all, I loathed, and dreaded, and would have rid myself of the monster had I dared—it was now, I say, the image of a hideous—of a ghastly thing—of the GALLOWS!—oh, mournful and terrible engine of Horror and of Crime—of Agony and of Death!</p>
<p>And now was I indeed wretched beyond the wretchedness of mere Humanity. And a brute beast—whose fellow I had contemptuously destroyed—a brute beast to work out for me—for me a man, fashioned in the image of the High God—so much of insufferable wo! Alas! neither by day nor by night knew I the blessing of Rest any more! During the former the creature left me no moment alone; and, in the latter, I started, hourly, from dreams of unutterable fear, to find the hot breath of the thing upon my face, and its vast weight—an incarnate Night-Mare that I had no power to shake off—incumbent eternally upon my heart !</p>
<p>Beneath the pressure of torments such as these, the feeble remnant of the good within me succumbed. Evil thoughts became my sole intimates—the darkest and most evil of thoughts. The moodiness of my usual temper increased to hatred of all things and of all mankind; while, from the sudden, frequent, and ungovernable outbursts of a fury to which I now blindly abandoned myself, my uncomplaining wife, alas! was the most usual and the most patient of sufferers.</p>
<p>One day she accompanied me, upon some household errand, into the cellar of the old building which our poverty compelled us to inhabit. The cat followed me down the steep stairs, and, nearly throwing me headlong, exasperated me to madness. Uplifting an axe, and forgetting, in my wrath, the childish dread which had hitherto stayed my hand, I aimed a blow at the animal which, of course, would have proved instantly fatal had it descended as I wished. But this blow was arrested by the hand of my wife. Goaded, by the interference, into a rage more than demoniacal, I withdrew my arm from her grasp and buried the axe in her brain. She fell dead upon the spot, without a groan.</p>
<p>This hideous murder accomplished, I set myself forthwith, and with entire deliberation, to the task of concealing the body. I knew that I could not remove it from the house, either by day or by night, without the risk of being observed by the neighbors. Many projects entered my mind. At one period I thought of cutting the corpse into minute fragments, and destroying them by fire. At another, I resolved to dig a grave for it in the floor of the cellar. Again, I deliberated about casting it in the well in the yard—about packing it in a box, as if merchandise, with the usual arrangements, and so getting a porter to take it from the house. Finally I hit upon what I considered a far better expedient than either of these. I determined to wall it up in the cellar—as the monks of the middle ages are recorded to have walled up their victims.</p>
<p>For a purpose such as this the cellar was well adapted. Its walls were loosely constructed, and had lately been plastered throughout with a rough plaster, which the dampness of the atmosphere had prevented from hardening. Moreover, in one of the walls was a projection, caused by a false chimney, or fireplace, that had been filled up, and made to resemble the red of the cellar. I made no doubt that I could readily displace the bricks at this point, insert the corpse, and wall the whole up as before, so that no eye could detect any thing suspicious. And in this calculation I was not deceived. By means of a crow-bar I easily dislodged the bricks, and, having carefully deposited the body against the inner wall, I propped it in that position, while, with little trouble, I re-laid the whole structure as it originally stood. Having procured mortar, sand, and hair, with every possible precaution, I prepared a plaster which could not be distinguished from the old, and with this I very carefully went over the new brickwork. When I had finished, I felt satisfied that all was right. The wall did not present the slightest appearance of having been disturbed. The rubbish on the floor was picked up with the minutest care. I looked around triumphantly, and said to myself—&#8221;Here at least, then, my labor has not been in vain.&#8221;</p>
<p>My next step was to look for the beast which had been the cause of so much wretchedness; for I had, at length, firmly resolved to put it to death. Had I been able to meet with it, at the moment, there could have been no doubt of its fate; but it appeared that the crafty animal had been alarmed at the violence of my previous anger, and forebore to present itself in my present mood. It is impossible to describe, or to imagine, the deep, the blissful sense of relief which the absence of the detested creature occasioned in my bosom. It did not make its appearance during the night—and thus for one night at least since its introduction into the house, I soundly and tranquilly slept; aye, slept even with the burden of murder upon my soul!</p>
<p>The second and the third day passed, and still my tormentor came not. Once again I breathed as a freeman. The monster, in terror, had fled the premises forever! I should behold it no more! My happiness was supreme! The guilt of my dark deed disturbed me but little. Some few inquiries had been made, but these had been readily answered. Even a search had been instituted—but of course nothing was to be discovered. I looked upon my future felicity as secured.</p>
<p>Upon the fourth day of the assassination, a party of the police came, very unexpectedly, into the house, and proceeded again to make rigorous investigation of the premises. Secure, however, in the inscrutability of my place of concealment, I felt no embarrassment whatever. The officers bade me accompany them in their search. They left no nook or corner unexplored. At length, for the third or fourth time, they descended into the cellar. I quivered not in a muscle. My heart beat calmly as that of one who slumbers in innocence. I walked the cellar from end to end. I folded my arms upon my bosom, and roamed easily to and fro. The police were thoroughly satisfied and prepared to depart. The glee at my heart was too strong to be restrained. I burned to say if but one word, by way of triumph, and to render doubly sure their assurance of my guiltlessness.</p>
<p>&#8220;Gentlemen,&#8221; I said at last, as the party ascended the steps, &#8220;I delight to have allayed your suspicions. I wish you all health, and a little more courtesy. By the bye, gentlemen, this—this is a very well constructed house.&#8221; (In the rabid desire to say something easily, I scarcely knew what I uttered at all.) &#8220;I may say an excellently well constructed house. These walls are solidly put together;&#8221; and here, through the mere frenzy of bravado, I rapped heavily, with a cane which I held in my hand, upon that very portion of the brick-work behind which stood the corpse of the wife of my bosom.</p>
<p>But may God shield and deliver me from the fangs of the Arch-Fiend! No sooner had the reverberation of my blows sunk into silence, than I was answered by a voice from within the tomb!—by a cry, at first muffled and broken, like the sobbing of a child, and then quickly swelling into one long, loud, and continuous scream, utterly anomalous and inhuman—a howl—a wailing shriek, half of horror and half of triumph, such as might have arisen only out of hell, conjointly from the throats of the dammed in their agony and of the demons that exult in the damnation.</p>
<p>Of my own thoughts it is folly to speak. Swooning, I staggered to the opposite wall. For one instant the party upon the stairs remained motionless, through extremity of terror and of awe. In the next, a dozen stout arms were toiling at the wall. It fell bodily. The corpse, already greatly decayed and clotted with gore, stood erect before the eyes of the spectators. Upon its head, with red extended mouth and solitary eye of fire, sat the hideous beast whose craft had seduced me into murder, and whose informing voice had consigned me to the hangman. I had walled the monster up within the tomb!<br />
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<p><a href="http://www.saturdayeveningpost.com/2011/09/02/archives/famous-contributers-edgar-allan-poe.html">Famous Contributers: Edgar Allan Poe</a>

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