Pride of country
Holidays were always a source of inspiration for Post illustrators, and no day could be more inspiring than the glorious Fourth of July. Here, a variety of Post illustrators give their tributes to the day, the country, and the American people.
Rockets, thunder, and explosions of light were a sign of rejoicing in 1953 America. While such a display would inspire terror in war-torn countries of this time, Post editors noted that for Americans, “the roaring fire in the sky is nothing to be afraid of; it is beautiful.”
John Falter, famous for his portrayals of small-town America, captures the atmosphere of the Fourth in Perkasie, Pennsylvania. To GIs still in the Pacific in 1945, the image of this humble celebration must have been a reminder of what they were fighting for.
J.C. Leyendecker has Uncle Sam somnolently posed over a lit firecracker. Was the artist suggesting that the Roaring ’20s would soon wake Sam up?
Light of Liberty
In an intriguing interplay between light and shadow, artist Katherine Wireman evokes the delight of a just-lit holiday lantern.
Stevan Dohanos tried to fit the entire Delaware Academy Central School Band on the bandshell in Delhi, New York. But the small stage wouldn’t permit it, so he dedicated this cover to the full third of the band members who had to sit this one out.
Leyendecker’s Fourth of July cover for 1934 presents an electric figure whose torch shines brightly even at the height of the Great Depression.
This article is featured in the July/August 2018 issue of The Saturday Evening Post. Subscribe to the magazine for more art, inspiring stories, fiction, humor, and features from our archives.
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