Classic Covers: Father’s Day, 1950s Style

Enter the prosperous 1950s, when Dad was king of his suburban castle. The nuclear family had followed the new interstate system right out of the city and settled into small communities of manicured lawns, picture windows, and Sunday barbecues. And Dad outside the city limits proved to be a perfect character for the situational comedies portrayed on Post covers. Join us in a fun look at ’50s dads (or should we say daddy-os?). They just may remind you of someone you love.

Pop vs. Pup

Sending out smoke signals has made this dad popular with more than just his family. Artist Ben Prins got the idea for the cover while outside feeding his children’s three cats. Post editors wrote that dogs would “drop around to pass the time of day” during chow time at the Prins residence.

Bad Dad

“This is my favorite Post cover for Father’s Day,” emailed reader Bob McGowan of California. “It’s best known as Sunday Morning, but I’ve nicknamed it ‘Bad Dad,’ as he knows he should be dressed in his Sunday best, also headed out the door to church with Mom and the youngsters.” [See how to get your favorite covers featured below.]

Rockwell’s obsession with detail shows in this 1959 cover. He went to several furniture stores until he found just the right chair for this “bad dad” to slink in. And, if you click on the image for a close-up view, you’ll see a more mischievous detail: The artist arranged “horns” into the sinner’s disheveled hair.

Father Figure

Is there no sacrifice too great for Dad? The problem with proving that the medicine is not so repulsive is that Pop is a lousy actor. Even without the giveaway expression, editors noted, “Junior wouldn’t have fallen for the treachery. Every youngster learns at the dinner table to mistrust what his parents say tastes fine until he finds out for himself.” Artist George Hughes, who did 115 Post covers, knew all about parental scams: He had five daughters.

Gone Daddy Gone

“It is heartwarming,” wrote Post editors of this Hughes cover, “to see how this boy trusts his father to halt that vehicle before both teacher and pupil land on their ears. It is heart-chilling to see how the father doesn’t.”

Father Knows Best?

“Old folks are so fussy about noises at night,” wrote Post editors of this 1955 cover. “They hear a burglar, and they grope downstairs, and there is none, or they hear a pillow fight, and grope upstairs, and there is none. If [artist] Thornton Utz’s father doesn’t stop fussing around, he’ll wake those boys up.” Right. This dad isn’t buying it; the readers aren’t buying it; and, admit it, neither did your dad.

Do you have a favorite Post cover? Tell us about it and we’ll feature it with your comments in an upcoming cover art piece! If you don’t know the date or artist, just give us a brief description. Send to [email protected].

See our collection of cover art here.

Classic Covers: Yard Work

From mowing and tree planting to a neighborhood nonconformist, 1950s-style, these timeless covers are just in time to inspire you to tackle that yard.

Woman in Wheelbarrow
Ellen Pyle
June 20, 1931

Ellen Pyle (1876-1936) was known for her beautiful use of color. In 1927, she received a note from fellow cover artist Norman Rockwell about how much he liked her Post covers. “They are dandy. So full of color and so broadly painted. Believe me I envy you the latter quality particularly,” he wrote, according to Delaware Art Museum’s Illustrating Her World: Ellen B. T. Pyle.

As in many of her 40 covers for the Post, the model is one of Pyle’s children. In this case, teenage daughter Caroline is taking a wheelbarrow break from gardening duties.

Baseball Player Mowing the Lawn
Stevan Dohanos
July 20, 1946

“When summer rolled around,” wrote Post editors of this 1946 cover, “and the grass in Westport, Connecticut, began to grow as fast as a small boy’s hair, Stevan Dohanos recalled one of the duties of his youth and how mowing the lawn can ball up a man’s more important engagements.”

The frame house, however, was not in Connecticut, but back in artist Dohanos’ (1907-1994) hometown of Lorain, Ohio. Editors noted that he sketched it a couple years before it appeared on the cover. “Obviously it was a good stage, a good setting, but he never had decided just what story to tell against this background. Now he uses it to tell of a common summertime crisis—when the star pitcher has to work,” Post editors wrote.

Put the Tree There?
George Hughes
April 9, 1955

Illustrator George Hughes (1907-1990) was an avid outdoorsman, but we’re not sure how he felt about planting trees. He would probably feel the same as the poor guy from the local nursery on this 1955 cover, if he had to deal with an indecisive homeowner.

Hughes painted 115 Post covers, and was especially productive in the 1950s. Typical output for the more popular illustrators was around 40 to 50 covers during a decade. Hughes’ friend Norman Rockwell, for example, did 44 during this period. Hughes did 80 in this timeframe; mostly fun, slice-of-life scenes from midcentury suburban life.

View more in the George Hughes gallery.

Artist Thornton Utz (1914-2000) enjoyed gently bucking the trend and depicting the neighborhood nonconformist. Mr. Leisure in this 1957 cover uses his backyard purely for relaxation, not caring how high the grass gets.

Meanwhile, in nearby yards, neighbors are flummoxed by Mr. Leisure’s indifference—at least those who can spare a second from their suburban chores.

Spring Yard Work
Thornton Utz
May 18, 1957

Even the little girl in the middle yard wastes no time as she tends to her dog’s bath. Post editors mused that the cover might start a debate “about whether people should nourish their backyards or let their backyards nourish them.” We’ll let the reader decide.