Celebrate Women Artists: Ellen Pyle

Ellen Pyle’s covers for the Post portrayed images of everyday life and featured women she described as the “unaffected, natural American type.”


Weekly Newsletter

The best of The Saturday Evening Post in your inbox!


Ellen Pyle is proof that illustrating can be like riding a bicycle. A student at the Drexel Institute in Philadelphia, one of the top art schools in the country, she studied with famed illustrator Howard Pyle. There she also met her teacher’s brother, Walter Pyle, who would later become her husband.

Showing promise even as a first-year student in 1895, Pyle published her first of many illustrations. She went on to find success illustrating children’s books and magazine articles, but in 1905 chose to give up her career to focus on motherhood. Reflecting on this in a 1928 Post interview, she said, “Probably people vary a great deal, but I found that when there was a young baby in the family … it was not practical for me to spend all day in the studio. One or the other had to take second place.”

But when her husband Walter died in 1919, Pyle needed to support her four children and so turned back to art. The Saturday Evening Post was the first magazine to accept her work, and by the end of her career, she had illustrated a total of 40 Post covers. Her children and neighbors often modeled for her paintings that portray traditional American life.

“The girl I am most interested in painting is the unaffected natural American type,” Pyle said in her 1928 interview with the Post, “the girl that likes to coast and skate in winter, who often goes without her hat, and who gets a thrill out of tramping over country roads in the fall.” This girl definitely fits the bill.

Girl Hockey Player
Ellen Pyle

January 22, 1927


This cover is a great example of Pyle’s use of brilliant color and loose, broad brushstroke-style.

Circus Parade Ellen Pyle August 25, 1928
Circus Parade
Ellen Pyle
August 25, 1928


Art certainly ran in the Pyle family. Ellen Pyle’s daughter Katie modeled for this cover, and her two oldest children, Walter Jr. and Ellen, became artists themselves, and her youngest, Caroline, married into the Wyeth family of artists.

Pugs in Lap
Ellen Pyle
November 9, 1929


The grays surrounding this pair shadow the scene but the bright colors of the fruits and vegetables in the basket offer promise of a warm home-cooked meal.

Waiting for the Bus
Ellen Pyle
December 14, 1930


The most interesting thing about this cover isn’t the woman driving a convertible in the snow, but the child who’s glancing back at us wondering the exact same thing.

Asking Directions
Ellen Pyle
January 9, 1932


Reprinted on the Post in 2007, this cover prompted reader Sara Chatzidakis to write us with some background on the image. It turned out the little Post girls were Chatzidakis’ mother and aunt, who modeled the scene for their neighbor, Ellen Pyle.

Flower Children
Ellen Pyle
May 5, 1934


One of Pyle’s covers of everyday life, it’s the details that make this piece stand out. You can see the disappointment on the man’s face as he looks back at the tire after reading the sign “5 Miles to Mac’s Garage.” Looking at those diagonal lines going across the page, this will be one wet trip.

Flat Tire, Flat Evening
Ellen Pyle
November 24, 1934


Pyle tried to hide her signature in her paintings, making them the same color as the work itself so they blended into the background. Her signature here appears in the right-hand corner and matches the grass.

Children and Hornets Nest
Ellen Pyle
March 16, 1935

Become a Saturday Evening Post member and enjoy unlimited access. Subscribe now


Your email address will not be published. Required fields are marked *