Always a stickler for authenticity, Rockwell asked an engaged couple to pose for The Marriage License. He also asked a former town clerk, Jason C. Braman, to pose as the city official. Rockwell knew the old man was still mourning his wife, who’d died just a few months earlier, and thought sitting for the painting might lift Braman’s spirits. Rockwell’s plan worked. When the issue was published and neighbors asked if he was the man on the Post cover, Braman delightedly offered to autograph their copy.
This cover displays Rockwell’s genius for capturing the drama in everyday scenes. He contrasts the dark municipal office and its shelves of dusty books with the woman’s sunny dress and the promise of bright sunlight coming in the open window.
And he used the solitary old clerk to emphasize the hopefulness of the young couple. The effect was so ideal that Rockwell once pointed to the handsome bridegroom and said, “That is what I would have liked to look like if I had had the opportunity.”
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