Rockwell Finally Appears as Himself in Triple Self-Portrait

Rockwell's Triple Self-Portrait appeared in the February 13, 1960 Post issue with whimsy and subtext galore.

Norman Rockwell painting his self-portrait

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Rockwell’s Triple Self-Portrait appeared on the February 13, 1960, issue that featured the first installment of his autobiography

In 1960, Norman Rockwell produced one of the most famous self-portraits in American art. A naturally modest man, he clearly had some reservations about making himself the subject of a cover. He’d put himself on covers before, but usually only as a cameo, never the central figure.

In describing this work, Rockwell explained why his glasses look opaque. “I had to show that my glasses were fogged, and that I couldn’t actually see what I looked like — a homely, lanky fellow — and therefore, I could stretch the truth just a bit and paint myself looking more suave and debonair than I actually am.”

As visual reinforcement of his intentions, at the top of the easel, Rockwell has included a reminder to himself not to be taken in by appearances. He bought this helmet in a Paris antique shop, thinking it was the headdress of an ancient Greek or Roman soldier. Carrying it back to his hotel, he stopped to watch a firefighter working to save a burning building and realized that all French firemen wore helmets identical to the one he’d just purchased.

For all Rockwell’s self-deprecation, the painting is regarded by many as a thoughtful portrait of the artist’s three selves: the painter, the observer, and the public person.


This article is featured in the November/December 2017 issue of The Saturday Evening Post. Subscribe to the magazine for more art, inspiring stories, fiction, humor, and features from our archives.

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  1. I was given the ornament in the early 70s and told it was very collectible in America
    I am now nearly eight so I thought it was time to pass on for someone else to enjoy.
    Does it have any monetary value.
    Thank you
    Jena Castleton

  2. To Whom It May Concern:

    My name is Hong-Nguyen (Gwen) Nguyen, a doctoral researcher at the University of Victoria, BC, Canada. I’m wondering if I can obtain permission to use and cite the painting in this article in my research dissertation.

    Thank you very much.


    Gwen Nguyen


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