Born in Howard, Pennsylvania, in 1896, Frances Tipton Hunter’s (1896-1957) early years began in quiet, rural America. At the age of six, she suffered the tragedy of losing a parent, her mother. At this young age, she moved to Williamsport, Pennsylvania, to live with her aunt and uncle. Hunter longed to remember the happiness of her earliest childhood memories, and this remained a constant theme throughout her life’s work.

Hunter began developing her abilities at Williamsport High School. After graduating in 1914, she moved to Philadelphia to further her career in art and illustration. She attended many art schools and institutions, including the Philadelphia Museum of Industrial Discipline, The Pennsylvania Academy of Fine Arts, and the Fleisher Art Memorial, and graduated from each institution with honors. At the end of her studies in Philadelphia, she received an art scholarship that allowed her to move to New York City. There she began her career illustrating fashion for department-store children’s clothing lines.

Hunter quickly rose to fame and recognition in the art world, becoming one of the most prominent female illustrators of the 20th century. Her early work captured depictions of children and pets, popular subjects of the 1920s and ’30s. Prior to her first commission for The Saturday Evening Post, Hunter’s work lined the covers and pages of magazines and periodicals such as Women’s Home Companion, Collier’s, Liberty, Good Housekeeping, and Ladies’ Home Journal.

A wide variety of her work was published as advertisements, puzzles, paper dolls, and calendar art. Her paper dolls, featured in Frances Tipton Hunter’s Paper Dolls and The Frances Tipton Hunter Picture Book, grew into a popular series later taken up by the Whitman Publishing Company of Racine, Wisconsin.

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Frances Tipton Hunter was one of the most nationally recognized artists in Post history, depicting childhood in a style similar to Norman Rockwell. Most kids grow about 2 inches each year, so this mother likely has a lot of work ahead of her.

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