For more about Gay Haubner’s life in the North Country, read the other chapters in her serialized memoir.
I was tucked up in my old boyfriend Steve’s apartment, drifting along in a haze of pot smoke as the summer slipped by. I roused myself to waitress a few shifts each week at Pracna while Steve’s drug business took off. My roll of ones in the shoebox under the bed grew modestly; when I peeked into Steve’s Folgers can resting on the TV, it was filled to the brim with his unlawful earnings. He had new customers arriving daily and became even more loathe to leave the apartment.
I was reduced to enjoying the great outdoors on Steve’s tiny balcony, no one around except the Land O’Lakes maiden on her billboard. I’d remember another patio, the one in Acapulco, with the blue Pacific to the horizon and the cloudless sky above, broken occasionally by a terrified parasailer. I wondered if I’d ever go back.
The robbers came during one of those twilight Minnesota evenings when the sky is streaks of pink and orange, and the sun hangs out on the horizon as if reluctant to leave the party.
Steve and I were in bed, stoned on very good Thai stick, trying to decide if we should get something to eat or just have another beer. There was a sharp rap at the living room door; the ground floor entrance to the duplex didn’t lock, but opened up to the downstairs neighbors and the stairs to our second floor apartment. Steve got up and pulled on his jeans; we both assumed it was a customer. “Coming?” Steve asked me and I shook my head no. I wrapped the sheet around myself and went to close the bedroom door behind him, when I saw the front door slam open, knocking Steve over as he undid the chain. Two men with guns pushed their way in and stood over Steve.
The guns were huge. As they swung around the living room, the gaping muzzles became the black holes I had learned about in astronomy, an emptiness that could make everything disappear. From the way the guns looked, I realized I was in a badly altered state: my pot buzz was shot through with a sickening bolt of adrenaline that left me rooted to the floor, one eye peering out of the half-inch of cracked door, all my senses reeling. The scene in the living room looked wavy and distorted, as if caught in the fun house mirror at Excelsior Amusement Park.
I knew that behind the two cannon-sized guns were men, but they were indistinct, insignificant forms; the guns were in charge, dragging the men around the room. My stoned brain, weaned on Warner Bros., dredged up a cartoon memory of Yosemite Sam holding a big six-shooter that popped and unfurled a tiny flag with BANG! scrawled in comic sans. I mentally pushed that image aside, it was not helping. But there was nothing I could do to help Steve, who was cowering by the front door, skinny and shirtless and the color of cigarette ash.
There was yelling; I couldn’t make out what the men were saying. It was if their voices came from far away, like someone shouting down a well. Then I clearly heard “Your stash, asshole! Where’s your stash?”
Steve sat up and made a croaking sound and the guns swung towards him. He was pointing at the glass-top table in front of the couch, the table where Steve’s wares were always on display. “Bullshit!” yelled one of the guns, and swung upward to crack Steve’s forehead. Why wasn’t he bleeding? Steve slowly raised his hand to his head and not till then did red seep through his fingers. He crumpled to the floor while the other gun swept the table drugs into what looked like but surely could not be a Marimekko orange and yellow flowered pillowcase.
My mind finally snapped to attention and my thoughts raced forward. I closed the door softly, but I couldn’t shut out the voices of the men yelling at Steve for drugs and money. The drugs were in the freezer and the money was…in the bedroom with me, in the coffee can perched on top of the TV. The guns knew where there were drugs there was money, and Steve, for all his rugged outdoorsman skills and feigned urban swagger, was about to send them into his bedroom, where I crouched naked behind the door.
I dropped the sheet and dashed out to the patio, which was littered with beer bottles and cigarette butts. I threw one leg and then the other over the balcony rail and dangled over the side, the metal edge cutting into my fingers, my feet scrabbling in the air. It was a pretty big drop from the second floor and I was nude, but the surface twelve feet below me was grass, the scraggly untended lawn that surrounded the duplex. I looked over my right shoulder at the Land o’ Lakes Indian maid, who looked back, as inscrutable as the Mona Lisa, and I let myself drop
I hit hard then clambered to my feet. I ran around to the front entrance and banged on the door of the downstairs neighbors. The young couple who lived there cracked the door, took one look, and hustled me into their front hall where they threw a coat over me. I was scraped up, splotched with grass and dirt, naked and crying and hyperventilating, but they heard me sob “Men and guns and Steve is up there” and the husband picked up the phone to call the police.
Footsteps crashed down the stairs and we all froze. A car started up and sped away. I ran upstairs and found Steve black-eyed and bloodied on the floor. I told him the police were on the way and he began screaming at me then threw himself down the stairs shouting, “Don’t call the police! Don’t call the police!”
The downstairs people were newlywed high school sweethearts from a town down by the Iowa border. He was a serious but dopey-looking med student, she young and pretty with some kind of daytime job that required blouses and skirts and panty hose. We had passed a few words going in and out, introducing ourselves and exchanging pleasantries on the summer weather.
They were always quiet and polite and never mentioned the suspicious characters showing up at Steve’s apartment at all hours or the constant pot smoke in the stairway, nice Minnesotans who minded their own business and didn’t complain, even when their bloodied, roughed-up neighbor was cursing and yelling and his girlfriend was cowering naked underneath the husband’s raincoat.
Somehow Steve and I convinced them not to call the police. Maybe they had had enough excitement for one August night already.
In my version of the break-in, I cast myself as both the damsel in distress and the plucky heroine. In Steve’s version I was the idiot who had almost cost him his Outward Bound scholarship by getting the police involved. I expected Steve to comfort and console me — that could have been me with the black eye! — and then admire my courageous getaway. But Steve was pissed at being robbed and as pissed at me as if it were all my fault. I slammed the bedroom door, kicked the empty Folgers coffee can, and quietly bent down to look under the bed. My shoebox of dollar bills was safely where I had hidden it.
Along with Steve’s stash, the robbers stole away our rekindled romance. Steve was done as a dealer; I guess there was no lesson plan on “Re-Building Your Business After Your Money and Your Drugs Have Been Jacked.” Steve descended into drinking and meanness. He stopped driving me to work, and I started sleeping on the sofa and tried to plan an escape.
Steve and I were slumped together in mutual dislike one night, watching TV, when the phone rang. Steve sighed, braced to disappoint another customer, then handed me the phone. When I hung up, I took a malicious delight in telling Steve, “That was a rich guy I met in Acapulco. He’s flying me down to Chicago for the weekend.” My ticket was paid for, all I had to do was pack my cutest clothes and call a cab to take me to the airport, away from sulking, penniless Steve.
James was waiting at the gate as I stepped off the plane; he swooped me up in an R-rated kiss that scandalized the passengers trying to get around us, then took me out to his gigantic brand new blue and white Cadillac El Dorado that he had just driven off the car lot, priced a few bucks above cost and paid for in cash. I snuggled down into the sweet-smelling, glove-soft white leather seat, but I missed the rented red jeep. This was the biggest damn car I had ever seen; the Cadillac medallion proudly mounted on the hood looked to be about three blocks away. It was like riding around in an ocean liner.
It was a quick drive from O’Hare to James’s place in Des Plaines, a low-rise red brick building that looked an awfully lot like an old U of M dorm. James knew that living in the pokey, middle class suburb of Des Plaines did not go with his man of the world image. He made a point of telling me that the only reason he was there because it was close to the Cadillac dealership where he used to work, but now he was planning to move to downtown Chicago, where the action was.
After the celebratory reunion sex, James asked, “Are you hungry? Do you like deli?” Once I got over the astonishment of James bringing up the subject of food, I said, “I don’t know. What’s a deli?” This delighted James, who couldn’t wait to introduce me to the world of salty, cured meats. We drove to a small bright restaurant filled with older couples eating at formica tables. I was not impressed and I couldn’t identify a thing on the menu outside of the turkey sandwich. James gave his Mephistophelian chuckle and ordered for both of us. That day I became a convert: I slurped tangy beet red borscht, thick with chunks of beef, followed by a plate of salami and eggs with a toasted bagel that I sullied with strawberry jam.
As I washed everything down with my first Cel-Ray tickling my nose like champagne, I spotted Mr. Des Plaines, my old admirer from the Acapulco condo, sitting at a table of alte kakers smoking stogies. He didn’t seem to recognize me with my clothes on. I went back to shoveling it in, emptying the breadbasket of rye slices and Kaiser rolls, and plucking the last cherry pepper from the pickle tray. Knowing James and his eating habits, this might be my only meal for the next twenty-four hours.
James had a whole seductive weekend plan. He had bought a baggie of pot for me, and for himself some coke and Quaaludes, which made for a fun afternoon. James also had dinner reservations for us, which was a shock. In the weeks we had been together in Acapulco, we never had meals that were less than twelve hours apart.
The restaurant, Des Plaines’s finest, wasn’t jet set Acapulco, but anyone from Duluth, Minnesota would have thought it the height of elegance: there were huge brocade covered slabs of menus bound with gilded, tasseled twine (no prices on my menu of course), a fountain with a replica of Brussels’ Manneken Pis tinkling away in the center of the room, and red and white flocked wallpaper which I had not yet realized was more floozy than fancy. The evening wasn’t quite spoiled when the maitre d’ mistook us for father and daughter; we were in Des Plaines, Middle America, after all.
James said, “I want to recreate our first night,” and I felt a little romantic flutter. Once again the steak Diane was set on fire and the Mouton Cadet uncorked. A weird difference crept into our conversation; it turned serious, like a conversation two grown-ups might have.
“I never got to go to college,” James said, leaving unspoken his belief as a self-taught man, he had the best teacher possible. “Tell me about what classes you enjoy the most, how you picked your major.”
My inner nerd stirred from the grave I had buried her in and I launched into why I believed the accepted date for when wandering Asiatic hunters first crossed the Bering Strait to settle the Americas was much too recent, and why a crossing in 10,000 BC was more likely, a topic no one but me and my old girl crush Professor Pearson gave two shits about. James’ eyes glazed over but he managed to look interested for a generous three minutes before launching into his own crackpot ideas on the biological imperative that made men want to screw and women want to breed and how it affected stock prices, that old chestnut about the market rising and falling with skirt lengths. He boasted that his insights into the intersection of sex and economics made him a genius at picking stocks.
I knew that James didn’t go to college because he had been too busy running away from the girl he had impregnated (talk about your biological imperative!). He prided himself on being a self-made man and he had done a hell of a job, making a bundle selling Cadillacs, which he invested in the market, where that money had made even more money.
The wine was finished, James made a trip to the men’s with his vial of coke, came back bright-eyed to order coffee and cognac, and manically jumped into politics and the dastardly deeds of Richard Nixon. We talked and talked, James listening semi-respectfully to my opinions and lecturing me on subjects he thought he was an expert in, until the dirty looks from the busboys became impossible to ignore.
The evening had been romantic, exciting, and unsettling — who was this guy? — and I was ridiculously flattered that James actually wanted to talk to me. Most guys I had been with regarded the first sign of a serious conversation as a cue to stand up and go look for a beer. My tropical romance with James had been flighty, gossamer, a six-week one-night stand; our conversations had been about waterskiing, backgammon, whether James looked fat, the crowd at the Villa Vera, and the latest adventures of the French Canadian girls. I hadn’t had a semi-deep discussion like this since the drug-fueled all nighters in my freshman dorm. But that was with a bunch of still pimply, geeky 18-year-olds, huddled on the floor amid piles of dirty boy laundry. This was in a fancy restaurant with a handsome, sophisticated older man, a man who seemed to be as interested in my mind and my ideas as he was in my young blondness. It felt like a step into adulthood.
This three-paneled illustration from the October 24, 1953 cover of The Saturday Evening Post tells a humorous story about the reality of life in the home of an American nuclear family. In the 1950s era of perfectionist “Honey, I’m home!” television shows such as Leave it to Beaver and The Adventures of Ozzie and Harriet, this cover gently tweaks American sensibilities by presenting the messier side of family life.
It’s an amusing story, in which a family must react to the arrival of an unexpected guest by engaging in a frenzied cleanup. But behind the charm of the subject matter lies a great deal of skill and engineering. If, on the surface, we are looking at three simple scenes that progressively tell a story, the artist, Thornton Utz, skillfully uses compositional framing of the work to guide viewers’ eyes across the piece in a precise way.
Let’s start with his use of contrast. There’s the bright yellow living room at the center of the first frame. To the right of the living room, the front stoop is depicted in the fading light of dusk. On the left, the kitchen is pitch black with little light entering the window. The dark frames on either side of the living room serve to encapsulate the important family space as a kind of cocoon. Our eyes look at the overly lit middle column placed in a warm setting of early evening.
Because he’s in motion, the young man walking to the door gets our immediate attention. By the illustration’s second frame, the action shifts to the middle column as the family rushes to make their home presentable. In the third frame, calm has returned. But the sharp contrast of the now-lit kitchen draws the eye to the bottom left frame. In effect, the artist has moved the story forward from the top right frame across the middle, down to the bottom left of the picture.
Notice, too, how the horizontal white lines clip each frame of the illustration like a filmstrip. They keep the spatial settings separate, clarifying the progression of the story as if we were looking at an actual motion picture. But unlike a movie, the illustration is divided into three horizontal frames and three vertical columns. Each ninth of the illustration affords the viewer an opportunity to look in on individual aspects of a scene as it unfolds.
In the final panel, the rest of the family, having moved to the kitchen, has reverted to a state of relaxation in the now available third room. Just as the artist employed visual contrast to tell the story, he is describing a psychological contrast between our messy interior lives and the neat façade we present to the outside world. The viewer relates to the mess, the frenzy, and the successful maintenance of proper etiquette. This family has quickly and effectively made their reality live up to the ideals of the era—but it was a close call.