Celebrate Women Artists: Neysa McMein

In illustrating 60 covers for the Post, Neysa McMein didn’t show giggling children and families, but portraits of young women each with their own stylish identity.

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© SEPS

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Born in Illinois as Marjorie McMein, this cover artist left the Midwest, changed her name to Neysa, and turned herself into the quintessential New York woman. McMein was modern and independent; she fought for women’s right to vote and worked overseas during World War I creating posters for the U.S. and French government. Back in New York, she lived above Carnegie Hall where she held parties for her friends, many of whom were famous, including Irving Berlin, Charlie Chaplin, Dorothy Parker, and Richard Rodgers.

McMein was most famous for her portraits, and painted presidents Warren Harding and Herbert Hoover. Her portrait illustrations were drawn for magazines and advertising; McMein even drew the first Betty Crocker illustration for General Mills in 1936, launching the brand. Her work for magazine covers, including McCall’s, Collier’s, and 60 covers for The Saturday Evening Post, portrayed young women of the 1920s as we picture them today, stylish and full of life.
Known for her portraits, McMein stuck with what she knew for her Post covers.

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Woman in Black and Red
Neysa McMein
November 11, 1916

Before you think this is a portrait of Amelia Earhart, know that she didn’t get her pilot’s license until 1923. McMein’s young aviator captured the possibilities for women pilots, who only just began flying in 1910.

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Lady Aviator
Neysa McMein
August 11, 1917

While the model looks forlorn, her dress is amazing. The details McMein drew include sheer sleeves with rosettes on the end and a flowing skirt. You can almost see each individual layer of fabric.

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Girl in Red Dress
Neysa McMein
May 4, 1918

The U.S. ratified the 19th Amendment on August 18, 1920, giving women the right to vote. McMein, a long-standing suffragist, helped the Post be ahead of history when this cover published March 6, 1920.

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Lady Voting
Neysa McMein
March 6, 1920

This young woman perfectly captures the Bohemian look of artists in the 1920s.

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Woman in Embroidered Blouse
Neysa McMein
May 5, 1923

The pillbox hats this duo is sporting were brand new in the 1930s. Since then, celebrities Jacqueline Kennedy and Catherine Middleton have brought the look back in fashion time and again. In this particular style showdown, who wore it best?

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Matching Monkey Hats
Neysa McMein
March 26, 1938

No other McMein cover includes the bright purple and teal seen in this dress thanks to changes in printing. The Post began issuing four-color covers in 1926, giving artists more color options to use in their paintings.

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Evening Gown
Neysa McMein
May 21, 1938

One of McMein’s last covers for the Post features many aspects from her previous work. It is a woman’s portrait with a scene around her and detailed clothes. If you look closely, you’ll see the coat is made entirely of fur.

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Fall in the Park
Neysa McMein
December 3, 1938

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