Americans Should Not Fear the Media

Fearing exploitation, many refuse to talk to reporters, but it’s important for ordinary folks to participate in the news

A political cartoon from 1910 depicting newspaper magnate William Randolph Hearst tossing stacks of newspapers to a crowd of people,.
Fake news? The Yellow Press, an illustration by L.M. Glackens from 1910, depicts newspaper baron William Randolph Hearst as a jester tossing out newspapers crammed with scurrilous sensationalism to gain readers and boost sales. (Keppler & Schwarzmann/Library of Congress)

Weekly Newsletter

The best of The Saturday Evening Post in your inbox!


This past year was a landmark year for ordinary citizens in the news. Without the hurricane survivors, student protestors, mass shooting victims, and sexual abuse survivors who agreed to speak to reporters, our understanding of some of the most important issues of the day would be murky at best. By giving firsthand accounts of what happened on the ground — or on the casting couch — before reporters arrived at the scene, citizen sources perform an important public service. But behind every citizen we see in the news is another story — about their interaction with journalists and the repercussions of their decision to go public — that audiences rarely know much about.

Occasional glimpses behind the scenes are telling — and troubling. A hurricane survivor bawls out a journalist in a video that goes viral. Student gun-control advocates later face cyberharassment and conspiracy theories.

I’ve spent the last 10 years interviewing ordinary people about what it feels like to become the focus of news attention. I spoke to victims, heroes, witnesses, criminals, voters, experts, and more. All were private citizens. Their stories raise important questions for journalists and audiences, and for anyone considering speaking to a reporter. They also hold important clues about media trust at a moment when online disinformation is a major concern, and public confidence in mainstream news has reached an alarming low.

Journalists control how people’s stories are told to the public: what is included, how it is framed, and who is cast as the hero or the bad guy.

Understanding how non-journalists see the news media is an essential step in rebuilding public trust. One of the most striking lessons I learned from speaking to citizen news sources is how differently they tend to see journalists from how journalists tend to see themselves. My interviewees mostly thought of journalists not primarily as citizens’ defenders against powerful people and institutions, but as powerful people and institutions in their own right.

Journalists seem powerful to ordinary citizens for several interrelated reasons. The first is that journalists have a much larger audience than most people can reach through their social networks. Journalists can be gatekeepers to publicity and fame. But, most importantly, they control how people’s stories are told to the public: what is included, how it is framed, and who is cast as the hero or the bad guy.

Those decisions can have favorable or destructive consequences for the people they are reporting about — consequences that are magnified online. And yet, journalists seem to dole out those benefits or damages pretty cavalierly.

To many non-journalists, the news media’s relationship to the public seems fundamentally unequal, and potentially exploitative. Ordinary people who make the news experience that inequality firsthand. Even when journalists are compassionate, friendly, and professional, the structure of the encounter usually feels lopsided.

News subjects are usually more deeply invested and involved in newsworthy events than journalists. That’s why journalists seek them out. Subjects were there when the shots rang out or were on intimate terms with the deceased. They feel these are their stories.

And yet, journalists swoop in to gather what they need in a process that feels both invasive and mysterious. Often, people decide to speak to reporters because they see it as an opportunity to address the public about an important issue, or enjoy the benefits of publicity. But the price of inclusion in the news product is control over how their story is told. Journalists quickly move on to the next story. Subjects stay on the ground to clean up the rubble and bury the dead — and manage the impact of the news coverage on their lives.

At a time when everything is googleable, that impact is exacerbated by online publication in two main ways. The first is that mainstream news articles perform very well in online searches. Old articles, once relegated to basement archives, now pop right up when you search for someone’s name and stay there possibly forever. Speaking to the press about sexual harassment, for example, was always risky. Today it brings with it the prospect that anyone googling you in the future — employers, landlords, students, dates — will know about that episode in your life.

Cyberabuse is the other big problem. Studies find online harassment is increasingly common. The controversial issues and breaking news events that thrust ordinary citizens into the media spotlight tend to trigger strong sentiment. That has long been true, but, before the internet, it took more effort to contact people named in news stories. Today we consume news on the same devices we can use to contact those people. Many of my interviewees reported receiving social ­media messages from strangers — some supportive, some abusive — as well as seeing themselves become fodder for online commentary. Not all news stories trigger digital blowback, but I have found that controversial stories almost always do.

Despite the unforeseen consequences of their news appearances, most of my interviewees liked the reporters who wrote about them and felt they had benefited from the experience overall. But in most cases, that one positive experience appeared to do little to shake their negative attitudes toward the news media as a whole.

For example, a woman I’ll call Ruby, who had survived a gang shooting in Harlem, described the reporter who had interviewed her as “gutsy, friendly, honest.” But she thought he was the exception to the rule.

That reporters don’t always take unethical advantage of their position was a welcome discovery to some interviewees, but it was not nearly as salient as the feeling that they always could.

Caty (another pseudonym) summed up the sentiment well. A New York City restaurant owner, she believed her business, threatened with closure, had been saved by a sympathetic news article. On the surface, hers was a classic story of a journalist defending a citizen against an oppressive bureaucracy. Caty was grateful to the newspaper and the reporter. But our interview ended like this:

Q: Is there anything else you think I should know?

Caty: My biggest thing is, the press has so much power. They should know the power they hold, and they should be ethical. The doctor is there to take care of a patient, over anything else. The press is there to tell the truth. And that’s been lost.

To many of the people I have interviewed, like Caty, the news media was a powerful entity that hulked over the citizenry. It was supposed to look out for citizens but often took advantage of them instead.

In short, it was a bully.

That helps explain why, shocking as it may seem, people may find it cathartic to see a news subject lash out at a reporter, whether it’s a hurricane survivor, a congressional candidate … or even the president of the United States.

The idea that many citizens feel like David to the news media’s Goliath may be hard for journalists to stomach or believe. It is the exact opposite of how journalists normally think of themselves. In their view, the news media works and fights on behalf of the people. Journalists are David, facing down the powers that be in the name of the citizens.

And yet, if news institutions want to regain long-waning public trust, they need to address the widespread perception that the news media is more interested in serving itself than the public. They would do well to highlight not just their accuracy, but their care, empathy, and ability to listen to the little guy.

This article is featured in the January/February 2019 issue of The Saturday Evening Post. Subscribe to the magazine for more art, inspiring stories, fiction, humor, and features from our archives.

Become a Saturday Evening Post member and enjoy unlimited access. Subscribe now


  1. Dear SEP Editors,

    “The Saturday Evening Post
    Celebrating America: Past, Present, and Future”

    This is the purported tagline of the SEP. But is it the reality?

    While the content of the journalistic and nonfiction articles inside the SEP do a commendable job of balancing between 20th century nostalgia pieces and 21st century contemporary topics, regrettably, I’ve found that the same cannot be said of the SEP cover art (and to a lesser extent, the fiction) of each bi-monthly issue.

    Throughout the past year, over half of the magazine’s cover art (including 2019’s Jan/Feb and March/April issue) has featured nature images of either an animal or a scenic landscape. Don’t get me wrong. I like animals, I like nature. But am I subscribing to The Saturday Evening Post or National Geographic? I bring this up solely because it seems to me that you’re missing the opportunity to feature on your covers what both your slogan and actual magazine content proudly espouses: “Celebrating America.” Specifically, actual Americans – young, old; black, white; male, female; gay, straight; democrat, republican; east coast, west coast and everywhere in between. So where are they, these Americans of America? Certainly not on your covers.

    On the flip side, the other half of your recent covers have indeed showcased American images, yes—but from over half a century ago. A mother sewing with her daughter; a 4th of July celebration; a happy Christmas time sleigh ride. Wonderful images—of the past. But again, where are the images of 21st century America and its citizens of, as you say, “Present, and Future?” Surely instances of heartfelt family and community can be found in our modern times and not just in Rockwell’s day?

    Likewise, the fiction selections of almost each print issue (to a lesser degree) give way to similar concerns. A good half of your short stories either deal with, take place in, or were written by authors living in the 20th century. Again, I take no umbrage with reading stories about the past, but must they be so prevalent in nearly every issue? Certainly good stories, good characters, good writers exist today in 2019 and not only in the Americana days of yore. (Or in the singular annual Great American Writing Contest issue.}

    And before you direct me to your online weekly Friday Fiction web page, need I remind you that I am a dedicated subscriber of the SEP printed issues, which I joyfully receive in my mailbox every two months and much prefer over any digital issue. I am very much glad to see that you publish new, up-and-coming, modern day writers online, but would it kill you to actually feature them more consistently in each print issue and not hide them away online behind some page tab? Why not, at the very least, publish a contemporary fiction piece AND a classic fiction piece in every issue? I love reading both.

    Anyway, just wanted to get that off my chest and hopefully into the forefront of your consideration. Like I said, I love me some classic Americana. That’s part of the reason why I love being a subscriber to The Saturday Evening Post. But if you insist on only selling the stories and pictures of an America long ago in the cover art (and fiction) of your print issues, then please don’t profess to be a magazine that “Celebrates America: Past, ‘Present, and Future’.”

  2. Very helpful feature, Ms. Palmer. None of us know if or when we could encounter the media like so many have per this article. Now we have a better idea of what to expect, and what to watch out for in such situations.


Your email address will not be published. Required fields are marked *