These cartoons (numbers 6 & 7 down) show how some horses can misinterpret a comment or observation and things get out of control. So we learn our lessons in that department, get back on top holding the reigns, and enjoy a controlled, no drama ride. I’m looking forward to some quality horse and trail riding time hopefully next month.
I always love the art in the Post.
These 8 horseback riding cartoons from the ’56-’59 section of the decade are mainly degrading to women which wouldn’t fly today. Only one had a man as the butt of the joke. My favorite is #5 by Brad Anderson where the exhausted horse has had enough, and the expressions say it all.
It’s interesting to see how the cartoonists drew the horses, and their different interpretations. I’d have to say #7 by Roy Fox looks the most realistic.
Hello to the past of the S.E.Post. In the nineteen fifties, we would have dinner at Uncle George and Aunt Louise’s home every Sunday. Back then they did not believe in television, so my choices for entertainment were limited, the Lionel train set or Gilbert Erector set kept in the attic or reading the magazines by Uncle’s chair. The attic being unfinished, got either too hot or too cold to be in some days, so the magazine rack was the final diversion. The Saturday Evening Post was always there then, with it news, cartoons and stories. When I finished with the first two, I would focus on the stories: I was never much of a reader but soon found some interest in the story content. I also would time myself on the short stories and found I could read them in about 15 to 20 minutes. And then there were the serial stories that ran for several issues. I let my mind wonder in the wonderment of those stories and let them take me to places and situations my normal life’s surround was not accustom, just like TV does today. In the sixties, it became Vietnam, college and family. Uncle George and Aunt Louise acquiesced to getting a TV, my visits for Sunday dinner became less friquent, and the Saturday Evening Post seemed to fade for Uncle’s magazine rack. Uncle passed away in the early nineteen seventies, with only wholesome memories to carry forward. I always wondered what became of the Lionel Train set and Erector set in the attic.
I just love theese and look forward to seeing them every month.
Comments
These cartoons (numbers 6 & 7 down) show how some horses can misinterpret a comment or observation and things get out of control. So we learn our lessons in that department, get back on top holding the reigns, and enjoy a controlled, no drama ride. I’m looking forward to some quality horse and trail riding time hopefully next month.
I always love the art in the Post.
These 8 horseback riding cartoons from the ’56-’59 section of the decade are mainly degrading to women which wouldn’t fly today. Only one had a man as the butt of the joke. My favorite is #5 by Brad Anderson where the exhausted horse has had enough, and the expressions say it all.
It’s interesting to see how the cartoonists drew the horses, and their different interpretations. I’d have to say #7 by Roy Fox looks the most realistic.
Hello to the past of the S.E.Post. In the nineteen fifties, we would have dinner at Uncle George and Aunt Louise’s home every Sunday. Back then they did not believe in television, so my choices for entertainment were limited, the Lionel train set or Gilbert Erector set kept in the attic or reading the magazines by Uncle’s chair. The attic being unfinished, got either too hot or too cold to be in some days, so the magazine rack was the final diversion. The Saturday Evening Post was always there then, with it news, cartoons and stories. When I finished with the first two, I would focus on the stories: I was never much of a reader but soon found some interest in the story content. I also would time myself on the short stories and found I could read them in about 15 to 20 minutes. And then there were the serial stories that ran for several issues. I let my mind wonder in the wonderment of those stories and let them take me to places and situations my normal life’s surround was not accustom, just like TV does today. In the sixties, it became Vietnam, college and family. Uncle George and Aunt Louise acquiesced to getting a TV, my visits for Sunday dinner became less friquent, and the Saturday Evening Post seemed to fade for Uncle’s magazine rack. Uncle passed away in the early nineteen seventies, with only wholesome memories to carry forward. I always wondered what became of the Lionel Train set and Erector set in the attic.
I just love theese and look forward to seeing them every month.