I Ain’t ’Fraid of No Toast: Carol Leifer on How to Write a Funny Speech

For some people, public speaking is a greater stressor than the fear of death. But don’t worry; Carol Leifer can help.

Comedian Carol Leifer and her book, How to Write a Funny Speech, which she co-authored with Rick Mitchell (Photo by Harry Langdon)

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Maybe you have this nightmare: Unaccustomed to public speaking, you are tapped to give a toast at the celebration of a friend or family member. You have known the person of the hour for years. You love this person. You have stories. You have jokes. But the moment comes to take the microphone, and instead of being charming and funny like Hugh Grant in Four Weddings and a Funeral, you bomb spectacularly, like James Franco at the 2011 Academy Awards.

You are not alone in your glossophobia. According to some surveys, public speaking is a greater stressor than the fear of death.

Carol Leifer feels your pain. Though an accomplished standup comedian and Emmy-winning comedy writer (her estimable credits include Seinfeld and Modern Family), she gets it that standing up in front of even the friendliest of audiences can be nerve-wracking. And she has witnessed enough cringeworthy toasts to pinpoint where the speaker has gone horribly wrong.

In what she jokingly calls “a public service,” Leifer, with comedy writer Rick Mitchell, (The Ellen DeGeneres Show), has written a user-friendly book, How to Write a Funny Speech…for a Wedding, Bar Mitzvah, Graduation & and Every Other Event You Didn’t Want to Go To in the First Place. It contains accessible advice on how to prepare for your five minutes in the spotlight, what to put in, and what to leave out. The authors even share jokes that readers are given permission to steal.

But that right there is a common mistake, Leifer said in a phone interview. Many approach their toast as if it were a set at the Improv; who doesn’t want to make an audience laugh, even at a memorial? (More on that later.) Trying to be the next, well, Carol Leifer, is added pressure that can adversely impact the event at hand.

“Instead of focusing on jokes,” she advises, “share actual stories from your relationship to the person. If you have been chosen to speak at someone’s event, you’re obviously close to them. We emphasize in the book that personal stories are great, because they are testament to what makes your relationship unique. And they usually turn out to be funny in some way. At my wedding, my best friend told a true story about how we met in fifth grade. She always saw me at lunch buying ice cream to eat before my sandwich. That was a funny childhood memory about the genesis of our lifelong friendship. Mining that material is a good bet.”

In comedy, timing is everything. In giving a toast, time is everything. Leifer emphasizes that five minutes is the ideal length of a toast. “Some people just go on and on,” she says. “They forget that less is more, especially now when people’s attention spans are getting less and less.”

Public speaking is not an issue with Leifer. She’s a comedian, after all, and used to working in front of all kinds of audiences. “A friend of mine has a saying,” she says. “People’s greatest fear is speaking in front of large groups of people; most comedians greatest fear is not speaking in front of large groups of people. Stand-up comedy is like giving a speech every night; we know a lot about what audiences respond to and what they don’t. I’m always excited to do it, even if I’m writing a speech for a memorial, which can be a tightrope. Memorials get somber very quickly, but attendees really do appreciate some humor. Funny stories about the deceased loosen up the room. It’s cathartic.”

But she understands why giving a speech or toast can be a nerve-wracking experience. “People aren’t used to being up there alone and being scrutinized,” she says. “Another reason is the advent of social media. Before, you gave a bad speech, end of story. Now, with iPhones, they can go viral and live on in perpetuity. People are nervous because of the threat of forever.”

It is said that funny cannot be taught, but How to Write a Funny Speech breaks down the speechwriting and toast-making process. “We definitely felt we could help,” Leifer says.

For example, two of the most common errors people make in giving a toast is the use of gratuitous profanity and “stories too inside or so disgusting that they cause Uncle Phil’s toupee to start spinning,” she says.

For those who tie themselves up in knots before giving a toast, take caution in how you steel yourself for the task at hand. “People drink to loosen up a little bit and settle their nerves, but you need to take care not to drink too much,” Leifer cautions. “That can make you loose and happy, but you may not know what you are saying.”

It may give you comfort to know that even Leifer gets a little nervous before she does standup. That’s a good thing. “If I’m not a little nervous, then I’m not in the zone,” she says. “You have to be excited and ready.”

Public-Speaking Tips & Tricks

Excerpted from How to Write a Funny Speech by Carol Leifer and Rick Mitchell, published by Chronicle Books, 2025

 Right off the bat, give yourself a break. You don’t give speeches for a living, and the audience is rooting for you! When we perform at comedy clubs, people expect us to be funny. Very funny. And rightfully so. The audience paid to laugh. But when a guest gets up to give a speech at an event, the bar is set to non-pro low. No one’s expecting you to be Jerry Seinfeld up there. Not everyone is hysterical, especially your dad. So tell him to stop making those horrible dad jokes.

A few days before the event, start practicing your speech. Try it out on a few people — ideally people who know whomever you’re toasting. But if they don’t, just try to practice it in front of folks you trust enough to give you honest feedback. And when you get tired of the honest feedback, try it out in front of your dog. Rex delights in everything you do.

“Can I read my speech?”

Of course. But remember, you’re not delivering “Still I Rise” by Maya Angelou. Make sure you go slowly, pick your head up to look at the audience here and there, and connect with them. You worked so hard to put this amazing speech together; for God’s sake, have fun with it!

If you can, instead of reading, it’s always better to have bullet points written on an index card. This keeps the flow of your speech more natural. But if the idea of a card still makes you tense, by all means, go ahead and read your speech.

“But I’m nervous!”

Of course you’re nervous! Do you know how many shows we’ve done over the years? And we still get nervous. It’s part of the process. But what will help immensely is finding out the details before the event. When will you be speaking? Are all the speakers talking one after another? Or will the speeches be separated? Where will you be standing? At your table? In the center of the room? Will you have a microphone? The more you can find out, the better you’ll be.

“What do I do if I forget part of my speech?”

Don’t be afraid to just be yourself. “I just blanked here, guys, brain fart, gimme a second.” People will appreciate your honesty and spontaneity.

“What do I do if nobody is laughing?”

Well, that question is 101 for any comedian, and Carol will share some advice she got from the great comic Richard Belzer when she asked that exact same thing when she was starting out: “You are the pilot of the audience. If you seem like the reaction to you is A-OK and everything is hunky-dory, they will too.” You have no idea how many shows we thought we were bombing until a parade of people came over afterward, saying, “You were great!

 

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Comments

  1. Love this article! I’ve actually used some of Carol’s tips without realizing it at the time, if that makes sense. By all logic I should have glossophobia, since I used to get panic attacks out of the blue (at the turn of the century) where I thought I was going to die; they were that frightening. Once they were under control (with the help of a little Xanax as needed), public speaking was a piece of cake.

    The best speech I ever gave was at my mother’s funeral in 2013. I knew all the people who would be attending, and I wove anecdotes about them into the speech. I wrote it out the night before on the large yellow legal pad sheets, and it basically wrote itself. I could feel her presence while doing so.

    It was important to me to emphasize who she was in her best years as a career woman, a mother, the fun times we had, the predicaments she and I got into and talked our ways out of, how she’d aggravate my dad by contradicting herself, but how it always worked in her (and my) favor.

    He was upset with the two-tone cranberry/blueberry platform shoes I wanted that she bought me (mid 1974) from the Florsheim shoe store, per a Playboy ad. (You HAD to be there then; that’s all I can say).

    So I wrote from the heart, nothing pretentious, not ‘trying’ to be funny. It just kind of worked out that way. Some of it is lighter, some darker, but at a funeral, I wanted to keep it lighter for that to be remembered later on. It was about 5 minutes. I got applause, hugs afterwards, and being told they’d never heard a speech like it before with big smiles. That’s what I wanted for her as a final gift. And, it was wonderful being told “You were great!”

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