Arizona State Route 89A winds through some of northern Arizona’s most dramatic scenery. The 84-mile highway connects Prescott to Flagstaff, revealing views of towering red sandstone, buttes, and cliffs, enhanced by a vast blue sky. Then, along the southwestern edge of the Verde Valley, a smattering of buildings snakes up the side of Cleopatra Hill, isolated and proud, beckoning you in.


As you enter the town, an eerie juxtaposition emerges. Abandoned, crumbling brick buildings co-exist alongside art galleries, hotels, and wine-tasting rooms. Welcome to Jerome, Arizona — one of the country’s spookiest towns.
Jerome was established in 1875, when prospectors staked claims on rich copper deposits. A mining camp soon emerged, named for the project’s biggest investor, Eugene Jerome. But the town’s remote location made mining difficult and costly. That changed in 1888, when William Clark bought a majority stake in the United Verde Copper Company and brought trains and electricity to the isolated camp. With modern infrastructure in place, the mine flourished, and by the early 1900s, Jerome had become Arizona’s largest copper-mining boomtown.

Immigrants from more than 30 countries flocked to Jerome in search of their fortunes. At its peak, the town’s population reached around 15,000, roughly 80 percent of them men. A rough-and-rowdy red-light district soon followed, with the Cuban Queen Bordello among its most notorious establishments. Legend has it that it was founded by Alabama-born Bessie Johnson, who operated under the persona Anita Gonzales, a colorful madam whose clients included jazz legend Jelly Roll Morton.

But Jerome’s wild reputation came with a darker side. Five separate fires tore through the town in the late 19th century, devastating its hastily constructed buildings. In 1899, Jerome petitioned Yavapai County for incorporation in an effort to better protect the town. Fire districts and building codes followed, but Jerome faced another threat no ordinance could contain: The ground beneath it was shifting.
Jerome’s maze of working mines was built beneath the steep slope of Cleopatra Hill. As miners blasted deeper into the mountain, the ground began to move, sending buildings sliding downhill. The town jail moved 225 feet, coming to rest in the middle of Hull Street — coincidentally, the center of the town’s red-light district. Rather than remove the jail, the town simply rerouted the road around it. Today, the aptly named Sliding Jail sits in its final resting place, its broken walls and exposed flooring framed by barred windows and doors. In 2017, the Cuban Queen finally crumbled as well. Retribution? Or a haunting reminder of just how unstable Jerome remains?

In 1926, the United Verde Hospital was built high on the hill, designed to withstand slides, blasts, and fire. By 1930, it was considered one of the most modern hospitals in the West, equipped with patient call lights, X-rays, surgical rooms, and an Otis elevator. But then Jerome slid into a slow decline — first copper prices fell during the Great Depression, then by the end of World War II, much of the richest ore had been depleted. In 1950, the smelter that processed the ore closed, along with the hospital.
By 1953, with fewer than 100 residents remaining after the mine’s closure, the town was nearly bulldozed. Luckily, six residents banded together to form the Jerome Historical Society and managed to save its historic buildings. Still, Jerome had essentially become a ghost town.

But alongside this vibrant new community, the ghosts of the past continue to haunt Jerome. Until it closed in 1950, the United Verde Hospital treated injured miners and residents, with an estimated 900 deaths occurring within its walls. Of course, all that death makes for some serious lore.
The building was purchased by Larry Altherr in 1994 — after sitting dormant for more than 40 years — and turned into the Jerome Grand Hotel. Almost immediately, reports of paranormal activity surfaced, including the sound of a phantom hospital gurney rolling along the third floor. New carpet was installed to stop it, but the noise continued.

Then there’s the tale of Claude Harvey, the hospital’s elevator technician, who was found dead beneath the Otis elevator in 1935. When Altherr brought in a team from the National Paranormal Association, some investigators claimed to have channeled Harvey, who reportedly said he had been murdered. Others swear they’ve seen a short, dark-haired man moving around the boiler-room office — the spot where the caretaker of the abandoned building hanged himself in the 1980s.
Today, paranormal enthusiasts still flock to the hotel, hoping to hear the ghost cat meow or experience some of the strange activity reported in the hotel’s most haunted rooms. Rumor has it that rooms 23 and 25 were “death rooms,” where terminally ill patients came to check in but never checked out; Room 32 is said to have been the site of two separate suicides. If you’re too scared to spend the night and investigate yourself, you can swing by for dinner at The Asylum, the hotel’s bar and restaurant, where a nurse is said to roam angrily ever since her desk was moved. Or you may choose to join Jerome Ghost Tours, which includes the Jerome Grand Hotel, along with Cuban Queen Bordello, among its scariest stops.
The town now has a population of roughly 450 people and more than 20 art studios and galleries. The best way to experience them is on the first Saturday of every month during the Jerome Art Walk, when you can meander from gallery to gallery while also visiting the world’s largest kaleidoscope store, Nellie Bly Kaleidoscopes, or the ghost-themed Haunted Hamburger.

You can also enjoy a surprising amount of wine tasting. Thanks to its proximity to the Verde Valley, an up-and-coming Arizona wine region, Jerome has about half a dozen wine tasting rooms tucked among its galleries and shops. Two of the most notable are The Original Jerome Winery and Caduceus Cellars. Caduceus, founded by none other than Tool frontman Maynard James Keenan, is perhaps the perfect embodiment of Jerome’s strange ability to draw people from all walks of life. If an alternative metal singer can reinvent himself as a winemaker, why shouldn’t a ghost town become an artist haven?

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Comments
I like visiting ghost towns and it’s not that I am a ghost hunter or paranormal investigator. I just find them quite intriguing. I have visited ghost towns scattered on and around Route 66. And though some are called “ghost towns” there are still inhabitants and maybe even a bank or post office or a general/convenience store serving the area. I’ll definitely put Jerome and Atchinson on my bucket lists. Great article.